Saturday Spins: Wilco Schmilco
Folks, not sure how I can carry on after covering the perfect album last week, but I am a slave to the Discogs randomizer. This week, I’ll be covering another release from dad-rock1 titans, Wilco. I covered Wilco here before on their latest release Ode to Joy. It was a special “Sunday Spin.” Backing up a little, I think we should maybe have an honest conversation about the term “dad-rock,” which I am fairly certain was invented by some music journalist as a pejorative term for what Wilco does best, and that is defy genre and cater to a big tent of fans.
Wilco
Schmilco
2016
Commentary
Wilco plays an integral role in my collection, I own almost every one of their releases on wax, along with Ryan Adams and Bob Dylan. This album was released in 2016 as a follow-up to the freely distributed Star Wars. Jeff Tweedy is a prolific songwriter, and overall great writer in general. Seriously, go read his autobiography. Schmilco is a collection of songs that are about growing up, which may be what spurred Tweedy to write that autobiography.
As you can see from the picture we have another #coloredvinyl; this one being my favorite color, orange2. Translucent orange too. The album artwork is…something. It was done by surrealist cartoonist, Joan Cornellà in a collaboration with artist/designer, Stefiana Lusini. There are no true liner notes, just tiny printed lyrics and acknowledgements/personnel on the left of the gatefold. It’s always fun when it is a single LP gatefold album.
Anyway, as I mentioned before, Wilco is a good chunk of my collection. This album, however, is definitely not their best effort. In fact, it is the opinion of your hero that they haven’t really had a strong effort since 2012’s Whole Love. I think my favorite part of Schmilco is the aesthetic.
I think many Wilco fans would agree with me, but as with most fanbases, there are probably several thousands that disagree
Tracks I Think Are Great
My favorite track on the album is “If I Ever Was a Child” followed pretty closely by “Someone to Lose.” The video for the latter being a genius work of claymation that I am sure took HOURS to complete.
[youtube https://www.youtube.com/watch?v=G5RrWCRsSYA] Both of these songs are about as close to classic Wilco as it gets on this album, the rest of the tracks are quiet folksy ballads with less experimentation and big sound. “Normal American Kids” and “Nope” are pretty good as is <a href=”https://www.youtube.com/watch?v=HQOSPMDwsgY>”We Aren’t the World (Safety Girl)”.
“Locator” was one of the first songs they debuted for this LP, and to me it is just meh, but I will put it in this category because of how dang catchy it is.
Tracks I Think Are Not That Great
I have to say, my least favorite Wilco song of all time is on this record, “Common Sense” seems to me like a bad demo gone worse. Don’t just take my word for it, go listen for yourself. I revisited it again while typing this paragraph and I just cannot think of anything good to say about it.
Another one I find kind of out of place on this record is “Shrug and Destroy.” I think after Star Wars was released, Wilco had another pile of songs that were pretty homogeneous and they decided that it was time for another record. There may be a reason they waited three years to release Ode to Joy, which to me was another milquetoast effort.
Whatever your opinion (or mine for that matter), Wilco has been around for over 20 years and has become a staple of American rock, even if it is dad-rock.
A Quick Digression RE “Dad-Rock”
I don’t think the creation of the term can be credited to any one person, but this dude, is the guy that pinned it on Wilco. There are various definitions out there, music that dads play, 60s and 70s music that old white boomers play, soft indie-rock like The National and Fleet Foxes. Anyone watch the TV show, Parenthood? Virtually every song on every episode of that show could be categorized as dad rock.
Fun Facts!
This album came with a special gift. By “gift” I mean a very cool Wilco themed novelty. If you remember the old joke and prank devices, exploding cigars, whoopee cushions, etc., then you probably also remember the ‘ol fake pack of gum that sends an electric charge through you when you try to pull it. Welp:
I am here to tell you that this thing does not mess around. Out of curiosity I pulled it after I first got it, and oh boy I was not ready for the pain. It is worse than when you accidentally grab an electrified fence. Needless to say, I put it back in the package and it sits among other novelties and ephemera I keep with my collection.
Ehh, “common sense” seems like an example of Tweedy and the band doing that space music thing they began experimenting with around the time of the Yankee Hotel Foxtrot album. (Maybe earlier?) I always account for those self-indulgent dissonant-noise moments by trying to figure out what particular mood they’re trying to create and settling into it. Whether I want to or not. I mean, I’m a Wilco fan afterall.
