100 Favorite Films To Recommend Part 8: The 1990s
After a decade of auteur focused film-making in the seventies helped bridge the path past its golden age, and a blockbuster and franchise dominated eighties helped it to start making big money at the box office more consistently, Hollywood had come into the nineties as strong as ever. This is a decade that would see a renaissance for animated feature films and new original stories that would become part of of my generation’s list of classics. The last decade that the Academy Awards were must-see television for a lot of folks. I was born in 1989 and grew up in the nineties, and thus this is the most nostalgic list of films I’ve done yet for this series, as many of these are films I grew up with as a kid, a few that I even saw on the big screen in theaters when they came out. It’s for that reason, I believe, that for a second straight decade I ended up listing no film that won the Best Picture award at the Oscars (though four were nominated for the prize). It’s also for that reason that this decade seems to be dominated by animated films for my choices.
This list includes arguably the only gangster film to rival The Godfather, the first animated film to be nominated for Best Picture, the first ever film I saw in the theater, a twisted and fun vision mixing together the two most popular holidays, the movie that made Quentin Tarantino a household name, the start of a romance trilogy, a cult sci-fi film that has endured as a classic, a beautiful and yet tragic film about a father and son, an animated remake of a story that has shown up twice before in this series, and a Stephen King adaptation that went to the Oscars. These are my picks for my personal favorite films from each year in the 1990s.
1990: “Goodfellas”
Before Goodfellas, gangster films seem to glamorize the lifestyle of the mob. But then came this film based on the real-life rise and fall of Henry Hill, played by Ray Liotta and with Robert De Niro and Joe Pesci (who won an Oscar for his portrayal as the most dangerous character in the film) as his partners in crime. The film is beautifully shot but what has made it stand out as arguably the only gangster film that could rival The Godfather are memorable characters, quotes that have permeated the culture, and scenes that you can watch by themselves like individual tracks to a a great album. In fact, this is one of the few films that Siskel and Ebert agreed on as their favorites of the year, so I’m in good company.
1991: “Beauty And The Beast”
After Walt Disney’s death in 1966, the Walt Disney Company struggled to find its identity. It had hits and misses with a successful launch of Walt Disney World but a film division that struggled. The animation studios may have struggled the hardest and were being threaten with being shutdown by the eighties after the underrated The Black Cauldron bombed at the box office. The company was in even worse shape as it teetered on the edge of being broken up and sold. Enter Michael Eisner and Jeffrey Katzenberg – who came in and saved the company, expanding its theme parks and looking over an era of animated films known as” The Disney Renaissance” that I was blessed to have grown up under. In 1991, a musical based on the fairy tale of Beauty and the Beast exploded at the box office and won so much critical acclaim it became the first Best Picture Oscar nominated animated film in history (though arguably many animated films should have received that honor before and since). The film is packed with great characters, great songs, and great animation that was history making for its time.
1992: “Aladdin”
The first ever film I saw in a theater was this Disney retelling of the Arabian tale of Aladdin and the magic lamp. This was a year packed with great films like A Few Good Men and Unforgiven, but this movie still stands out to me as among my favorites of Disney’s animated cinema. Like Beauty and the Beast, it’s filled with memorable characters, music, and animation, and became such a hit that the teenage bopper-dominated MTV even gave it a nomination for one of the best films for its own film awards.
1993: “The Nightmare Before Christmas”
This modern Christmas classic (yes, I’m firmly on Team “Its a Christmas movie”) that mixes the holiday with Halloween as Jack Skellington, the Pumpkin King, discovers the second best holiday of the year (and yes i’m firmly on Team Halloween), was, amazingly, barely supported by Walt Disney’s film division. The movie was released under Disney’s Touchstone Pictures and the hope was it could maybe break even, seen as a quirky project by Tim Burton at best – and Burton himself was busy with other film projects while producing this. The movie ended up being a surprising moderate hit at the box office and then in the decades since has become an iconic film that everyone seems to put on during the holidays. And for good reason; the movie’s animation is impressive, took painstaking work, and was different than what was happening at the time. The music is incredible, catchy, and the soundtrack can be played on its own as a great album even without the film. Unfortunately I am bothered by the fact that Vincent Price was to voice Santa Claus, but was unable to do so as he was in his twilight moments in life.
1994 “Pulp Fiction”
I consider Quentin Tarantino the best storyteller in Hollywood today and while the great Reservoir Dogs came out before this one, Pulp Fiction was the film that put him on the map. I first saw this film when I was in high school and was amazed at the mixture of genres such as gangster, dark comedy, and drama. Even though they’re presented out of order, every scene keeps you intrigued and every twist makes your eyes pop wide open. A mixture of violence and comedy that somehow ends up a perfect recipe for a fun watch. On another note, This year is up there with 1939 and 1954 in my picks for the best years for cinema so if I pick this over great cinema like Forrest Gump or would-be cultural classics like The Santa Clause or an iconic Disney film like The Lion King, that should tell you how high my praise is for this film.
