Cover Songs Better than “Africa”
Unless you have just arrived on this planet from Mars, you’ve probably heard the Weezer remake of Africa. If not, you are so lucky, and I apologize for this in advance.
No. I don’t like it.
Honestly, though, I am not a huge fan of cover songs to start with. I mean, if the universe has been blessed with a great song, why mess with success? We pay these people a positively gross amount of money to be creative and I expect some original ideas out of ‘em. Get strummin’, Musical Cats and Kittens.
But that having been said, there are some decent remakes out there and over time I’ve tried to figure out why it is I like some remakes and not others and why I believe Weezer’s “Africa” is NOT even remotely the “best cover ever” as I’ve heard some people say over the past few weeks.
Not. Even. Remotely.
Kristin’s Rules of Cover Songs:
1)It can’t just be the exact same song sung worse by some douche.
This is what I despise about the Weezer version of Africa. It’s the same fricking song! Only it’s sung with less emotion than the original and the instrumental part is lame.
2)It needs to be a different song in some way.
This is really just a rewording of #1, isn’t it? My point is, just doing the exact same thing again and putting it out there is pointless. Do something different. Speed it up. Slow it down. Make it acoustic, or electric, or country, or dubstep. Deconstruct it. Reconstruct it. Make it do the Hokey Pokey and turn itself around. A fresh take on a song can make the listener experience it in a totally new way. It’s fun to have an entirely new emotional reaction to a song you’ve heard way too many times, to be transported to a different world by the exact same set of lyrics and general tune.
3)If you can’t make it different, at least make it BETTER.
Now that I see my rules all laid out here I’m realizing that my first three rules are really just the same rule stated in 3 slightly different ways. Kind of fitting for an article on remakes. Anyhoo, I will also accept a very similar version of a song if the person singing/playing it knocks it out of the ballpark, particularly if the original performance wasn’t quite up to snuff.
4)All the rules go out the window if the song being remade is a song that isn’t famous but deserves to be. If a cover takes a great song from oblivion to fame, all is forgiven. Even if it is the same exact song done over again, if it’s the B side of a 40 year old single from a band that no one ever listened to, remake away. You have my blessing.
There are plenty of obviously awesome cover songs that everyone has likely already heard like Johhny Cash’s version of Nine Inch Nails’ “Hurt”:
And Gary Jules and Michael Andrews’ take on Tears for Fears’ “Mad World”:
And since both those songs are super depressing, here’s Cake singing “I Will Survive”, made famous by Gloria Gaynor:
They’re great songs for sure, but I know of several off-the-beaten-path covers I vastly prefer to Weezer’s take on “Africa” that I will now submit for your approval. Not the same song just done over again, but different, better, or both.
Social Distortion – “Ring of Fire” (June Carter/Johhny Cash). Not as good as the either of the originals – both June Carter and Johnny Cash recorded this song with a lot of emotion, fitting since it was about their love affair – but it’s different.
Willie Nelson – “The Scientist” (Coldplay) – I like the original song a lot but I’ve always felt it was a little too saccharine somehow. Adding Willie’s grizzled voice to the mix adds some rawness. Plus it makes me imagine this old scientist constructing a time machine to go back to his youth and warn himself about an impending romantic disaster. This is a great example of a cover song telling me an entirely different story than the original.
Amy Winehouse – “Will You Still Love Me Tomorrow” (The Shirelles) Saying this is better feels sacrilegious since the original is so good, but I feel way more of an emotional connection to this version.
Alanis Morissette – “My Humps” (Black Eyed Peas) Don’t be scared to give this one a whirl, even if you hate the original. This is sheer fun (I’m not sure the word “fun” has ever been used to describe anything sung by Alanis Morissette) and vocally awesome too.
Ben Folds and Rufus Wainright – “Careless Whisper” (George Michael) This one actually breaks my rules, because it isn’t very different and it definitely isn’t better, but it’s got some magic in it I just can’t explain.
Let’s add a Rule 5 – Inexplicable magic.
Disturbed – “The Sound of Silence” (Simon and Garfunkel) There are so many remakes of Simon and Garfunkel songs I seriously considered writing a piece about JUST Simon and Garfunkel cover songs. But most of them weren’t different and/or better. You’ve probably heard this one already since it’s gotten radio play, but I had to include it since it was what gave me the idea to write this article in the first place.
