Thursday Night Bar Fight #4: Road Trip!

Tod Kelly

Tod is a writer from the Pacific Northwest. He is also serves as Executive Producer and host of both the 7 Deadly Sins Show at Portland's historic Mission Theatre and 7DS: Pants On Fire! at the White Eagle Hotel & Saloon. He is  a regular inactive for Marie Claire International and the Daily Beast, and is currently writing a book on the sudden rise of exorcisms in the United States. Follow him on Twitter.

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879 Responses

  1. Ethan Gach says:

    What is that a picture of?Report

      • Ethan Gach in reply to Tod Kelly says:

        Just being a churlish youth : )Report

        • Tod Kelly in reply to Ethan Gach says:

          Don’t make me grab my walker and come down there.Report

        • Burt Likko in reply to Ethan Gach says:

          Then you shall earn an annoyingly pedantic lecture for your youthful impertinence!

          For Ethan and the other young ‘uns, music used to be sold on physical media. The medium that many of us knew in our youth were called “record albums,” or alternative “LP records,” in which LP stood for “Long Play.” These were discs of black vinyl roughly nine inches in diameter, upon which very precise grooves were engraved on both sides. A mechanical device would spin the disc, typically at a conventional speed of 100 revolutions every three minutes, and a very small needle would be set atop the spinning disc. Other electronic devices amplify the vibrations of the needle on the disc, which were then transferred via wire through more electronic equipment and ultimately to speakers, which would then emit the sound recording.

          “But that’s an analog device, it’s not even digital!” is the protest. Indeed. On the one hand, the media and the device were fragile and required special care to use. The record could warp if exposed to heat, and all manner of mechanical problems could occur with the turntable device, the needle, or the execution of play. On the other hand, many audiophiles insist that, even today, the analog recording produces deeper and richer sounds, with smoother transitions between notes.

          Because of the size and fragility of the discs, they would be sold within large sleeves, typically made of cardboard, and adorned with artwork. Much of this artwork was visually striking for its beauty and creativity. Later generations attempted to replicate the art with sleeves in compact discs but it’s not the same thing. Remember, though, this was before there were music videos — something that they used to show on a cable channel which today broadcasts only terrible reality TV depicting the lives of terrible human beings.

          The medium of a vinyl disc would hold between twenty to thirty minutes of music per side of the album, which means that when you bought one of these “albums,” you would get ten songs (sometimes more, sometimes less) of about three minutes each, which you would listen to in the sequence which they were recorded, stopping about halfway through to flip the disc to the other side. There were techniques for random access of desired songs, which involved picking up the needle and dropping it carefully at the right location on the disc to access the correct song. Which was, I will concede, kind of a pain.

          But, Tod’s question reaches a subsequent generation of music recording-and-playback technology, the compact disc, which bridges the gap between physical media and digital music. Surely even the younger folks around these parts remember what those are. They can still be purchased in brick-and-mortar stores even to this day, and many cars come equipped with devices capable of playing these things.Report

          • Snarky McSnarkSnark in reply to Burt Likko says:

            Oh Grandpa!

            Tell me again about how you used to talk to people in person.Report

          • zic in reply to Burt Likko says:

            You forgot the evil-monster part of the story:

            The ability of people to record their favorite albums and give them to friends who hadn’t purchased those albums or to record songs off the radio drove the Recording Industry of America into a tizzy.

            Then had laws enacted that charged an additional fee on every blank casette tape sold, with the funds going to the Recording Industry of America for royalties. So you bought some blank tapes to record a history lecture, you paid them.

            Another frightening chapter in the story is the switch from tape/LP to CD; much cheaper to produce, the The Recording Industry of America increased prices without increasing any payments to recording artists.

            Artists going direct to audience and peer-to-peer sharing is a karmic debt.Report

          • I’ll pick a nit with “engraved”. Commercial LPs are molded in a hydraulic press — which could produce any other surface texture equally well. The original master disk is an engraving; the copies are not, at least as I define engraving.

            The LP vs CD arguments always amused me. Particularly when vinyl fanciers argued that the LP was somehow more true to the original. When cutting the master, the signal ran through analog filters to de-emphasize bass and over-emphasize treble to compensate for the limitations of the cutter and medium. On playback, a reverse of that filter restored the signal to an approximation of the original. Most people who claimed to prefer vinyl actually preferred a particular implementation of the RIAA equalization filter. That is, they preferred their music distorted in certain ways. I’ve seen some studies that suggest people who have grown up with low-bit-rate MP3 recordings prefer music with specific high-frequency distortions in blind listening tests.Report

            • Will H. in reply to Michael Cain says:

              I think you’re referring to Dolby, which was used more in tape products.
              The heat from friction reduces the highs over time.Report

            • BlaiseP in reply to Michael Cain says:

              The LP / CD debate was perfectly valid, back when the first CDs were coming out. If it’s less-valid now, it’s because the old tapes have been hauled out and mounted on the old Studers and been remixed for the capabilities of modern amps and speakers.

              Every time I see someone wearing ear buds, I smile grimly. How anyone can tolerate the crappy speakers on those things I’ll never understand.Report

              • Glyph in reply to BlaiseP says:

                If by “ear buds” you just mean the stock white iPod ones, I agree – total crap. But there are some decent in-ear ‘phones out there, even in the <$50 range.Report

              • Patrick Cahalan in reply to BlaiseP says:

                Over ear or hit the highway.

                The big part of the LP/CD debate was that a lot of the early CDs weren’t reprocessed. And truly, a bunch of those AAD discs sound worse than the AAA LP that was pressed from the same analog mixing.Report

              • It depends. The best pair of headphones I have ever owned are wrap-around buds made by Bang & Olufsen. Like, no other pair is even close. They’re so good I don’t even bother taking my over-ear made-for-airplanes BOSE phones on airplanes anymore.Report

              • Roger in reply to Glyph says:

                If stupid rich is the goal, I suggest dropping the headphones altogether and buying a pair of these…

                http://www.magnepan.com/model_MG_37Report

              • Glyph in reply to Glyph says:

                Heh. I have already determined that the next speakers I buy will be Maggies. They have a “first taste is cheap” model, the MMGW’s, that are $325 a pair and go on-wall. I will go with these (particularly since I will probably need to upgrade my amp to drive them).Report

              • Roger in reply to Glyph says:

                Once you try Maggies you will never go back. They require gobs of power though. I bought a pair 26 years ago and they still sound amazing. There is something special to music projected by a dipole without that box sound.

