2 thoughts on “A Hopeless Semantic

  1. As Keillor wrote, the sort of thing that soon slumps to such rhymes as ‘sibylline/porcupine’ and ‘cereal/immaterial’…

    1. In my songwriting teens and twenties, I’d end up falling in love with a weird rhyme (or rhyme scheme), then try to get people to like the song *for that rhyme.* I needed people to like my songs as a means of liking ME and validating my cleverness – even though liking just lyrics means you don’t even have to hear the song.

      Nowadays, I’m much better (i.e., it happens at all) about thinking through my songs from others’ perspectives. If they don’t notice or care about rhymes or vocabulary, what’s there for them? But I had to get over myself a lot first. And very few people get into art while also being over themselves.

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