Stop whatever you’re doing and watch this music video.
I’m one of those people who thinks of the recent post-O Brother Where Out Thou Americana music revival as being ‘just ok,’ and to be honest it can bore me if I listen to it for too long a time without a break. But the new song Poison Tree by the Milk Carton Kids is nothing short of amazing.
In fact all of Monterey, the album from which the song is lifted, is pretty great. The duo recorded the entire album live and on the road in the empty concert halls where they would later perform. The resulting acoustical reverb created in these small caverns is a sweetly mellow sound that is both sparse and haunting. And Poison Tree is by far my favorite track off the strong, strong album.
But as much as I like the song, I find that I like the Mike Venezia video even more. It’s breathtaking.
Venezia has somehow taken a song of a resigned and angry bitterness and transformed it into a musing on loneliness, specifically the loneliness that long-faded youth and a lifetime of unrealized dreams bequeath. It’s subject matter that should be heartbreaking, and in Venezia’s hands it truly is. But at the same time it’s also somehow miraculously full of hope and joy, things which flies directly in the face of the song itself. The resulting piece is a thing surprisingly rare in the world of music videos — a work of art where great music and a great visual medium combine to make something that is clearly and vastly greater than the sum of its parts.
I’ll admit it: I’ve watched it several times since I first watched it yesterday, and I’ve teared up each time.
Enjoy.
Well that was amazing.Report
the recent post-O Brother Where Out Thou Americana music revival
That movie is fifteen years old, right?Report
Yes. Hence “post.”Report
OK. Though now I’m tempted to call it the post-Thirty-Years-War Americana music revival.Report
Well, hell. Now I want to call it that too.Report
Lovely.Report
Nice song. (Oops, meant to ask you a question about the Avett Brothers here. Do you dig those guys? The sparseness of this song reminds me of some of their stuff.)
Personally, I’d say the revival didn’t have anything in particular to do with O Brother. I think it was more an organically emerging rejection of electronic synthesicion, do be honest, which predated OBWAT but which the Crazy Coen Geniuses were attuned to. To their credit.Report
While I’m not so deeply in love with it as Tod, I am well impressed with how the whole, when put together that way, rendered melancholy what would otherwise have been joyous dancing.Report
The Video made me late to work. And as I stepped out in to the world today I had a whole new out look on my life. Beautiful!Report