First Aid Kit – “America” Another Simon and Garfunkel cover. I consider this the best song on this list and I demand you drop what you’re doing and listen to it immediately. It’s perfection. The original gives me goosebumps, this version gives me goosebumps on top of my already existing goosebumps.
Lindsay Stirling and Pentatonix – “Radioactive” (Imagine Dragons) Between them, violinist Lindsay Stirling and a capella group Pentatonix have a kajillion remakes on Youtube but this song is like two great tastes that taste great together.
Sia – Diamonds (Rihanna) This is a performance of a song that Sia actually wrote in the first place so I’m not sure if this is even a cover exactly but it’s still really good. While I love Rihanna, I kinda felt she was phoning it in on the vocals in this song and Sia doesn’t seem to be capable of phoning anything in ever.
Ryan Adams – “Shake It Off” (Taylor Swift) For reasons that I will never understand, Ryan Adams remade an entire Taylor Swift album and somehow transformed my least favorite song from my least favorite artist into something I actually kind of like. This is like the quintessential example of what I believe a cover song should do.
twenty one pilots – “I Can’t Help Falling in Love With You” (Elvis Presley) Last but not least, my favorite band singing a beautiful and beloved song with sweet simplicity. I had to get the Taylor Swift out of my ears somehow.
Harvey Danger did a great cover of “Save It for Later” by the English Beat. https://g.co/kgs/NLyKnaReport
Pete Townsend doing “Save it for Later” by the Beat:
https://youtu.be/pQ0zMDJKkbg
Dave Wakeling telling the story about Pete Townsend calling him up to figure out the odd tuning plus attending the show above (I think).
And, if you just like Pete Townsend, here’s a very “conversational” version that’s more about Pete than anything else.Report
Gosh I love that version too! Just a good song no matter what.
I listened to all three in a row and my daughter was like “that is the longest song i ever heard”Report
Wow I like that one a lot – and I love the original so that says something. Thanks.Report
Whoa whoa whoa. If we’re going with a cover of Simon and Garfunkel’s “America,” it’s gotta be the Yes rendition.
Other great candidates are the Who’s “Eyesight to the Blind” and Faith Hill’s “Piece of My Heart.”Report
I sadly must admit the Yes version is not my cup of prog.
And I don’t really love the others as well as the originals either – but they’re definitely valid remakes. (I will be seeing Faith Hill’s lacy blouse and blazer combo in my nightmares for some time)
All of them are WAY better than “Africa”.Report
I’ve always had a soft spot for the Mamas’ and the Papas’ California Dreaming, which has been covered a huge number of times. Of the covers, I’ll take the Beach Boys’ version.
https://www.youtube.com/watch?v=Oe3VBoE3g4kReport
California Dreaming is such a great song, although that one seemed a little Alvin-and-the-Chipmunk-y to me. Thanks!Report
First Aid Kit’s “America” reminds me of the S&G version from the Concert in Central Park. Are you familiar with it?Report
I am, although it’s been a while since I heard it. I’ll check it out, thanks!Report
Nick Cave covered Nina Simone’s Plain Gold Ring, giving it a sense of menace that only he can bring
https://www.youtube.com/watch?v=sQyxkHdO4PQReport
OTOH, I prefer Johnny Cash’s cover of The Mercy Seat over the original, for one thing he lets the lyrics stand out.Report
Well, here is a duet of the two covering Hank
https://www.youtube.com/watch?v=ovaGrcOEI-MReport
Nice. Thanks for sharing.Report
Agh that’s SO good. Thanks for sharing!Report
That actually gave me the creeps. I may use this in a future piece, thanks for sharing.Report
Although Whitney Houston’s version of Dolly Parton’s “I Will Always Love You” was the bigger hit, I think Linda Ronstadt’s version was pitch perfect.