Thanks for writing this. Wilco loves ya baby.
Add: I’ve always wondered … did Jeff and Jay Farrar have a competing space music thing going on there which they both were inspired by, trying to outdo each other?Report
Read the autobiography! Jeff is real careful to not outright call Jay a lot of mean names.Report
The only story I know from the Uncle Tupelo days, one where Jeff is (mildly!) critical of Jay is about Jeff emerging as a song writer. He wrote some songs, brought them into the studio for Jay to sing, and Jay tells bass-playing, non-singer Jeff “sing your own damn songs.” 🙂
Adding: when you referred to Wilco as “dad rock” I immediately remembered a line from 30 Rock where a black woman, referring to an event she attended, said “there were more white people there than at a Wilco concert”.Report
I have really good friends who are huge Wilco fans and they have tried and tried to get me interested, but, even after repeated listens, it just isn’t happening for me. The first 2 tracks of The Whole Love gave me real hope, but the rest of the album reverted back to mid-tempo dad rock (sorry!).
Jeff Tweedy is a great guy (humble brag time – my band played at a block party he was at. When we were done, he and I talked about minor league baseball.), and he’s one of the best story tellers I’ve ever met. His book took me about a day to read. He’s that good. If he ever to decided to take the Henry Rollins tack, he’d clean up. I’ve just always felt like there was a sameness to his songs.
Here’s a great take on one of there songs:
https://www.youtube.com/watch?v=cQvHzZ2bk2YReport
I’ve just always felt like there was a sameness to his songs.
Isn’t that true of all musicians with substantial work under their belts though? I mean, all Radiohead songs sound like … Radiohead songs, no?
Are you maybe saying he’s overly *safe* in his songwriting/presentation, along the lines of Tom Waits criticism of the Eagles?
Also, your linky is broken.Report
Well, shoot. Here you go:
https://www.youtube.com/watch?v=ZK6VILyHVDEReport
Holy shit that’s some damn good fun. Thanks!Report
That was…an interesting take on that song.Report
Compare to
https://www.youtube.com/watch?v=YLlg9LMPwnE
I’ll take the Wilco version, myself. The cover is super fun, but cheap[ and easy.Report
Tweedy’s lyrics are far from safe. And, as he admitted in his book, they’re kind of stream of conscious-esque.
I’m getting more at how samey his vocals are. I get he’s trying to sell records, but at this point he’s entitled to be a little more adventurous in direction than he’s been willing to take the band. He could make a solid living without ever leaving Chicago, that’s how beloved this group is in this town. And, I’ll bet Wilco’s fans might be interested in whatever different direction the band might take.Report
Well, he’s also not a very good vocalist by conventional standards. He’s got a very limited range, seems to me, not only in scale but types of songs he could effectively sing.
Jagger once criticized Dylan’s claim that he could have written “Satisfaction” by saying “but could he sing it.” I dunno. It’s easier to cover a great song than write it I guess. 🙂Report
OK, I just conducted an experiment Slade. I listened to Yankee Hotel Foxtrot in its entirety and I can categorically say that there is no “sameness” to Tweedy’s songs. 🙂Report
Jay Bennett had ongoing litigation RE Yankee Hotel Foxtrot and songwriting attributions before he died.Report
Yeah, but that dispute goes back to the end of Uncle Tupelo and origins of Wilco, doesn’t it? That is, it isn’t restricted to YHF?Report
Yea it was for back royalties, but the gravamen of the suit was for his work on YHF and the documentary where they very publicly fired him.Report
Alan Parsons sued Pink Floyd for royalties on Dark Side of the Moon.
I’m not unsympathetic.Report
{{I need to watch that damn documentary…}}Report
Ha, you won’t sucker me in with that! Wilco remains for me a singles band.Report
Thanks for exposing me to more Wilco. I’ve only really listened to them on Mermaid Avenue with Billy Bragg…listened to that one A LOTReport
There’s a hilarious story about those sessions in Greg Kot’s Wilco book. Seems Billy Bragg was absolutely dumbfounded when work ground to a halt because the guys in the band were watching The Simpsons.Report