Sunday Morning! Bowles on Film
Wrapping up our Bowles-o-rama with three depictions of Paul and Jane Bowles on film, in somewhat mutated forms.
Wrapping up our Bowles-o-rama with three depictions of Paul and Jane Bowles on film, in somewhat mutated forms.
On Paul Bowles’ short story, an alleged murder he committed, and the rediscovery of Sara Driver’s 1981 no budget film adaptation.
Jane Bowles only wrote one play. Like her one novel, In The Summer House is a strange tale of eccentric women and the ways their eccentricities set the course for the weaker-willed people around them.
The Bowles series continues with Paul’s 1955 novel about the Moroccan independence movement and the struggles of ordinary people to keep a corner of their souls free of political power struggles.
Exploring the Bowles cannon continues with Jane Bowles’s more comedic novel about people who also wander halfway around the world to hear their own voice.
A debut novel that feels a bit like a rupture, not quite like anything that came before it, but marking a great deal that came afterwards. In The Sheltering Sky, Paul Bowles left all sentiment to die in the desert.
Berit Ellingsen’s beautiful and enigmatic debut novel details a modern day hermit seeking to avoid doing violence on an alien planet- ours.
In Georgian England, you could be hired to live as a hermit on a rich person’s land…Right about now, it sounds almost too good to be true.
“Perry is definitely a writer. His essays are meandering and misshapen, slippery and jagged, they wriggle and bite. But, read them for a bit, sit with them and get to know them, and you find they’re also gentle and wise. I mean, it’s a bit hard to get a bead on them, but that’s how identity is, right?”
This week, I finally got up the nerve to write about Agnès Varda’s masterpiece “Vagabond,” a sort of reverse murder mystery: instead of wondering who killed the main character and why, we wonder who failed to save her and how.
Remembering the masterful Viennese writer whose works depict a high society of childlike adults living in an unreal dream that would, soon enough, give birth to the great nightmares of the twentieth century.
In the case of America, the accepted standard for broadcasting and spoken English sounds more like a Midwestern vernacular
On the end of grief, and James Baldwin’s classic story of grief at the beginning and end of first love.
Viewed from one perspective, a funeral is a unit of measurement marking the gap between our most important questions and the boundaries of our understanding
The time felt right to reread Thomas Mann’s novella and watched Lucino Visconti’s 1971 film of desire and disease and our inability to quarantine either of them.
So how did I find myself on my city’s official “reopening” downtown giggling uncontrollably with my friend, both out of our minds on acid? Well…
J.D. Wilkes’s debut novel packs every Southern myth and legend into one epic, rollicking fricasseed Odyssey. Let’s call it Southern Gothabilly.
The “rediscovered classic” of academic life does what great art is supposed to do: immerse us in the inner life of an individual without romanticizing him, It is ennobling.
By subverting her narrative multiple times and in many different ways, the memoirist gives a good idea of the disorientation and terror of an abusive relationship.
All human plans are provisional and the rules change every day. I say we keep gardening.