                Oh, and move them way out from the back wall. This allows you to tune the bass reinforcement and minimize midrange smearing.

                I usually surf the Internet in my music room listening to my old maggies. Just finished playing Mozart and switched to Sonny Rollins on Way Out West.Report

              • Will H. in reply to Glyph says:

                I use the Crate MX120R for playback.
                Makes that little mp3 player kick.Report

              • Glyph in reply to Glyph says:

                Yeah, I’ve heard the bigger free-standing models, and they are amazing, but they are so expensive and require so much space. The reviews I read on the MMGW’s lead me to believe they’ll be good enough for my purposes, they fold flat against the wall when not in use, and $325/pair is VERY reasonable for speakers.

                Of course, Magnepan is counting on me later getting richer and upgrading, but joke’s on them. I’ll never be any richer.Report

              • Roger in reply to Glyph says:

                The other thing of course is to buy used. I wouldnt recommend going too old, but you can get a 5 or 6 year old pair of 1.6′ s for under a grand. Older and they will be even less.

                If you don’t have a high powered, high current amp, the cheap way to drive Maggies is with Emotiva amps. The best bang for the buck in amps. They sound phenomenal on Maggies.Report

              • Roger in reply to Glyph says:

                Speaking of MP3 playback…

                The amazing thing is how many people allow their ITunes library to ruin their music with compression technology. The default setting is compressed to save space on MP3 players. Everyone neglects to reset it to Apple Lossless or FLAC.Report

              • Glyph in reply to Glyph says:

                Any new freestanding speakers are far off in my future. I have little ones and space is at a premium, plus I don’t need them sticking a lightsaber through them (which is why wall-mounted, flat-folding speakers that are reasonably-priced seem a better bet).

                When I have a music room, one happy day, things will be different. Until then I may content myself with some decent headphones – there are some planar models out there (same basic idea as Magnepans).Report

              • Glyph in reply to Glyph says:

                Does iTunes handle FLAC native? It didn’t use to.Report

              • Patrick Cahalan in reply to Glyph says:

                When I ripped all mine, I picked .mp3 format because it was more ubiquitous, and I did ’em at 256 because I needed to save disk space, and 384 vs. 256 is noticeable only on the occasional track.

                Now, admittedly my ears are starting to go, so maybe this is a “good enough for me, not for thee” thing.

                Yes, I know, uncompressed Ogg or FLAC is the One True Way.Report

              • Roger in reply to Glyph says:

                I believe you have to use Apple Lossless.

                If the quality doesn’t matter, it does save a lot of space to compress. And like Michael said, a lot of people are starting to prefer the sound. It sounds really smooth and liquid.Report

              • Will Truman in reply to Glyph says:

                I can barely tell the difference between 128 and 192. I finally upgraded my rips to 192 simply so that it plays at the same volume as the stuff I download from Amazon.

                I can’t tell the difference between 192 and 256. 384? Forget it. There are advantages to being hard-of-hearing.Report

              • Will H. in reply to Glyph says:

                My digital software is old, and doesn’t allow me to edit FLAC.

                The other day, I was listening to an old demo cassette from ’97 of yours truly, amazed at how some of that stuff still holds up.
                Then I popped in a mp3 cd of the Presidents, and it made the crappy production value of the demo sound fairly good.
                It really shows in the brightness of the cymbals.

                The thing is, I typically hard shelf everything above 16k for recordings purposes.
                Most of what you hear above that is noise, which is generated naturally by the action of the speakers in playback.
                Where that’s missing, you can always add air back in with an exciter.Report

              • Pat Cahalan in reply to Glyph says:

                My hearing loss is in the upper range. I bet I can’t get anything above 16k anyway.Report

              • Will H. in reply to Glyph says:

                Most people can hear up to 20 – 22.5k, but the drivers don’t go that far up.
                If you take a look at the Renkus-Heinz drivers and compare the cost of those that go to 16k with the ones that go to 20, you’ll see why 16k is an effective limit.

                I also hard shelf everything below 28Hz.
                That’s the rating limit for the 18″ JBLs. They produce tones lower than that, but those tomes aren’t rated for the same drive.Report

              • BlaiseP in reply to Patrick Cahalan says:

                I’m a Bose over the ear man, myself, though not the noise-cancelling variety. I swear by my AE2 headphones. I used to be a Sony MDR-V700DJ fan but they were just Hobnorkshus Heavy.

                I only ask of recorded music and playback systems to be clear, with full dynamic range and no sweeteners, please. The engineer went to a great deal of trouble at mixdown: don’t mess with what he did. He had his reasons. Those old Supremes records? All that Motown stuff? Berry Gordy would have it mixed down using a pair of car speakers so it would sound right, coming out crappy sound systems. When Bob Ludwig was mastering all that wonderful music, he knew the limitations of his machinery: the early square-wave synths would wreak hell on disc masters.

                Steely Dan tried using some of the early Dolby compression technology. Screwed up a whole album. Katy Lied.

                Don’t rely on compression or sweeteners or buy Dr. Dre’s Beats headphones. Such things will not improve the music. They always make it worse.

                Well, now we’re modern and lucky. We’ve sampled many of those old tapes. Hopefully future generations will keep those bits transferred forward onto media which can be played back. The tape won’t be there.Report

              • Roger in reply to BlaiseP says:

                I just attended the Chicago Audio show this last weekend and the rooms were about 75% vinyl. I would say the rest were primarily computer audio, with a couple CDs and one reel to reel.

                My preference is record dependent, though I have been starting to really appreciate digital lately. It is definitely easier to start inexpensive with digital.Report

              • Will H. in reply to Roger says:

                There are a few things that attracted me to digital.
                Splicing is a lot easier. And the glue never pops off.
                Application of effects is typically faster than spinning a tape in real-time.

                But I love my Tascam 4-track.
                Especially when I can expand it to 16 so easily with Cakewalk.Report

            • Roger in reply to Michael Cain says:

              “I’ve seen some studies that suggest people who have grown up with low-bit-rate MP3 recordings prefer music with specific high-frequency distortions in blind listening.”

              This is the sad state of affairs in pop music today. People are growing up listening to massively compressed, low bit rate music with a smoothed out top end and the dynamics squeezed out to result in maximal average loudness. So producers are mastering records with this sound. Most current pop is becoming unlistenable on a system designed to play accurately recorded music.