https://www.youtube.com/watch?v=D090T2MSxKY
Linda’s voice has that marvelous ability to span from whisper sweet to shaking the rafters that the song requires.Report
I agree with this. Chip beat me to it, but this song is the one I always go to when a “covers” conversation comes up. My personal favorite is still Dolly singing it live to Porter Wagner, who she wrote it for, which has an emotional edge to it that isn’t describable but is obvious. This is a good write up on it, including Dolly talking about almost wrecking her car hearing Whitney’s version the first time. https://www.tennessean.com/story/entertainment/music/2015/12/26/dolly-parton-remembers-writing-always-love-you/77762172/Report
To be quite honest, I’ll take the Linda Ronstadt version of almost any song.Report
Linda Ronstadt sings the Mastersingers of NurembergReport
Her singing in The Pirates of Penzance is a revelation.Report
Also the three jazz/big band cover albums she did with Nelson Riddle. All terrific.Report
Why not? From Wikipedia: “Linda Ronstadt’s great-grandfather, graduate engineer Friedrich August Ronstadt (who went by Federico Augusto Ronstadt) immigrated to the Southwest (then a part of Mexico) in the 1840s from Hanover, Germany, and married a Mexican citizen, eventually settling in Tucson.”Report
Because Hanover is Protestant and Bavaria is Catholic.Report
Beautiful. I love Linda Ronstadt.
I hesitate to share this prematurely since I’m working on a sequel to this piece involving cross-gender covers, but this is my favorite Linda Ronstadt cover (well, technically The Stone Poneys):
https://youtu.be/w9qsDgA1q8Y
Sorry I don’t know how to post the youtube clip right, apparently.Report
I’ll vote for anything sung by Linda Ronstadt. A legend that sometimes feels underappreciated.Report
A remarkable thing is that when you go through the list of her hits just how many of them were covers. Blue Bayou? Roy Orbison. You’re No Good? Dee Dee Warwick. When Will I Be Loved? Everly Brothers. Tracks of My Tears? The Miracles. Desperado? The Eagles. Poor, Poor Pitiful Me? Warren Zevon. That’ll Be the Day? Buddy Holly. Love Is a Rose? Recorded but not released by Neil Young.Report
Is that unusual for singers who don’t write?Report
Yeah… I was thinking about this too. How many singer-songwriters are there? (As a percentage of the artists you hear on the radio, I mean.)
If you sing something written by someone else, does that make you a cover singer? There are song writers, after all, who couldn’t carry a tune in a bucket who make their livings writing for others.
We don’t hold it against the people for whom they write. (Heck, we don’t hold it against the people who end up singing the songs even if the song writer wrote it at a piano and put it out there for someone, anyone, to sing.)Report
I have no idea. Ronstadt emerged from the Laurel Canyon/West Hollywood thing in the late-60s to mid-70s, which was full of both songwriters and singer-songwriters. I guess I would have expected that as she got famous, she would have gotten first crack at more new (never commercially recorded) material that the writer thought “This is a Linda Ronstadt song.”Report
IMO, the rise of the singer/songwriter in the late 60s is due in large part to Dylan popularizing the concept, as well as the identification of pop music with its generation.
Up until then, it was just assumed the writer and performer would be different.
But it seems like starting with the rise of the boomer/ hippy/ youth culture in the 60s, audiences expected the performers to embody their music. So it was a big scandal when it turned out the Monkees didn’t play their own instruments.Report
It’s always funny to me when people freak out about music stars being inauthentic when the entire industry is pretty darn inauthentic. https://www.theguardian.com/music/2012/jan/21/lana-del-rey-popReport
Totally off-topic, but if you are ever looking for reading material, check out “Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops & the Dark Heart of the Hippie Dream” by David McGowan. It is a bit mind-blowing, if you enjoy crazy conspiracy theories that make you go hmm.Report
That’s true, and amazingly I never even noticed that before despite tending to dislike covers. Speaks to her abilities as an artist!Report
I have never been a Madonna fan, but here she is covering her brother-in-laws Stop, retitleing it as Don’t Tell Me. As he said, “I played it as a rhumba, she played it as a hit.
https://www.youtube.com/watch?v=FRLHro9EPD0Report
Wow I like that a lot. Thanks!Report
Liz Phair’s cover of Turning Japanese is very good.
What I think we can all agree on is that random street musicians trying to do 100 percent imitations of Jeff Buckley’s cover of Hallelujah need to be muted.Report
https://m.youtube.com/watch?v=3AlPVC4lggMReport
Ah, missed this the first time through, loved it! Thanks!Report
Otis Redding’s cover of “Respect” by Aretha Franklin.
Wait a minute! Strike that, reverse it. Thank you. The original was really good though.Report
Yeah I like both the original and the remake equally well in that case.Report
https://m.youtube.com/watch?v=BDwbjKoWqx0Report
Who couldn’t love that remake??
