A Meathead Watches Gilmore Girls (“Emily In Wonderland” and “PS I Lo…”)
Notes
Dear god.
“Emily In Wonderland”
Rachel – the woman who has repeatedly wooed Luke and then fled from him, breaking his heart – and Luke appear to be settling down, because exposition is for losers. Over a meal, she shows Lorelai and Luke photos she took at Stars Hollow’s Firelight Festival and she comments upon how beautiful Lorelai’s eyes are. While everybody ignores how weird this is, Luke stammers like an idiot and we move on. Because everybody but Luke and Lorelai realize that they’re supposed to be together. Everybody. There isn’t a single person who watched this show who didn’t realize immediately that Luke and Lorelai were supposed to be together. Except, of course, for Luke and Lorelai. They’re confused. LIFE IS SO CONFUSING!
Rory decides that taking grandmother on a walking tour of Stars Hollow makes sense, because if there’s anything that Emily has proven to be very good at, it is existing in the world beyond the pampered one she exists in. So far this season, we’ve seen her at a hospital (where she acted like an ass) and at a department store (where she acted like an ass) and at Lorelai’s house for Rory’s birthday (where she acted like an ass). In each occasion, confrontation with a world beyond her control reduces her to quivering rubble. So, yes, by all means, let’s take Emily on a walking tour of Stars Hollow.
We hit all of the predictable occurrences – including Emily walking in sneakers (and liking it!), Emily eating strange commoner food (and liking it!), Emily going to Lane’s mother’s antique store (and liking it!) – before a very odd moment: Rory shows Emily the potting shed where her and Lorelai first lived after fleeing Gilmore Estates, or whatever the Gilmore family home is called. Emily is horrified. How is it that her daughter could have lived in a potting shed!
Yeah, but no, wait a minute: I want that question answered too. How was it that Lorelai and baby Rory lived in a potting shed? Like, specific details please. Like, stop the show completely and show us their lives in a potting shed. I want details. Don’t just tell me that this once happened long ago, use it as underpinning for the umpteenth Emily meltdown, and then forget that we ever talked about it.
Or whatever. Don’t. That’s fine.
Emily gets it in her head that she needs to create a real room for Rory. And so she does, redoing a room at the Gilmore Estates in its entirety and then “surprising” Rory with it. As a bonus, she then gets to castigate Lorelai’s parenting – she could have had a room like that for her entire life, says Emily, but Lorelai had to flee – because Emily never passes up an opportunity to be an asshole.
Meanwhile, Lorelai and Rachel continue discussing Luke. Rachel says she’s going to leave because Luke won’t settle down with her. Because she means it this time. Because after leaving many times before, something the show has gone to great pains to explain, Luke should just know that Rachel means it this time. I recognize in advance that this show is meant for women, and I recognize in advance that we men are perhaps less in touch with our emotional sides, but to present Luke as if he’s being the bad guy here? To suggest that Luke has any reason at all to trust that Rachel means it now after having disappeared on numerous previous occasions? Bullshit. Literal bullshit.
But because the show can’t just settle at Lorelai and Rachel discussing Luke’s emotional unavailability, Lorelai then approaches Luke herself to castigate him about his unwillingness to settle down with Rachel. Forget, for a moment, that just a few episodes ago Luke made it quite clear that he thought Lorelai was booty-calling him, and forget, for a moment, that just a few episodes ago Luke was willing to repaint his entire beloved diner because Lorelai suggested that he should, and instead focus on the utter chutzpah it takes for Lorelai – who knows that Luke has been abandoned before, and who in fact apologized to him several episodes earlier for not knowing and not being sensitive enough to the pain that Rachel’s actions had caused Luke – to castigate him about not settling down. What sort of insane world is this where we’re meant to be on the women’s side here? Luke being cautious makes perfect sense. PERFECT SENSE.
Luke eventually capitulates by giving Rachel an indication that he too is willing to settle down a bit. Which isn’t what Rachel has ever earned but whatever. Let’s just pretend like a very important history and an established pattern of behavior should be ignored. What the hell show?