              Recent mixes of old classics, like Rush’s 2112 or Dire Straights Brothers in Arms are even being ruined o give the ear bid crowd what they love.

              Luckily classical, jazz, blues and such are not yet ruined. I have heard a backlash is starting to form on pop. Heck, there is no expense in recording it right and then selling a shitty version for more. We need some capitalist to save the day.Report

          • Stillwater in reply to Burt Likko says:

            Most excellent Burt. I think oldsters had a love affair with vinyl, and albums!, and all the wonderful rituals that were part of playing music. Kids Today just won’t ever experience that. Well, maybe ironically.Report

  2. Ethan Gach says:

    Doolittle – Pixies

    By the Way – Chili Peppers

    Guero – BeckReport

    • Glyph in reply to Ethan Gach says:

      +1 on Doolittle, except can we use a burned CD on which we have substituted “Wave of Mutilation (UK Surf)” for the album version? It would have broken up the album flow so much better.Report

  3. Kim says:

    The Note of SatanismReport

  4. NewDealer says:

    I am confused by the first and second rules. Should the first one be ten songs?

    My choices based on the ambiguity of the rules:

    1. Different Class-Pulp

    2. This is Hardcore-Pulp

    3. Chet in Paris-Chet Baker

    4. 69 Love Songs-The Magnetic Fields

    5.The White Album-The Beatles.

    6-Live at the Village Vanguard-Sonny Rollins

    7.The Kids are Alight-The Who

    8. If You are Feeling Sinister-Belle and Sebastian

    9. Dig Me Out-Sleater-KenneyReport

  5. Mad Rocket Scientist says:

    Golden Earring – Big Game (for Radar Love)
    The Sweet – Little Willy & Ballroom Blitz
    Trooper – Raise a Little Hell
    Kiss – Destroyer
    Joe Satriani – Surfing With The Alien & Flying in a Blue DreamReport

    • zic in reply to Mad Rocket Scientist says:

      This is not a vote for Radar Love, it’s a suggestion for a future bar fight:

      Radar Love was the soundtrack for my first serious boyfriend. Just the one song, not the album. That would make a good future bar fight; the soundtrack, the romance, and the outcome; or as much as one feels comfortably revealing.Report

    • Patrick Cahalan in reply to Mad Rocket Scientist says:

      I’d rather have Surfing with the Alien than Flying in a Blue Dream. Two Joe is 1/5 of the music. One thumbs up on SwtA (Satch Boogie!) and one down on FiaBD.Report

    • Will H. in reply to Mad Rocket Scientist says:

      I really like Desolation Boulevard. It’s one of the classics of rock ‘n roll.
      This was the first album where the Sweet were permitted to play their own songs. Side One is the songwriting duo the label signed them to sell for (with studio musicians playing the instruments). I think “Hellraiser” (released as a single) was the first one they were allowed to play their own instruments.
      If you listen to the difference in the British & American versions of “Fox on the Run,” you’ll see quite a difference.
      They didn’t do so well at the live shows, because the kids were expecting something more like the Archies, and they got a band that was pretty heavy for the time.

      I like about every song from Side 2, but only a couple from Side 1. Side 2 is all the stuff written by the Sweet.

      And if you listen to “Love Is Like Oxygen,” you’ll see that there was a tremendous difference after the band got control of the recording of material.
      Those guys actually rock.Report

  6. Sam says:

    10 albums is way too many.Report

  7. 1) “Comfort Eagle” by Cake. Because the songs are awesome to drive to, especially “Love You Madly.”

    2) “The Globe Sessions” by Sheryl Crow. Because not only is it a legitimately great album in its own right (my favorite of hers, and I’m a fan), but it was the absolute best break-up album during a particularly bad break-up of mine and listening to it would give me a perfect excuse to gripe to everyone in the car about what an asshole that guy was. Also, all of my other ex-boyfriends.

    3) “The Immaculate Collection” by Madonna. Because screw your “greatest hits” prohibition, it has almost all of my favorite songs of hers in one place, and I like the version of “Express Yourself” on that album better than the original in “Like a Prayer.”

    4) “Pink Moon” by Nick Drake. Because we will need something lovely and peaceful to listen to in the background when we’re having more thoughtful conversations.

    5) “Extraordinary Machine” by Fiona Apple. Because Fiona is one hell of a songwriter and lyricist and “Red Red Red” is hauntingly beautiful. Also because I think the title song and “Waltz (Better Than Fine)” are as close as she ever gets to “cheerful.”

    6) The movie soundtrack to “Jesus Christ Superstar.” Because I can sing the entire score from memory, and I want dibs on Judas when we pick parts.

    7) Beethoven’s 9th symphony. I refuse to stoop to justifying this one.

    8) “Sgt Pepper’s Lonely Hearts Club Band” by the Beatles. Because we obviously need an album by the Beatles and this seems the one most likely to get everyone’s vote.

    9) “MobySongs” by Moby. I think it’s also a greatest hits album, but since I had no compunction about ignoring the rules with Madonna why should I now? (Maybe an exception can be made for one-named recording artists whose names start with “M”?) Because I like these songs a lot.

    10) “Warm Sounds” by zero7. Because the songs are really beautiful and I think people will like them.

    Edited (because I can): Sorry, Moby. I was apparently high on crack when I composed this list, and left off “Graceland” by Paul Simon. Someone has to go, my friend, and it’s you. Because “Graceland” is perfection in audible form.Report

  8. Kim says:

    I’m rather irritated that no game soundtracks are allowed. Guess I’ll have to settle for actually getting something in the mixtape (so far, no ones actually recommending something someone else has recommended, so I guess I win that bet… so far).Report

  9. Ethan Gach says:

    Royal Scam – Steely DanReport

  10. Patrick Cahalan says:

    Okay, I could easily nominate about a hundred candidates.

    But with this crowd? On this site? With all the haterade?

    There is only one thing I can do.

    I will pick one album, ensuring at least three votes.