I never realized that is PJ Soles from Carrie till just now.Report
One of the first covers I loved, You Can’t Hurry Love, by Phil Collins, original by The Supremes.Report
I always liked that one too, Oscar. I remember it was one of the first songs I taped off the radio. Strangely enough, the same tape I recorded “Africa” on.
As a child I remember feeling worried that a very mean girl had left poor Phil in the rain for hours. But, you can’t hurry love.Report
PS – I know that’s two different songs, but as a kid I thought of them as telling one big story.Report
Kristen thanks this is a great column. Can’t write much now but just shared this with my husband and we can’t really define it it but there is a difference between a rendition of a song and a successful cover of a song.Report
Thanks so much Anne! Glad you enjoyed it!Report
My lest favorite cover: Romeo and Juliet (Dire Straits) by the Indigo Girls. One of the greatest things abut the original is the progression of emotions: anger, sadness, resignation, and finally hope. Gone completely in favor of making it “rawer”.Report
Gosh, I couldn’t disagree more. All those feelings are still in there, and I like the cover better than the original.Report
I am with you, Maribou! On my top ten list of favorite songs, period.Report
I prefer the original, but maybe that’s part of the point of a cover. I’ve definitely connected more emotionally with some cover songs than some original versions just because of the inexplicable magic element…something I just couldn’t put my finger on.Report
One of my factories artists
Richard Thompson has an album of covers called A Thousand Years of Pop Music. He goes all the way back to the Middle Ages but also covers more contemporary music like Oops I Did It Again and 1985. It’s a skilled riot.Report
Thanks Lee I love Richard Thompson will have to find that and check it out. Shoot Out the Lights is one of my favorite albums ever.Report
Fabulous! Really enjoyed! Thank you!Report
Cover songs are kind of funny as a general thing – it’s a category we only recently even thought of. Go see a symphony or a jazz band, how many of the pieces they pay were composed by one of the performers? Zero is a pretty safe bet…
Anyway, there are some great ones in this post – Cash’s cover of Hurt is the one I immediately thought of on reading the title. Morrissette’s cover of My Humps is awesome. Footnote to that – Fergie loved it and sent Alanis a cake in the shape of a bum to thank her.
I like both Michael Buble’s and the Ramones’ covers of the Spiderman theme song. It helps that I watched that cartoon a lot growing up.
I don’t know if you’d call Loreena McKennit’s Mask and Mirror am album of “covers” exactly, but it’s full of great adaptations of much older songs and poems.
Matt Mulholland’s cover of Rebecca Black’s Friday is pure gold. Say what you will of the song, it inspired some fun covers. https://youtu.be/hxleH60hDJY
And if for no reason other than the amazing video, Andy Rehfeldt’s black metal cover of The Good Ship Lollipop https://youtu.be/q5RJVQEQaIUReport
Glad you brought this point up. Cover songs only make sense as a concept when we strictly correlate song, song writer, and performer together. Before rock, the idea that a particular song belonged to a particular artist and everybody else was copying it would be ludicrous. Music was popular because everybody sung it. According to musical history Elijah Wald, if you went into a record song before rock, the shop workers would assume any good recording of a song would do.Report
The cover of Friday is insanely good! That is CRAZY! The existential angst of “what seat should I take”…
Lollipop is awesome and disturbing in all the right ways.
Thank you!!!Report
I am a huge fan of cover songs. I agree with your fourth point that if you’re going to do a note-for-note recreation of a song, you should choose a fairly obscure one.
I think that Gnarles Barkley’s cover of Gone Daddy Gone is juuuust on this side of obscure, but it’s a great example of the sort of thing I’m talking about. Why not listen to the original instead?
Well, if the answer is “nobody has heard of the original”, that’s a pretty good answer. (“Nobody but theater dorks has heard of the original” is a somewhat less good answer.)Report
That… Really does sound a lot like the original. I don’t really think of the Violent Femmes as obscure, more ‘not quite played to death whenever an album came out’ but maybe my circle of high school friends was non-representative.Report
Well, the original came out in 1983.
St. Elsewhere came out in 2006.
So there’s 23 years between.
Africa came out in 1982.
As we all know and use to justify why people ought to either believe things or stop believing things, it is 2018.
That’s 33 years between.
Surely there’s a formula to figure out the proper statute of limitations on whether you can remake any given song.
Would it be okay to remake Michael Jackson’s Billie Jean? Maybe Thriller?
The answer is: No. Hell no. Just forget even thinking about it.
Would it be okay to remake Smooth Criminal?