1995: “Before Sunrise”
If I had to peg what I’m the biggest sucker for in cinema it’s two things – romance and good dialogue between two characters in a running conversation. It’s why films like The Two Popes make my top favorites of the year list, and this small and intimate film about an American man and a French woman walking around Vienna for a whole night getting to know and falling in love with each other pulls off both. The movie is basically ninety plus minutes of a nonstop conversation that ends open-ended and somewhat bittersweet. Amazingly the film was able to get a sequel nine years later and another one nine years after that, thus forming a trilogy of a romantic arc between these two that spans decades.
1996: “Independence Day”
With a year like 1996, I could go with great Oscar nominated movies like Jerry McGuire or Fargo, or maybe even go with the underrated in my mind Disney film The Hunchback Of Notre Dame. But I love my popcorn flicks and Independence Day is one of those sci-fi blockbuster movies that defied some mixed reviews from critics to become a massive box office success, get various award nominations and wins for its visual effects, and become a modern movie classic. I got to see this on the big screen when it came out and the movie has not aged badly since. It’s got a huge cast, epic stakes, various locations, and it’s just a plain old fun film that you can watch anytime for some easy entertainment.
1997: “Life Is Beautiful” (AKA: “La Vita E Bella”)
Life Is Beautiful is a beautiful (no pun intended – honestly!) piece of cinematic work from out of Italy, and next to Pan’s Labyrinth might be my favorite European film I have sat down to watch. It’s tragic and dark in its depiction of the holocaust and with a gut punch of an ending, and yet the film somehow mixes some comedy and lighthearted moments that inspire. I don’t know what else I can say but to put down everything you’re doing right now if you haven’t seen this one and go and watch this gem.
1998: “The Prince Of Egypt”
1998 was the hardest year yet for me to pick one film to recommend as my favorite of the year. I could have gone with the wonderful Disney animated Mulan, or I could have gone with the second remake to my favorite film of all-time in You’ve Got Mail, but I had to go with what may be my favorite non-Disney animated film I’ve ever seen in The Prince Of Egypt. This is the third film in this series to be featured regarding the book of Exodus and what makes this version stand out is the amazing animation put to screen here, the great voice work, the songs so memorable a Broadway production of the film would go on to be made, and a beautiful score that might be the best one in all animated cinema.
1999: “The Green Mile”
Stephen King is one of my biggest influences when it comes to my fiction writing. His tales of horror are well known and a film adaptation of his horror work has already been featured on this series (The Shining). But he’s also made some great non-horror including a story that would be adapted to a great modern classic in 1994’s The Shawhshank Redemption. Five years after that we got this Oscar nominated masterpiece based on a series of books King released, The Green Mile. From the start you know the fate of our doomed protagonist and yet as you get to know more about him and learn the truth behind his circumstances, you hope there will be a happier ending for him. The movie is a great example that King’s storytelling, whether it be his books or their film adaptations, can reach past the horror genre and still touch us.
And thus ends the list of my favorite movies from the 1990s. If you haven’t yet please do read my similar lists for the 1920s, the 1930s, the 1940s, the 1950s, the 1960s. the 1970s, and the 1980s. The goal of this series is to hopefully help others discover some great films they might want to try out while most of us are stuck at home, and as always I do enjoy others’ recommendations in the comments. Next time, I look at a new century of cinema – the 2000s.
No mention of Jurassic Park? Maybe it is because I was 10 when it came out, but that seems like a pretty seminal movie for this time period. Not just because it was fun and awesome and whatever, but it seemed to really change the game and set the bar for visual effects. A major life regret is not seeing this movie in theaters, but the power of the scene when the team first sees the dinos still gives me tingles. There are a number of fantastic scenes and it shows what can be done when you have elite talents in so many phases of the film (directing, music, effects).Report
What’s most amusing to me about JP is how everyone talks about the CGI and then points to sock puppets and rubber costumes as examples…
this is not to detract from the FX achievements, it’s to point out how this kicked off a “CGI in EVERYTHING” boom based on people thinking that the wrong things were CGI!Report
Wow this is the first list of yours where I really strongly disagree with some of your choices. (I get that it’s a list of faves so I don’t mean “disagree”, just that I don’t think some of these movies are worthy of you LOL)
IMO Independence Day ruined movies for the next 25 years and we’re only just now coming out of it.Report
From what I can infer, this is the decade when the writer first experienced films in real time. Naturally, they’re going to gravitate to more kid stuff.