    Rush, “Moving Pictures”.Report

  11. Patrick Cahalan says:

    Point of order/clarification:

    Live albums do not count as compilations or greatest hits albums, if they are single session live recordings. Yes, or no?Report

  12. zic says:

    Native Dancer Wayne Shorter.
    Bitches Brew, Miles Davis
    Heavy Weather Weather Report
    Birds of Fire Mahavishnu Orchestra
    Return to Forever Return to Forever/Chick Corea
    Ah Um Charles Mingus
    Monk’s Dream Thelonius Monk
    My Favorite Things John Coltrane
    Houses of the Holy Led Zeppelin
    Zap Mama Zap MamaReport

  13. MikeSchilling says:

    Abbey Road — Beatles

    Collected Harpsichord Concerti — Bach (Academy of Ancient Music, Christopher Hogwood)

    Who’s Next — The Who

    Aja — Steely Dan

    Piano Rags by Scott Joplin (Joshua Rifkin)

    Blonde on Blonde — Bob Dylan

    To The Bone — The Kinks

    Symphonies 35,39-41 — Mozart (Cleveland Orchestra, George Szell)

    The Wild, The Innocent, and The E-Street Shuffle — Springsteen

    Water Music — Handel (Bath Chamber Orchestra, Yehudi Menuhin)Report

  14. Pinky says:

    Jethro Tull – A Little Light Music
    Dave Matthews / Tim Reynolds – Live at Luther College
    Pink Floyd – Wish You Were Here
    Crosby, Stills, Nash, and Young – 4-Way Street
    Barenaked Ladies – Rock Spectacle
    Rush – Moving Pictures (I may have gone with Exit…Stage Left, but I’ve got to throw some support Patrick’s way.)
    Eric Clapton Unplugged
    soundtrack from The Commitments
    Beethoven’s 7th
    Tchaikovsky’s 4thReport

  15. Trina Voss says:

    Weird Al’s Dare to be Stupid. Gotta stick with the classics.Report

  16. Roger says:

    A lot of the above recommendations are great musical choices, but not all are necessarily great road trip selections.

    This is the perfect road tip collection:
    Frankie Goes To Hollywood — Welcome to the Pleasure-dome
    The Clash — London Calling
    Liz Phair — Exhile in Guyville
    Elvis Costello — My Aim is True
    Jack Johnson — Brushfire Faireytales
    Damian Marley — Welcome to Jamrock
    Stevie Wonder — Innervisions
    The Wailers — Burnin’
    Led Zepelin — How The West Was Won
    The final choice is either Live at Leeds or Abbey Road, whichever I can find firstReport

  17. Burt Likko says:

    Based on the rules it seems to me what we’re looking for are albums to listen to all the way through and repeatedly for a long period of time. They should be fun and engaging and consistently entertaining for all the songs, not just the popular tracks (we’re listening to the whole album, not cherry-picking individual songs). So my nominees are:

    Beatles: Rubber Soul (but I’m good with Sgt. Pepper or the White Album too).
    Fleetwood Mac: Rumours
    Boston: Boston
    Sarah McLachlan: Fumbling Towards Ecstasy
    Journey: Escape
    Garbage: Garbage (Version 2.0 equally acceptable)
    Pink Floyd: Dark Side of the Moon
    Adele: 21
    Delerium: Karma
    Eric Clapton: UnpluggedReport

  18. The Beatles – Sgt Pepper’s Lonely Hearts Club Band

    The Flaming Lips – Yoshimi Battles the Pink Robots

    David Bowie – Diamond Dogs

    Fiery Furnaces – Blueberry Boat

    Aphex Twin – Selected Ambient Works vol. 2 (Note: This is NOT an anthology or a boxed set. It’s an album.)

    Animal Collective – Merriweather Post Pavilion

    R.E.M. – Life’s Rich Pageant

    The Stone Roses – The Stone Roses

    Belle and Sebastian – If You’re Feeling Sinister

    They Might Be Giants – John Henry, although I’ll change my vote to their self-titled album or to Flood if anyone backs me up on those.Report

  19. Pinky says:

    I’d love to see a final round on this game. There’s got to be some vote-splitting, like with Dark Side of the Moon and Wish You Were Here.Report

  20. Glyph says:

    CCR – Cosmo’s Factory (really, it was hard not just to fill this list out with CCR)

    REM – Life’s Rich Pagaeant (REM is great roadtrip music, CCR’s spiritual heir in the 80s)

    Guided by Voices – Under the Bushes, Under the Stars (and GbV were in some ways REM’s 90’s heir; fidelity-wise this one should be more palatable to my fellow passengers than Bee Thousand or Alien Lanes)

    Smashing Pumpkins – Siamese Dream (guitars enough for both the Boston AND MBV camps; bonkers drumming for the Rush fans; angsty enough for the kids and musically-ambitious enough for the adults; lots of little psychedelic nooks and corners to get lost in – a mixed group listened to almost nothing BUT this on one 36-hour road trip)

    Stone Roses – s/t (and THIS was on the other side of that tape)

    Yo La Tengo – I Can Hear The Heart Beating As One (long & there’s something for everyone; this one PLAYS like a mixtape).

    Rolling Stones – Sticky Fingers (maybe their most varied record)

    The Cure – Kiss Me, Kiss Me, Kiss Me (again, long and varied)

    LCD Soundsystem – s/t (to get that dance party started, plus it’s long, plus it helps make up for the fact there’s not a good way to get New Order on this list due to the unevenness of their albums)

    T. Rex – The Slider (needs no justification)Report

    • Patrick Cahalan in reply to Glyph says:

      Siamese Dream is a really good album. Sticky Fingers is good.

      I’ll upvote Kiss Me, Kiss Me, Kiss Me, but… oh, wait, I can’t make other suggestions.Report

    • Chris in reply to Glyph says:

      +1 on Siamese DreamReport

      • Chris in reply to Chris says:

        Also, Smashing Pumpkins were one of the top 5 worst concerts I’ve ever seen (saw them in ’94).Report

        • Glyph in reply to Chris says:

          I was lucky to see them at a medium-sized club right as Siamese Dream was coming out – I was working at the radio station so I was able to get into the (way-over-sold-out-and-frankly-trampling-death-dangerous) show.

          They were on FIRE. Hungry enough to want the world, and confident because they had just made the record that would do it.