Eh. Maybe. If you speed it up a little.
Would it be okay to remake… Human Nature?
Ah, jeez. That’s a tough one, innit? The problem is that people wouldn’t really be able to improve upon it and, let’s face it, they’d probably take it in some weird Tori Amos direction without, you know, actually *BEING* Tori Amos and being able to get it there.
Better not to try.
But is someone wanted to remake… oh, what else came out in 1982… Avalon! If someone wanted to cover some Roxy Music songs, oh boy. They should.
Why should I be stuck here with only Roxy Music’s version of Roxy Music songs?Report
Smooth Criminal https://www.youtube.com/watch?v=CDl9ZMfj6aEReport
Oh, I’m aware.
There’s part of me that sees that song as a modern version of the old “cover” thing. Alternative Radio doesn’t play R&B. The problem is that Smooth Criminal is one hell of a good song. As close as you’re going to get to perfection in this vale of tears.
But it’s officially R&B or whatever we’re calling “race records” these days.
So get The Crew Cuts to be on the cover and the alternative radio can play it now.
Edit: Don’t get me wrong. Alien Ant Farm seems to be doing a “tribute” rather than a “rip-off” and they’re trying to celebrate Michael Jackson in the video. So I’m not yelling “THEY’RE RACIST!” or anything like that. It’s just that the song is good. But it’s R&B. So alternative radio stations can’t play it… but they’ll play the hell out of the AAF song.Report
I really liked the original, and I really liked AAF’s cover. I thought they kicked it up a notch quite nicely.Report
It’s a great song.Report
Hold on, there’s a kind of good remake of Billie Jean!
https://youtu.be/uE-DtlaX4ME
Human Nature is PERFECT and no one could ever improve on it. You’re right they’d Tori Amos it to death.Report
Oh, jeez. I’d never heard that.
I… I am not sure that it was a good idea. They executed it perfectly, made it their own… and yet.Report
… Which reminds me, i didn’t post it above but Tori Amos did a really good cover of Depeche Mode’s Enjoy the Silence.Report
I have never heard her do a cover that was less than amazing. She got me through the early 90’s.
Thank you!Report
I think that there might also be a bit of a caste system as well.
Let’s say someone tried to remake a Freddie Mercury song. People would get pissed off. I’m pissed off right now just thinking about it. WHO DO YOU THINK YOU ARE? YOU COULDN’T SHINE FREDDY MERCURY’S BOOTS!
Let’s say someone tried to remake a Phil Collins song. Who would care?
Let’s say someone tried to remake a Tom Petty song. You know what? Tom Petty would probably be happy to hear that. Good for them.
Let’s say someone tried to remake a Bob Dylan or Leonard Cohen song. Yeah, get in friggin line, pal.
It doesn’t seem to have much to do with whether they’re liked or beloved or whatever.
But there are people you can cover safely and people you can’t.Report
Metallica did a good one.
I remember loving this one as a kid, both versions. The Metallica version was on their Garage Days EP.Report
Well, that gives me an opportunity to link to a cover of Metallica’s!
There’s a reggae cover of Unforgiven that is worth listening to even if you don’t like Metallica (the reggae doesn’t really start until about 34 seconds in, so give it a chance).
(And there’s a Four Chellos cover of Sanitarium that I’d recommend to anybody. Like, including elderly relatives anybody.)Report
How about Metallica covering Bob Segar https://youtu.be/dOibtqWo6z4Report
I just wanted to let people know, this video is pretty upsetting if you’re sensitive to sexual violence and children in peril.Report
I LedOL.Report
I had never heard that song before so I listened to the original too and yeah, it was pretty similar. But obscure, so it could be a rediscovered gem. Thanks!Report
I recently ran across piano versions of Sweet Child O’ Mine. I can’t say that any one of them blew me away beyond the first few bars, but that intro is remarkably beautiful on piano.Report
Sheryl Crow did a decent cover.
https://www.youtube.com/watch?v=CowwMR1hDPMReport
Ah I really liked that, thank you!Report
Oh, and Hüsker Dü’s cover of Eight Miles High is sublime. I like it better than the original.Report
Here is the only Husker Du cover you need to know about.Report
(Hovers over… is it Mary Tyler Moore? I bet it’s Mary Tyler Moore. *clicks*. It’s Mary Tyler Moore.)Report
Ah, that’s fun! Thanks!Report
Yeah that’s awesome.Report
Postmodern Jukebox is a has reinterpreted into a different genre like a thousand pop songs on YouTube, and most of them are great.