“PS I Lo…”
Lorelai and Max Medina (the most boring man in the world) are back together again, because sure, whatever. They’ve been having steamy phone conversations. But Rory’s been drowning in her post-Dean sorrow, so Lorelai hasn’t told her the good news. Max Medina notices Rory’s distant affect and decides that the perfect way to solve things is telling Rory that she can always come to him with her troubles. He does this while at school. The school he works at. It’s called Chilton. Remember Chilton? That’s the school Rory goes to. Where she’s Max Medina’s student. Where being thirty seconds late to a test means a failing grade. But also where talking to your students about banging their mothers is apparently perfectly acceptable behavior. Rory is less than thrilled to be hearing about things from her mom’s boy(ish)friend and storms off.
Rory’s attitude doesn’t improve. She fights with Lane, and then her mother, and then, rather than meeting her mother at home, she flees to the Gilmore Estate without telling Lorelai. Lorelai freaks out, understandably, because she doesn’t have any idea where her daughter is, while Emily delights in having been Rory’s destination. And because Emily can never just be a decent human being, she decides that poking at Lorelai with Rory’s presence is a good idea. Although this is abandoned by the end of the episode – Rory spends the night, wakes up, and leaves with Lorelai – Emily’s behavior here is genuinely shocking and unbelievably inappropriate. It is absolutely impossible to see things from Emily’s point-of-view when she’s acting like this.
But Rory has been melting down, other things have been happening, Luke repeatedly comes over to Lorelai’s house to fix things. This is weird and goes unexplored. Luke is just around, on, and in Lorelai’s house and the most she does is shrug. “That’s so Luke!” I guess. Also, Lorelai volunteers to act as Luke’s shopper in the run-up to Rachel’s birthday. Because that’s a totally normal thing that people do. How could anybody possibly think that there’s something inappropriate about all this? Lorelai doesn’t, even though it was literally an episode ago that Rachel was saying that Luke seems be suffering from commitment issues. None of this stops Lorelai from taking Luke’s credit card to the mall and then not only finding presents for Rachel (an absurdly expensive camera bag, from the looks of it) but also purchasing what appears to be hundreds of dollars of clothing for Luke. Money is a meaningless concept in Stars Hollow. Well, either that, or Luke is secretly a billionaire. Anyway, Lorelai then proceeds to play dress-up with Luke.
Lorelai. Plays. Dress-up. With. Luke.
Rachel walks in on this and is taken aback. Hard to believe, right?
And in case Lorelai hasn’t stuck her nose into enough business, she also decides that confronting Dean about the break-up makes sense. Dean explodes at her, explaining that he said he loved Rory and she balked and then asking how that’s his fault. Lorelai refuses to concede that it isn’t his fault – heaven forbid – so instead, she confronts Rory in an attempt to convince her to consider being willing to say those words when she is ready to say them. “Don’t be like me,” she says, “Don’t be afraid of commitment.”
WHICH MAKES NO GODDAMNED SENSE, BECAUSE LORELAI HASN’T BEEN AFRAID OF COMMITMENT THROUGHOUT THE ENTIRE FIRST SEASON. Yes, she has been cautious about commitment – she refused Rory’s father insane proposal of marriage, and she was very cautious about things with Max Medina – but that isn’t fear. That’s being a normal human being who knows the score, something that ought to be celebrated, not treated as though it is problematic. Gah.
More Notes
Impossibly, the season finale is even worse.
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“Notes
Dear god.”
There is a strong part of me that wishes this was the entirety of the post 🙂Report
If anybody thinks this was me getting negative, just wait for Season Finale’s review.Report
These are the best hate-watch reviews I have ever seen!Report
I don’t know if I’d call it “hate-watching” yet, since to me “hate-watching” implies watching something that you know is bad and have no faith it will ever get any better, just to yell and throw things at the screen. Generally this either happens with a show you used to like but now don’t, or one you thought might be good but became weirdly-fascinated by its ongoing badness.
Sam has been assured by multiple people that it gets better, so just snarking through some bad ones isn’t “hate-watching”, yet.
Now, if he really never warms to it, yet keeps going…Report
It’s getting closer. Especially after my wife casually dropped some upcoming plotlines on me. But I’ve been told that Season 2 is a vast improvement. So I’m getting ready for that.Report
I’ve watched the whole thing now, and am trying really hard not to spoil with this comment.
First, this is probably the lowest point of the show; there’s one other that really dragged, too.