          To this day I don’t know if I have ever seen a more gonzo drum performance than “Geek USA” (and Chamberlin made it look EASY).Report

          • Chris in reply to Glyph says:

            I think by the time I saw them Chamberlin was so messed up that he wasn’t that good. None of them were. And Corgan’s voice was shot.Report

            • Russell Saunders in reply to Chris says:

              I’m not down voting anything (seems churlish to me), but I will simply note that I find Corgan’s voice… unlovely.Report

              • Glyph in reply to Russell Saunders says:

                Tod – I move that despite Russel’s decorum, this counts as a downvote against Siamese Dream; it’s only fair, since I tried to throw out his Pink Moon.

                Doc, if it helps at all – on SD Butch Vig had the eminent good sense to mix his voice way down, so it’s not nearly so nasal. It’s one reason why SD is great, and later albums (when Corgan pushed his own voice high up in the mix) are not so great.Report

              • Russell Saunders in reply to Glyph says:

                It’s been a jillion years since I listened to that album, so perhaps I’d like it better now. I just remember that musical era seemingly saturated with Smashing Pumpkins, and the vocals always set my teeth on edge.Report

              • Chris in reply to Glyph says:

                Ugh, Mellon Folly and the Infinite Badness…Report

              • Glyph in reply to Chris says:

                There’s one good album, in that two-disc set.

                But that one album is still improperly produced, w/r/t his voice.

                “1979” is the only song I bothered to rip into my library.Report

              • Chris in reply to Glyph says:

                It’s the only song I have from that album too. It is a very good song.Report

              • Patrick Cahalan in reply to Chris says:

                Interesting note about MC&tIB:

                My friend who discovered Siamese Dream was the one who told me, “Take it back” when I told him I’d picked up Mellon Collie. I hadn’t opened it yet.

                On his recommendation, I took it back. It’s the only musical purchase I’ve ever returned.

                (except for an independent label band called “Freaky Fukin’ Weirdoz” who had an EP called “Bitch Make Sandwich”, which I bought because I was drunk and an idiot roomate egged me into it in the first place.)Report

              • Glyph in reply to Patrick Cahalan says:

                God I wish you had kept that last album.

                Remember that in the post-Nirvana major-label-WTF-is-going-on era, a band called “Butt Trumpet” could somehow release an album called “Primitive Enema” and get it into stores?

                Good times, good times.Report

              • James Hanley in reply to Patrick Cahalan says:

                Glyph, I think you have a new Wednesday music post theme.Report

              • Patrick Cahalan in reply to Patrick Cahalan says:

                I almost kept it, just as a conversation piece.

                But while you get both good and bad conversations about an EP titled “Bitch Make Sandwich”, you also get a small percentage of very, very bad conversations, and no very, very good conversations to make up for it.

                I already have to explain Stormtroopers of Death’s “Speak English or Die”.Report

              • Glyph in reply to Patrick Cahalan says:

                DUDE. I used to have that SOD. They wouldn’t be topped for song titles until AC (no, I won’t type out their name) came along.

                I kept an EP by a band called Cheeseburger because it has THE WORST cover art you have ever seen (the music isn’t bad, it’s just sort of AC/DC party rock). The only way I will link an image here is if I can somehow rot13 it.Report

              • Patrick Cahalan in reply to Patrick Cahalan says:

                The version of “Chromatic Death” on “Speak English or Die” is like, a thousand times faster than the version of “Chromatic Death” on Anthrax’s “Attack of the Killer B’s”.

                I didn’t even think that was possible.Report

              • I join the Doc in this opinion. Great ideas in the Pumpkins’ music but Corgan is even whinier than Michael Stipe, and in a way that does not engender affection and sympathy the way Stipe’s voice does.Report

    • Michelle in reply to Glyph says:

      +1 for Sticky Fingers.Report

    • Maribou in reply to Glyph says:

      I heartily second (well, more than second but I lost count) both Kiss Me (etc) and Yo La Tengo (another band I only really appreciate on the road).Report

    • Glyph in reply to Glyph says:

      Can I swap one of mine out (maybe GbV, since it appears no one here would ever second it, you uncultured rubes) for The Velvet Underground & Nico (though the s/t third record would also be acceptable – I like White Light, but that one could be a bit abrasive for some)?

      How has no one (including my own idiotic self) chosen the Velvets?Report

  21. mark boggs says:

    Not sure if anyone has mentioned this, and maybe I’m the only one gleefully taking advantage of this fact, but I can game the system by waiting for others to suggest the albums I like and then I go and +1 them, therefore allowing myself to give more weight to more albums than the 10 choices I’m supposed to receive. I’m hoping this will not cause hard feelings during our time on the island together.Report

  22. Kazzy says:

    My Dark and Twisted Fantasy – Kanye WestReport

  23. Chris says:

    1. Kind of Blue – Miles
    2. Blue Trane – Coltrane
    3. The Band – The Band
    4. Highway 61 Revisited – Dylan
    5. Doolittle – Pixies
    6. Illmatic – Nas
    7. Pastel Blues – Nina Simone
    8. Complete Brandenburg Concertos – Bach
    9. Rubber Soul – The Beatles
    10.The Boatman’s Call – Nick Cave and the Bad SeedsReport

  24. crash says:

    For road trips you gotta go heavy on the rock and country. The rock helps you stay awake, the country gets you thinking about dirt roads and honkytonks and beer. Some jazz to mix things up. Nothing too mellow or sad, otherwise you find yourself crying and thinking about exes and the poor choices you’ve made and all that.

    The Clash–The Clash.
    not gonna fall asleep during this one

    Stones–Exile on Main Street
    the best Stones album

    Johnny Cash–Live at Folsom Prison
    helps keep the speed up. turn it down if you get pulled over

    Lucinda Williams–Car Wheels on a Gravel Road
    greasy

    Joe Ely–Joe Ely
    a lotta traveling in this one. Also “Suckin’ a Big Bottle of Gin” which is a great driving song

    Mingus–Ah Um
    essential

    Bruce–Born in the USA
    maybe not his best but “Darlington County” is a great road song, album is solid top to bottom

    Pogues–Rum Sodomy and the Lash
    for the backseat drinkers

    Rod Stewart–Every Picture Tells a Story
    footloose and fancy free

    Joan Jett–GH
    total cheat on the rules, sorryReport

  25. Michelle says:

    Fun topic, Tod!