I also like the S&G cover. Probably most of you have seen it, but Bernie Sanders had an ad out with that song (the original), that for me was one of the two best ads during the 2016 cycle.Report
Finally had a chance to check these guys out – fantastic! Thanks so much!
I love bass, so I particularly liked this one https://youtu.be/iyTTX6Wlf1Y and for some reason they made two renditions of the same song https://youtu.be/aLnZ1NQm2ukReport
Just wanted to say thanks for that America cover – it’s really lovely.Report
My pleasure! Thanks for reading!Report
I actually saw Weezer perform this live back in July at a concert in Cincinnati. It feels a bit like this one got away from them and Rivers kind of wishes he didn’t have to keep playing it, but the crowd did enjoy it in a cheesy way.
As for covers in general, I’m a firm advocate that every concert is better for having at least one of them. I saw Jason Isbell shortly after Tom Petty died and they closed with ‘American Girl’. When that opening guitar riff started it brought the house down. I’m talking goosebumps and people in tears while they were singing at the tops of their lungs. Love those moments.Report
See I wonder if part of the reason I dislike the song as much as I do, is because I really do like Weezer (at least Weezer of a couple decades ago, LOL) and I wish some of their actual songs were getting as much love and play as “Africa” is.
Live covers I don’t mind and in fact enjoy – the spontaneity of it all. There are a lot of fun live covers I really like even when they’re not perfect or better than the original.Report
I enjoy this take on take on me by some middle aged dudesReport
He hasn’t aged a day!
My favorite song of theirs was the “sequel”. “The Sun Always Shines On TV“.
That’s one of my “drink some wine, listen to some youtubes, play some games” songs for a Friday night.
And what you posted had me ask “dare I search for whether they did Sun Always Shines?”
AND THEY DID!!!
THANK YOU SO MUCH!!!Report
(And the strings callback in the unplugged session to the original music video? Chef’s kiss.)Report
I had no idea that a-Ha had another single, and were the Faceless Men in the House of Black and White.Report
That’s beautiful, thank you!Report
I’ve got a bit of a musical crush on an indie band called State 2 State, who does exactly one cover song in their live sets:
https://www.youtube.com/watch?v=oQu_tW6LEX4&w=560&h=315Report
Nice. I like that.Report
My leader in the clubhouse is the absurdly talented, and absurdly eccentric, Cat Power. Her covers of “Satisfaction” and “Wonderwall” are both excellent
(My leader in the clubhouse for worst cover? Elvis Pressley’s unforgivable hatchet job on “Hound Dog” which renders the song’s lyrics entirely meaningless. Eww.)Report
Oh, and also, The AV Club’s Undercover series is awesome, and is a great place to go searching for new bands covering classic tracks.
Here’s the Dirty Dozen Brass Band doing Beck’s “Debra”
Here’s The Regrettes doing Sweet’s “Fox On The Run”
And here’s Passenger doing TLC’s “Scrubs”
All of these are from the show’s eighth season. There are lots and lots and lots to explore.Report
wow I especially like “Wonderwall” Thanks!Report
Ben Folds Five doing Flaming Lips “She Don’t Use Jelly.
Nouvelle Vague‘s take on The Buzzcocks’ Ever Fallen in Love (With Someone You Shouldn’t’ve).
Listen with pleasure.Report
Nouvelle Vague’s bossa nova takes on classic punk and new wave songs are something to behold. I like their version of Guns of Brixton by the Clash.
Pedantic Alert: Johnny Cash singing Ring of Fire is a cover. The original was by the Carter Sisters.Report
Jimmy Cliff does a really powerful version of Guns of Braxton.Report
Dude! Jimmy Cliff!
Bruce Springsteen has the best Jimmy Cliff cover, like, *EVER*.
https://www.youtube.com/watch?v=K2eE9H7NzwwReport
Heck, just listen to the original.
https://www.youtube.com/watch?v=fRge7lXu56EReport
Oh yeah I’ve heard that before, I like it! Never realized that was a cover. Thanks guys for posting! Gettng a lot of new stuff to explore. 🙂Report
Ah yes, Ben Folds has a lot of great covers, I was hard pressed to pick just one.