Second, this low point is actually doing some serious character development which will be called upon later. And here, I’m pretty inspired by the show; but I’m probably a really rare minority in my reaction, too. That’s because most people haven’t read the Popol Vuh; the Mayan religious stories written down by a Spanish Monk. It’s filled with characters with the same names; Lord One Death and Lord Seven Death, One Hunapuh and Seven Hunapuh. There are few names that only have one character — Xeblanque and Blood Woman. Throughout the Popol Vuh, characters with the same names who are obviously not the same people have adventures that are parallel, but not the same. So with the Gilmore Girls. Sometimes, the characters are good, sometimes they’re obviously misguided; it’s the varying versions, the parallels with different outcomes that are of value. There are no right answers, only a variation of answers to experiences.
I noticed this at your last post — three Lorelais. As I binged the rest of the show, the parallel constructions grew more and more obvious; they reflected not just in any individual show, but through time as the show grew in layers over the seasons; and it spread to the other characters who didn’t share the same names, but played similar roles — lover, husband, teacher, provider, child-protector.
It does get better, and watching with the parallels in mind made it a very rich experience.
Hope that doesn’t spoil anything; I tried not to. I will try to point some of the parallels out as you move forward.Report
Sam, you must really love your wife.Report
I do. Especially because she keeps saying, “This was so bad. It gets so much better. Well, basically it does. Mostly. There’s some better stuff ahead.”Report
A TV show, especially a serial one like the Gilmore Girls, shouldn’t require people to slog through an entire season of bad writing and plotting before it gets good. There needs to be a strong indication that its going to be good early on for me to invest in it. Episodic TV shows are a little easier to bear because you don’t have to watch each episode in order to get everything.Report
I dunno, I suffered through the first season of Fringe, because I had been told it got better. And it did, seasons 2 and 3 were awesome.
But my brother was telling me about a show that he didn’t think got good until season 5, and no way am I wading through 4 seasons of meh.Report
Glyph,
I just skip them. In fact, I think you’re the one who told me to skip the first season of Fringe. I had watched the first two episodes and thought it was terrible, and you mentioned seasons 2 and 3 were good. I think you also said never to watch the last season too though.
Anyway, I do that with a lot of shows now. I’ve been watching Agents of Shield selectively by skipping episodes that the AVClub disses.Report
Yeah, I have trouble with that. I generally like to start from the beginning with TV series and keep going either until it ends or I get tired of it, but I don’t like wondering if I missed something before I came in or in an episode or season I skipped.Report
I wouldn’t have had any real appreciation of Breaking Bad if I’d missed the pilot, where we see Malcolm field-test his “turn anyone into a brilliant scientist” drugs on Hal.Report
“but to present Luke as if he’s being the bad guy here”
I never for *one minute* thought I was supposed to think Luke was the bad guy. I thought Lorelai taking Rachel’s side was a) her trying to be a good friend and not a jealous almost-girlfriend when really she was the latter so she was trying super extra hard to be the former and b) her still being in denial (which is different than being confused or oblivious) about Luke. I thought it was supposed to be obvious that Luke was actually in the right, completely, and that the unpredictable and difficult behavior of Rachel was good explanation of why *he* at least, was so in denial about the thing between him and Lorelai.
I admit that reading these recaps does make me wonder if Gilmore-Girls-in-Maribou’s-Head isn’t rather superior to the actual show they made :P.Report
+1. I actually got most of this out of the recap.
Lorelei has a crush on someone, but she knows he likes (and is somewhat involved with), someone else. So I will be super helpful to the other girl. At least Luke figures out what is going on.
Same plot with Worf and Quark in Ds9, with Grilka. Of course, there they had to prick Worf’s honor a bit.
(and the script sucked, and got mostly trashed due to awesome directing).Report
Rachel is obviously going to leave, yes? (Not a spoiler, since I haven’t watched past this episode; just a prediction.) Which will make it clear that Luke was right and Lorelai is responsible (at least in intergalactic court) for talking him into being hurt badly yet again.
By the way, there really was a movie called “Queen of Outer Space” starring Zsa Zsa Gabor, screenplay by Ben Hecht (!) [1]. The IMDB FAQ is pretty hilarious.
1. If that name is unfamiliar, his other credits include the original Scarface, The Front Page, and Some Like it Hot.Report
Like “Leather Goddesses of Phobos”?Report
In the second episode, Rory did one truly bad thing. Being irritable? It happens. Going to her grandparents’ house? Entirely reasonable. Not letting her mother know she was safe? Unforgivable.
So naturally, it’s the only thing nobody brings up with her.Report