    1. Leonard Cohen, Live in London
    2. Jackson Browne, Late for the Sky
    3. The Eagles, Hotel California
    4. Van Morrison, It’s Too Late To Stop Now
    5. Joni Mitchell, Shadows and Light
    6. Graham Parker, Squeezing Out The Sparks
    7. John Hiatt, Slow Turning
    8. Warren Zevon, Life’ll Kill Ya
    9. Bruce Springsteen, Born to Run
    10. Red Elvises, Drinking With JesusReport

    • Patrick Cahalan in reply to Michelle says:

      I will upvote The Eagles, even though every time it comes on I’m gonna quote The Dude.Report

    • Tod Kelly in reply to Michelle says:

      I do not have upvote privileges, but if I did I’d give ones to many on this list, especially Cohen, Browne, Parker, Red Elvises and the Boss. I’d also give bonus points for all of those save Born to Run (which I’m now kicking myself for not making one of my 10) for being so unexpected *and* awesome choices.Report

    • crash in reply to Michelle says:

      +1 Van Morrison
      +1 Squeezing out Sparks. That’ll keep the ol’ blood pumpingReport

    • zic in reply to Michelle says:

      +1 on Joni.Report

      • Michelle in reply to zic says:

        I attended the concert where that album was recorded, which makes it a real sentimental favorite for me. Santa Barbara County Bowl, sometime in the early 1980s, I think.Report

    • NewDealer in reply to Michelle says:

      Down voting Hotel California.

      I HATE THE EAGLES!!!!

      The Big Lebowski jokes may commence now.Report

      • Michelle in reply to NewDealer says:

        You clearly didn’t go to high school or college in Southern California in the 1970s. I’m pretty sure knowing the lyrics to almost every Eagle’s song was mandatory.Report

        • MikeSchilling in reply to Michelle says:

          Berkeley too: The Eagles and Fleetwood Mac were ubiquitous.Report

        • NewDealer in reply to Michelle says:

          You would be correct. If I was alive in the 1970s (I was born in 80), I like to think I’d be the kid into the Ramones, Talking Heads, Television, etc.

          The Eagles are all that is wrong and excessive with 70s rock. I can see why the punks rebelled.Report

          • Glyph in reply to NewDealer says:

            The Eagles are all that is wrong and excessive with 70s rock.

            It’s OK if you don’t like the Eagles (I personally think they are better than their current reputation suggests), but…have you actually HEARD much 70’s rock? The Eagles were downright conservative, restrained and tasteful compared to some of that stuff.Report

            • NewDealer in reply to Glyph says:

              True but I thought part of the punk rebellion was also against the ethos of what the Eagles preached in songs like Hotel California.

              There is just something about their stuff and the lifestyle it celebrates that really bugs me. I can look into 1960s rock culture, fashion, etc and see the appeal. Almost everything about the 1970s and what was considered cool mystifies me.Report

              • Glyph in reply to NewDealer says:

                Hmmm…maybe I misunderstand what “Hotel California” is about, but songs like that (and “Life In The Fast Lane”) seem to me to explicitly preach AGAINST empty party-time existence.

                (Of course, the drug-addled band undoubtedly knew whereof they spoke, and many fans surely missed the implicit critiques).Report

              • Burt Likko in reply to NewDealer says:

                I’ve long thought that the punk ethos was against what the Eagles were. Big-market superbands, empahsis on virtuoso instrumental skills, lots of marketing and packaging, lots of emphasis on personality and focusing attention on the performers, celebrity, money, affectations of world-weariness and outrage despite actually having it all (Don Henley was, and still is, particularly good at this).

                Punk said of the Eagles, “These guys aren’t gods. They’re just dudes like us. They don’t even look like they’re having fun or getting laid all that much. All they’re doing is serving up packaging for big record companies and selling out. You don’t even need to play your instruments all that well to be a musician — what, it’s three chords and go, right? Anyone can do that.”Report

              • Glyph in reply to Burt Likko says:

                I’m not saying they weren’t a target, or part of the big-money machine…what I am saying is they don’t necessarily DESERVE the ire, the way that say Yes or ELP and all that faux-orchestral nonsense did.

                The Eagles wrote fairly simple songs that were basically country songs, and which had enough self-awareness to critique the lifestyle they were ensconced in.

                I know it’s hip post-Lebowski to bag on them, but they’re not as bad (taking the music alone) as their current rep suggests.Report

              • Mike Schilling in reply to Glyph says:

                I agree with Glyph. Musically, punk was a rebellion against generic, over-produced stadium rock like Journey much more than against Eagles-ish country-rock. Though, as the Eagles’ career went on, they became less country-ish and more “polished”.Report

              • Roger in reply to Mike Schilling says:

                Which reminds me we should include Never Mind The Bullocks and The Pretenders debut album into our play list.Report

              • NewDealer in reply to Mike Schilling says:

                The Ramones, The Clash, Buzzcocks, were around long before Journey.

                I think that we are all in agreement that it was a back to the basics rebellion though.Report

              • Chris in reply to Glyph says:

                I sometimes think that the Eagles hate is less a result of the Eagles as a band, and more a result of Don Henley’s post-Eagles (but also pre-Eagles many “final” reunion tours) solo stuff, which was about as soulless and generic as it is possible to be.

                Plus, the songs are just stupid. My son, when he was 7 or 8, asked me, “Why does he keep saying that all she wants to do is dance, when she also once to make romance?”

                Joe Walsh is cool, though.Report

              • Glyph in reply to Chris says:

                “Boys of Summer” is ACES though, and excuses almost all other sins.

                Fun fact: that song was originally demoed by Heartbreaker Mike Campbell (who wrote the music/plays guitar on it), for Tom Petty, who passed on it due to the synths. You can kind of tell its origins in the melody.Report

              • NewDealer in reply to Glyph says:

                I hated the Eagles long before the The Big Lebowski.

                Hotel California and Clapton’s Wonderful Tonight are two of the worst songs of rock history.Report

    • Burt Likko in reply to Michelle says:

      +1 on Joni Mitchell. Extraordinary writing.

      There was a time I’d have given a +1 to the Eagles because that album has fantastic guitar work. But I over-listened to that album in my teens and early twenties and now it’s more tedious than enjoyable. So no vote one way or the other on the Eagles.Report

      • Roger in reply to Burt Likko says:

        I so love 7os era Joni. Don Juan’s Reckless Daughter. Mingus. Hejira.