Really really really liked Nouvelle Vague, thanks!Report
https://www.youtube.com/watch?v=zvMFm5nKeUcReport
Oh yeah I remember that one! Thanks!Report
https://www.youtube.com/watch?v=AehZ6EAxlMIReport
That’s awesome. Remind me to hire you to DJ sometime. Thanks.Report
https://www.youtube.com/watch?v=IkVpb5WBS8UReport
One more. Jimmy Webb covers his own song.Report
Bob Mould did the same thing!!!
https://www.youtube.com/watch?v=n0YMgdcCuK4Report
DUDE! BOB MOULD!Report
I was told to come to this thread, so I’m going to cite all the covers of Beethoven, Mozart, Vivaldi, and Bach, because that’s all orchestras play these days – covers.
But seriously, here’s a Procol Harum 2006 cover of Whiter Shade of Pale, originally performed by Procol Harum. The song debuted in 1966, so the video is 40 years later. It’s just spooky, like something out of Doctor Who.Report
That’s actually a good point. Hadn’t thought of it that way.Report
Oh, if we’re going to count people remaking their own music, I’ve got to bring up Neil Young. He’s been doing this so long that he doesn’t have any undue respect for early rock – he can cover it, even his old stuff, without having to pay tribute to it or prove something by tearing it down. His live stuff is sometimes sloppy, but that’s part of the charm (at least, it’s charming when you can listen for 20 seconds then try another video).Report
https://youtu.be/lGKNKf7ebDQReport
Can a token metalhead throw in Volbeat’s cover of “I Only Wanna Be With You”
https://www.youtube.com/watch?v=kWHPPMcHoLkReport
The better than Weezer Africa cover:
https://www.youtube.com/watch?v=MH9FyLsfDzwReport
Metal dude playing Toto wearing a Joy Division t-shirt is too much to process.Report
One other I really like is John Mellencamp’s rendition of Van Morrison’s “Wild Night.” The latter is good, but Mellencamp’s is just better.Report
I… I… have no words. I’m offended on a religious level.Report
Several people have raised the point of classical music. Symphonies perform versions of the same pieces and that’s expected. This whole deal with a song “belonging” to anyone is definitely a 20th century+ concept.
But this got me thinking – an oboe is an oboe is an oboe but with modern music, the voice is the instrument. Tom Waits and Kelly Clarkson are just not playing the same instrument. It seems to me like a cover song can be like taking a piece written for a violin and performing it with a piccolo and then changing the tempo markings and essentially turning it into a new song. Classical musicians don’t do that (at least that I’m aware) and in fact their goal is to play the music as written. So it’s no wonder the London Symphony can play the same piece as the Chicago Symphony and it really doesn’t matter what recording people buy.
But add in the vocal instrument and people do start wanting to hear the different versions. People might want to hear the same piece sung by Maria Callas and Marion Anderson and it will still be the same song, but definitely worth hearing both versions. Modern music takes this even further, with the potential to change pretty much everything about a song. I think the ability to change voices and tempos and instrumentation really does make modern covers an entirely different animal than classical music.Report
Groups like Bond put new spins on classical pieces.
https://www.bondquartet.com/Report
Is it then ironic that the video for Ironic looks to be the most fun Morissette ever had in the music industry?Report
There’s gotta to be a name for the entire genre of songs that were written by someone, made popular by someone else, and people then discover the original songwriter. Carole King was pretty famous for this. Dan Navarro a bit less so, (and partly because his brother Dave is a lot more famous).
One of the best concert experiences I ever had was when Navarro opened for another band (Eddie from Ohio) and at the conclusion, Eddie from Ohio brought Navarro and his bandmate* back on the stage and they all did a rendition of We Belong that burrowed into my soul.
*I can’t remember who, Lowen had long since passed awayReport
Most of BBC Radio One’s Vevo channel is current artists doing covers of other current artists along with some ‘oldies’
Australia radio station triple j’s Like a Version is even more dedicated to that theme.Report
I enjoyed this one:
https://www.youtube.com/watch?v=w23kQ8mufMg
Superorganism, by the way, is a blast live.Report
The internet has provided Kristen with the spiciest of takes that I suspect she will very much enjoy:
https://twitter.com/matt_T/status/1052986038933696513Report
Agh, that’s mean! You know what they say, never ask a question you don’t want the answer to.
Seriously, I do like Weezer and would love to hear an actual new Weezer song that was a) getting this kind of attention and b) was worthy of getting this kind of attentionReport