That said, I was a little surprised at first by the lightweight material, until I had that epiphany.Report
Good to see Beauty and the Beast and Aladdin on the list. It was a real joy when Disney rediscovered animated musicals, something they’ve pretty much always done better than anyone else.Report
I really liked Pulp Fiction and Before Sunrise. I might have added to the list Dumb and Dumber (though I think it conflicts with Pulp Fiction…I’m too lazy to look up the year). It’s not a “good” movie by almost any definition good, but I loved it.
I’m sure The Nightmare Before Christmas is a fine film, but I just can’t bring myself to watch it.
Green Mile is one of those movies I re-watch every once in a while.Report
‘The Big Lebowski” came out in 1998, the year your second pick after ‘The Prince of Egypt’ is ‘Mulan’. I think many readers may find your devotion to animated films a little excessive.Report
My list:
1990 – The Freshman A great running gag about how much Marlon Brando’s character looks like Marlon Brando.
1991 – Terminator 2: Judgment Day Who doesn’t love a good Ahnold romp?
1992 – Glengarry Glen Ross As dark a film as you’ll ever see.
1993 – Grumpy Old Men The last great Lemmon/Matthau film. Burgess Meredith is great in a supporting role.
1994 – Crooklyn A sweet tale from Spike Lee.
1995 – Get Shorty Dennis Farina making some brilliant threats.
1996 – Trainspotting Based on the wonderful Irvine Welsh novel.
1997 – The Fifth Element Bruce Willis is a good actor. Gary Oldman is a great actor.
1998 – Saving Private Ryan There are not enough good things to say about this movie.
1999 – The Matrix The Wachowski Bros. (at the time) paint a horrific picture of the future. Hugo Weaving steals the show. Brilliant, ground breaking special effects.Report
1998 – Substitute The Big Lebowski. How could I have forgotten my favorite film ever?Report
Oh my: I forgot about GG Ross. It’s one of my favorites! I’ll add that while it is indeed dark, it’s also very funny if you watch it enough. At least that’s my opinion.Report
The scene with Al Pacino and a very drunk Jonathan Pryce is pretty funny.Report
Some great great films durting the 90’s, and so many years with tough calls on my faves.
1990: Goodfellas; 1991: Silence of the Lambs; 1992: Army of Darkness; 1993: Groundhog Day; 1994: Pulp Fiction; 1995: Toy Story; 1996: Fargo; 1997: The Fifth Element; 1998: The Big Lebowski; 1999: Tie – The Matrix and Office SpaceReport
I like this list. I don’t know that I could argue against any of them.Report
I was going through the lists of ’90s films in Wikipedia, and I was taken aback by how easy it was to pick a favorite from most years. That decade was a little lackluster in terms of filmmaking.Report
In retrospect I would call the decade the zenith of the event-blockbuster movie. The result is a lot of stuff that was cutting edge for its time but hasn’t held up very well for a host of reasons.Report
Which ones do you feel don’t hold up?Report
From the list or more generally?Report
More generally. Curious to hear more on your perspective.Report
It’d probably take my own essay to get into it with any depth and of course there are exceptions (I’d cosign most of Slade’s list as cream of the crop). Here are some things that I think illustrate the weakness I associate with the decade:
-Really high end production value including consistently good cinematography, really cheap emotional resonance. You could put basically anything with or involving Kevin Costner at the beginning of the decade in this category and Titanic at the end. Tombstone suffers from this somewhat as well as the Batman sequels. Like try to watch some of these now with a straight face but remember how huge they were.
-Everything wants to be Terminator 2 but not every director has the talent of James Cameron or willingness to take a hard R rating. From this list Independence Day is a great example but you also see it in the first run of Jurassic Park sequels. Before we had super hero franchises (which I’m no fan of either) we had the truly perfected blockbuster of the 90s as marketing machine around mostly so-so concepts.
-Tarantino imitations, so many Tarantino imitations. Granted I think the only Tarantino movie that really transcends his schtick is Jackie Brown, probably because it’s based on a book not something he wrote.
This is all just my opinion and there are plenty of movies I like from the 90s and plenty of crap from other decades. I’m sure you could also come up with plenty of indie fare that doesn’t have these issue. I don’t think it’s one of the important ones for the art (especially compared to the 50s or 70s).Report
This makes sense and I think why I was so curious to hear your points here was because, as someone who was largely a child of the 90s (born in 1983), I simply didn’t really have that experience with these films. But I saw most of them during a different stage in life (unless of course, I’m misremembering/making wrong assumptions about your age) and they “mean” something different as a result. If I reflect back on these movies thinking through this lens, I can see your point. It’s just not where I go instinctively when I watch/think of them. Thanks!Report
Yeah, I was thinking as I read this particular list “I saw most of these in the theater!”
