Honor and the past
This might be the most ridiculous article to which I’ve ever taken the time to respond. Seriously, I keep pausing and deleting, as though I was about to draw a larger lesson from an article I read in TV Guide. But this guy is a bestselling author, and as he boasts in his bio, he is a “success coach to more than 100,000 people and leader of more than 100 business motivation seminars per year. He speaks to dozens of major corporations annually and has served as head coach to hundreds of top executives over the past 20 years.” He’s also the author of several intriguingly-titled blog posts such as “Are you addicted to drama?” and “Why do we care what others think?” (well, because we’re not all sociopaths, Tom). But it was yesterday’s post that for some still-unknown reason I bothered to read and couldn’t resist commenting on: “Are you addicted to the past?”
Alright, my reasons for reading it weren’t all that mysterious. I’ve always been drawn to the past. My attachment to the past is both emotional and rational. I honestly believe that when the pros and cons are appropriately balanced, most – but obviously not all – things about the past were better than the present. Obviously that point is debatable for a number of reasons, not least of which is that it is entirely dependent on what point of the past I’m using as my comparison, or what spot of the globe. But forgive the generalization for the moment. Usually less debatable is my belief that it is not possible to build a decent future without drawing on lessons from the past and encouraging continuity with the past – which obviously requires believing that the past actually existed, a belief apparently not shared by Mr. Ferry who claims that “the past is nothing more than a story we tell ourselves.”
This belief in the possibility of personal reinvention is what extends the relevance of this particular post by a self-help author/motivational speaker into something worth the comment. Ferry is certainly not alone in his argument that the past is nothing more than an obstacle to overcome on an individual’s way to realizing his or her full potential. Nothing is reasonably owed to the past, and there is no actual obligation to tend to it. Any argument against that belief is an assault on freedom itself or on the self-made American ideal.
Ferry illustrates this point of view perfectly when he classifies people who are “unable to shake free from a sense of obligation to parents or friends who are holding them back” as victims of this addiction. He adds, “Maybe it’s the lingering shame or guilt of something that happened in the past. Whatever it is, if you’re living with the addiction to the past, it is absolutely holding you back from living your very best life.”
Family, friends, shame, guilt… all are simply dead weight holding us back from success and personal happiness. None hold any legitimate claim on what we do in the present or the future. We’re accountable to no one beyond ourselves, and perhaps to those around us who presently add to our happiness.
Of course, the other way to look at it is that individuals often should be willing to forego a more obvious path to happiness to honor an obligation, whether an obligation for which they are directly responsible (such as a child) or an obligation that is a matter of circumstance (such as taking care of a sick parent or taking over a family business). Both allow the past to dictate the future. Ferry views that as irrational and downright dysfunctional; I see it as honorable.
Well I couldn’t disagree more with you on the idea that there were times in the past that were “better” but that’s peripheral (and maybe an excellent subject for a separate post?).
That said I agree heartily with the rest of your post. The present is essentially the tentative shadow cast by the past into the future. It’s immensely important. Those (to roll out the grizzled old cliché) who forget the past are doomed to repeat it.Report
You know what was better in the past? Social calls: my grandmother used to spend entire days going to the bakery and getting pound cake and then going to visit people and eat it with them. Also, thank you letters. I remember when you used to get them because you threw a nice party.
You know what was worse? Dealing with the bank to do anything with money. You used to have to get to the bank before it closed if you wanted money to go see a movie or something. And it seemed like we paid for everything in cash.
Anyway, what examples do you have in mind of things that were better in the past?Report
@Rufus, albums.Report
@Jaybird, Sorry to be blunt, but fuck yeah! I was talking about this with the neighbour the other night and both of us were mourning the era in which musicians would try to compete with each other to make the most perfect epic album. As opposed to a committee of marketing analysts trying to write one good single that would sell well as ringtones.Report
@Rufus, music that you don’t need drugs to imagine, create, or appreciate.
I weep for our children.Report
@Jaybird, albums, like in vinyl…..now i can carry all my music on a road trip in my ipod. i used to have to spend time making mix tapes, on actual tape so i couldn’t always get to the song i wanted or wouldn’t have something i wanted with me.Report
@greginak, but bands nowadays can put their music on the web where anybody can here it even if they don’t have contract. Now i don’t have to pay a small fortune to buy some indie import ep for a band i’ve heard twice on the radio, i can just download ( legally) their stuff.Report
@greginak, I see the advantages you’ve pointed out, but they both come down to what’s more convenient on your end. The disadvantage with vinyl is convenience. But when you listen to music on vinyl on a good stereo, it just sounds better. I don’t know how to quantify it, but I’ve bought albums that I knew inside and out from CDs and finally heard them on record and been totally gobsmacked at the difference- especially with rock albums.
As for bands distributing their music online, I’ve got plenty of friends that are doing this and it is totally great that people in, say Japan can now hear them. But it’s not like they make any money doing it, and hence will never tour or likely even record an album. The advantage about the old system was that bands like the Kinks or the Rolling Stones could make enough money to devote their lives to making music, and I don’t see that happening for any new bands, no matter how good they are.
So, I think it’s a matter of trade offs. Maybe it’s not clear-cut better or worse now.Report
@Rufus, i don’t necessarily disagree with you. I would suggest that at some point the Rolling Stones had plenty of money yet labels were more likely to keep pumping out another Stones, or Asia record or other guaranteed money maker as opposed to releasing 100 smaller bands.Report
@greginak, Well, absolutely- the labels ripped off great bands, forced David Cassidy on the world and still (!) charge way too much for albums, while keeping good musicians working on their farm. So it’s definitely hard to feel sorry for their dying industry. I just hope we can think of something better this time around.Report
@greginak, indeed, you can put all of your music collection on your iPod… and you take one single from this album, one single from that one, and so on.
I’m thinking about albums like Physical Graffiti or Thick as a Brick or Who’s Next.
Sure, that era produced its fair allotment of one-hit wonders… but it produced a *HUGE* amount of albums where there wasn’t a single piece of filler.
I can’t think of an album from the last 10 years or so that wasn’t a movie soundtrack* that’s worth listening to from end to end.
Is the music today as good as the music back then? Sure. In some ways it’s better. But albums?
Gimme the 60’s, 70’s, and 80’s any day of the week.
(*O Brother, Where Art Thou?)Report
@Jaybird, hmmm i listen to a lot of new music still so i still find plenty of great albums. however i do think the era of the concept album is gone, which i don’t think is good. There was plenty of pretentious poo that people put out as some sort of grand operatic concept, but that type of form has potential. I’m still fond of King Crimson.Report
@greginak,
I’ve been listening to Quadrophenia a lot lately. There are songs on it that would be mediocre (at best) by themselves, but which would leave noticeable holes if removed from the album. (The Dirty Jobs, Cut My Hair, etc.) It’s like listening to Mozart — I want the whole symphony, not just the most popular movement (though that’s what the local classical station is playing these days.) And yes, it’s a damned shame that no one’s working in that form anymore.Report
Try the “subdudes” newest album.Report
Try the Silversun Pickups. Two albums. Both rock, turn-up the volume. Yes, they sound like Smashing Pumpkins, particularly the first album, but so what? The first time I listened to “Lyazy Eyes,” on the radio, I thought it was new Pumpkins music.
Really a lot of AOR out there.
Wilco, Sky Blue Sky.
Spoon, Ga Ga Ga Ga Ga. Once that album slips into my player it’s in there for repeated plays.
Radiohead, OK Computer and Kid A.
I could go on and on.Report