        Joni and Jaco were a great combo. So much better than anything Jaco did with Weather Report with the possible exception of Birdland.Report

    • Pinky in reply to Michelle says:

      I don’t think there’s one Zevon album that would do it for me. He wrote perfect little three-minute songs – great for a greatest hits album, but I can’t think of one album that would give me the Zevon experience. And when he gets depressing, wow, I’d be worried that the driver would send the car off a bridge.Report

      • Michelle in reply to Pinky says:

        His last two albums, recorded when he knew he was not long for the world, are bittersweet reflections on life and death. He does a version of Knocking on Heaven’s Door that never fails to bring tears to my eyes. Surprisingly enough, these albums are more playful and far less dark than a lot of his earlier stuff.Report

    • mark boggs in reply to Michelle says:

      I like Jackson Browne, but it has to be Saturate Before Using.Report

    • Chris in reply to Michelle says:

      +1 to Van Morrison

      Moondance is one of my favorite albums, and “Caravan” one of my favorite songs (which, given my list above, makes this another religious experience: http://www.dailymotion.com/video/xk2bzv_van-morrison-caravan-the-last-waltz_music#.UUKG-FemjV8).Report

    • Maribou in reply to Michelle says:

      Enthusiastic agreement for Leonard Cohen, and for that particular Cohen album.Report

      • Michelle in reply to Maribou says:

        We, along with half the other Jews in L.A., saw him in concert on that particular tour. It was amazing and every time I play that CD I remember how amazing. I can’t believe the guy is in his late 70s.Report

    • KatherineMW in reply to Michelle says:

      Upvoting Springsteed, Born to Run and Van Morrison, Too Late to Stop.

      I don’t have either album, but I like both artists.Report

    • Anne in reply to Michelle says:

      +1 Leonard Cohen
      +1 Eagles
      + Red ElvisesReport

  26. Jaybird says:

    Loveless by My Bloody Valentine
    The Sensual World by Kate Bush
    Blue Bell Knoll by Cocteau Twins
    Mezzanine by Massive Attack
    Protection by Massive Attack
    Pre-Millennium Tension by Tricky
    Homogenic by Bjork
    Kid A by Radiohead (maybe The Bends or OK Computer, if you want to argue about that)
    Boys for Pele by Tori Amos
    No Cure For Cancer by Denis LearyReport

    • Jaybird in reply to Jaybird says:

      (My original thought was to pick 10 Elton John albums.)

      Elton John
      Soundtrack to Friends
      Tumbleweed Connection
      Madman Across the Water
      Don’t Shoot Me I’m Only the Piano Player
      Goodby Yellow Brick Road
      Captain Fantastic and the Brown Dirt Cowboy
      A Single Man
      Too Low For Zero
      The One

      Decided against it.Report

      • Roger in reply to Jaybird says:

        Somehow I grew up without ever hearing Tumbleweed. I had a vinyl night get together with some friends recently and someone pulled out this gem. Amazing, especially at 33 and a third.

        I was just playing Madman last night for the first time in years. Also amazing.Report

        • Jaybird in reply to Roger says:

          Artists who have produced 10 albums worth putting on a list like this one are few and far between, I tell you what.

          Elton John, Pink Floyd, Chicago (IF YOU LEAVE ME NOW, YOU TAKE AWAY THE BIGGEST PART OF ME!!! OOOOO OOOOO OOOOOOOO GIRL BABY PLEASE DON’T GO!!! OOOOO OOOOO OOOOOOO I JUST WANT YOU TO STAAAAAAAAAAAAAAAAAY), Queen…

          Not that many.Report

          • Patrick Cahalan in reply to Jaybird says:

            I have been surprised that no Queen has been suggested yet.Report

          • Jeff No-Last-Name in reply to Jaybird says:

            One of the stations here plays a “Roll the Dice Weekend” from time to time. All artists in consideration must have at least 12 decent songs. It’s kind of surprising how many there are.

            These may not be from 10 different albums, however.Report

          • Jason Kuznicki in reply to Jaybird says:

            Artists who have produced 10 albums worth putting on a list like this one are few and far between, I tell you what.

            Again, David Bowie, who is probably my favorite pop musician of all time.

            Maybe Madonna would count too.Report

            • Jaybird in reply to Jason Kuznicki says:

              Bob Dillon. Not that anyone would pick one of his albums for this because, you know. He’s more of a “while we’re partaking” artist than a road trip one.

              Maybe we could have a “best ‘we’re partaking’ albums” barfight.Report

          • Pinky in reply to Jaybird says:

            I love Pink Floyd, but I wouldn’t consider them a 10-album band. Four would do it – Dark Side to The Wall. The Final Cut had its moments. I wouldn’t want to go earlier than Dark Side, although I know some Pink Floyd fans would say I’m missing out.Report

            • Jaybird in reply to Pinky says:

              Dude. You’re missing out.Report

            • Chris in reply to Pinky says:

              Animals is a great album too if you give it some time.

              Ummagumma, both the live (“Astronome Domine”!) and studio portions, is friggin’ cool too. And Obscured by Clouds and the More soundtrack will get to you if you listen. Piper at the Gates of Dawn is definitely for the fans, though. But consider that it was recorded at the same time that Sgt Pepper’s was being recorded. I’m not of James H’s opinion about the Beatles (I love them), but if you talk to a real Pink Floyd fan about how innovative they were, they’ll probably tell you to listen to Piper. Oh, and Saucer Full of Secrets has some songs that anyone, even a non-fan, can love:

              https://www.youtube.com/watch?v=ieQZoY9PQlY

              Yes, I’m a fan. Seeing them live, even without Waters, was a religious experience.Report

              • Jason Kuznicki in reply to Chris says:

                I am an enormous Pink Floyd fan, and the pre–Dark Side material is frequently great. Boegiboe thinks Piper and Saucerful are both too derivative of the Beatles, if you can believe it. I have to say I find these two… sort of uneven.