The list from the 80’s had but three: Raiders, Ferris, and Batman. Now, I did see others on the 80’s list… but on HBO or TBS or from Blockbuster.
This was the first list that entirely took place during a period in which I had a car and a job.
So I look at these movies and think about the theaters, many since closed, where I saw these.Report
How old are you, JB?Report
Lemme check.
That can’t be right.
It says “47ish”.Report
Nah me and you are close in age and we probably experienced the decade mostly the same way. My dad is a huge cinephile so maybe I ended up being exposed to more than usual including some more adult fare through my childhood. I was also kind of a latchkey kid and am considerably older than my brothers. Between my parents working and the distractions of younger children my viewing wasn’t policed at all, either at home or at friends houses.
I’m also happy to sit and watch pretty much anything no matter how weird or bad as long as I haven’t seen it before. I end up re-seeing things as an adult or things I haven’t seen but have vague memories of the preview on a blockbuster tape. I’m sure others could give a much more nuanced take with more personal perspective but I’m pretty confident nothing came out in the 90s that will be considered seminal in the way something like The Searchers is.Report
I looked over some movies sites while awaiting this article, and I couldn’t find anything for 1991. (Note: I’ve never seen Silence of the Lambs.) L.A. Story has good moments but isn’t a good movie. The Doors features one great portrayal, but the movie doesn’t go anywhere. The Commitments is a great soundtrack. Barton Fink is the Coen Brothers at their most navel-gazing, and John Goodman knocks it out of the park, but of course he does.Report
That was the trouble I had. A lot of good but not great films.Report
The Fisher King was my favorite movie for a while there. Lord knows, it hasn’t aged well…
But if I were going to pick a 1991 movie, I’d pick The Fisher King.Report
I forgot about LA Story. That’s one of my favorites, too.Report
But then came this film based on the real-life rise and fall of Henry Hill,
Quibble: It’s based on the stories Henry Hill told about his life, and Hill was a born liar.
Great film, though. Also a good book.Report
But 1990 is an impossible choice between Goodfellas and Miller’s Crossing, one of my all-time favorite gangster films. The Coens start with Hammett’s The Glass Key, about the friendship between a gambler and a gangster/political boss, and turn it up to 11.Report
I don’t think either film was successful storytelling, though. Goodfellas mirrored the state of mind of the protagonist, which was sloppy and coke-addled in the last quarter. I understand what it was going for, but it didn’t carry the narrative through the way, say, De Palma’s Scarface did. I almost love Miller’s Crossing, and there was one time I actually think I understood the story for a few minutes, but that was after a few watchings and I might have been mistaken.
The Coen Brothers’ cinematographer / director of photography, Roger Deakins, also did The Shawshank Redemption, Dead Man Walking, A Beautiful Mind, and The Village. I think maybe a lot of Hollywood directors have ridden his coattails to success. The same might be true of Scorsese’s guy Michael Balhaus, who also did Air Force One, Quiz Show, and Dirty Rotten Scoundrels (remember those beautiful outdoor shots?).Report
What I love about Miller’s Crossing is the dialog:
* “Dangle.”
* “What’s the rumpus?”
* Don’t give me the high hat.”
And characters like Eddie Dane, the meanest thug in the world.
“I won’t kill you now, because if I found out you was lying to me, I couldn’t kill you then.”Report
I don’t know why Gabriel Byrne didn’t become huge. Some of that dialogue, one slip-up and it would have fallen apart. I don’t think Jon Polito pulled it off. But Byrne nailed it.Report
Or JE Freeman. Eddie Dane should have been his breakout performance.Report
I thought Goodfellas had the basic rise high fall hard kind of plot, even if falling hard is just boring life in witness protection instead of death/prison. I’ve attempted Miller’s Crossing numerous times and still can’t ever make sense of it or even maintain focus.Report
In real life, Henry Hill got kicked out of witness protection because he couldn’t stop being a criminal. As far as I know, no one ever went after him.Report
I remember hearing that. The local NPR station had a really long and interesting interview with his kids when their book came out.Report
As you decode the slang, it turns out half the dialogue of Miller’s Crossing is about which men are lovers, which is something I didn’t realize at first. But it’s not one of those movies that you understand a little better with each viewing. Sometimes I lose ground.Report
All you people who don’t understand Miller’s Crossing, you are dead to me.
None of you are Eddie Danes boy.Report
Coincidentally, I watched The Black Cauldron for the first time last night. It’s not underrated; it’s awful. Though it might take someone who grew up with the Prydain books to appreciate how thoroughly they removed everything that made them great before mixing in generic teenaged hero, personality-free Disney princess, and look-at-how-evil-I-am villain to create a film with no strengths.Report