                But the rest is just as good as their more commercially successful later work, and often more daring. I particularly like the soundtrack to More, in which they only sometimes sound like Pink Floyd. I used to play “Nile Song” to people who didn’t know the album and ask: “This is a band you’ve heard of. Can you guess who it is?” And no one would guess it. Ever.Report

              • Pinky in reply to Chris says:

                Animals is on my list: I go from Dark Side of the Moon, to Wish You Were Here, Animals, and The Wall. My favorite? I dunno. If I were doing a road trip, I think that the theatricality of The Wall and even of Animals could be a bit much. But you can put in Wish You Were Here and listen to it for hours.Report

              • Patrick Cahalan in reply to Pinky says:

                In particular, regarding “Meddle”… “One Of These Days” is a perfect driving at night song.Report

          • MikeSchilling in reply to Jaybird says:

            The Beatles. No weak albums at all (Yellow Submarine doesn’t count.)Report

          • Freeman in reply to Jaybird says:

            I’d have a hard time picking my top 10 Rush albums.Report

          • Pinky in reply to Jaybird says:

            I was thinking that you could do a pretty good 10-album list of Steve Winwood, if you tossed in Traffic and Blind Faith. Then I checked Wikipedia and he did session work on Jimi Hendrix’s Electric Ladyland and David Gilmour’s About Face. That’s a 10-album list with variety.Report

    • Glyph in reply to Jaybird says:

      +1 for Mezzanine, since it only just-barely missed my cut.

      I debated Loveless, but I tried to pick stuff that wouldn’t alienate my fellow passengers too much (you know…old people);-)

      A frothing ranty vote AGAINST OK Computer, which I can say with full certainty and without the slightest-fear of hyperbole is the #1 top most-overrated album, of all time and this and several adjacent universes as well. Where’s the tunes, man?

      For a road trip Bends would work nicely.Report

    • Chris in reply to Jaybird says:

      I’ll +1 Mezzanine. I’m a big The Bends fan, but it’s more for sentimental reasons.Report

    • Michelle in reply to Jaybird says:

      How sad. Or perhaps pathetic. But I’ve never listened to any of the albums on your first list. The Elton John albums, however. . . well, let’s just say I’d give a big +1 to Goodbye Yellow Brick Road.Report

    • Tod Kelly in reply to Jaybird says:

      Wouldn’t a comedy album – even a great one – become torture after being played over and over?Report

    • Burt Likko in reply to Jaybird says:

      Isn’t “Protection” the first track on Mezzanine? Among the best love songs ever.Report

    • Maribou in reply to Jaybird says:

      I +1:
      The Sensual World
      Blue Bell Knoll
      Pre-Millennium Tension
      ONE Massive Attack (whichever one has more votes) and downvote the other one
      Boys for Pele

      -1 on Leary, Bjork, and Loveless (gasp!), all of which are good, all of which would have me breaking into the sealed cd player to MAKE IT STOP by week 3 or so.Report

  27. Brian Houser says:

    In the age of having an entire music library on hand at all times, it’s really tough to narrow it down to just ten albums. I chose based on my song ratings and play vs. skip ratio in iTunes. The winners have at least one five-star track each, and an average score above 4 stars. Unfortunately, some of my favorite tunes are left behind because they appear on an otherwise weak album.

    ABC: The Lexicon of Love
    Bill Hicks: Queen’s Theater Late Show ’92 (bootleg)
    Brian Culbertson: Long Night Out
    Chic: C’est Chic
    Larry Carlton: Fingerprints
    Michael Jackson: Thriller
    The Rippingtons: Weekend in Monaco
    Rush: Power Windows
    Steely Dan: Aja
    Steely Dan: GauchoReport

  28. Jeff No-Last-Name says:

    New:
    Beethoven — 3rd Symphony.
    George Thorough[ly]good — any album (just look at his name!), but I’ll go with “Rockin’ My Life Away”
    Tom Petty — Largely same as George, but I’ll go with “Into the Great Wide Open”

    +1 for “Wish You Were Here” For an album with only 4.5 songs, it’s pretty awesome.Report

  29. Tod Kelly says:

    I’m going to list off my ten nominations, but since I am the entire committee of judges no points will be awarded by my doing so. If people second them, however, I will count those as points.

    I will also note that I agree entirely with Burt’s musings above. If you’re planning an extended time limited to ten albums, you have to consider the entire album; you also have to think of the entire list of ten as a kind of meta-album that will take you different places. So not only are these my ten choices, I’m listing them in the order I’d place them in the carrousel.

    1. I love Everybody, Lyle Lovett. A perfect album to listen to as you settle into your seat, drift through the Starbucks drive-thru, and make your way onto the highway. (Most of the songs feel like a nice relaxed cup of joe on a breezy, sunny day anyway.) By the time we get to the track Penguins, we’re just about ready to start singing along out loud.

    2. Cosmic Thing, The B-52s. It’s time to rev up those engines and cover some ground. Cosmic Thing is one of those albums I would never put on at home, but as part of a long car drive it somehow feels essential. I defy you do so and not dance in your seat!

    3. Revolver, The Beatles. We need a Beatles album everyone can sing along with, and for me Revolver narrowly beats out Abbey Road for two reasons: One, it’s a little bit more upbeat and foot-tappy, which is good for a car trip (I may well get a speeding ticket when listening to And Your Bird Can Sing), and two, I Want You (She’s So Heavy) is so damn hypnotic that I could see myself driving off the road when the music shuts off unexpectedly.

    4. Punch the Clock, Elvis Costello. This is still my favorite total album from a man that’s made so many amazing ones. It also includes my favorite E.C. lyric of all time: Since nights were long and days were olden, woman to man has been beholden/She sends back his tribute of a rose and says this ring is better suited for the nose/he’s always fingering.

    5. Narrow Stairs, Death Cab for Cutie. Pretty much guaranteed to not only not make the cut, but to not get a single vote from that gallery. But I still wants me some Death Cab.

    6. Making Movies, Dire Straits. Not the perfect album, but for those that still remember vinyl Making Movies might well have boasted the perfect “Side One.” My opinion of this album grows with each passing year.

    7. Rhapsody In Blue/An American In Paris/Suite for Porgy & Bess, George Gershwin, Oscar Levant – Piano. We need some kind of orchestral music; if we’re traveling through America, why not choose the most American orchestral piece of all time? Besides, the middle section of Rhapsody sounds like it was made to be listened to while driving.

    8. Exile on Main St, The Rolling Stones. Greatest Stones album ever, and a great album for driving.

    9. Quadrophenia, The Who. It’s been a long day, it’s already getting dark, and it’s time to get a wee bit quiet, circumspect and maudlin. Quadrophenia is a perfect soundtrack for all of that.

    10. Blue Train, John Coltrane. Considered by many to be the last of the classic hard-bop albums. It may well be the perfect album to sip whiskey to; it’s a great listen when driving long stretches by starlight.Report

    • Patrick Cahalan in reply to Tod Kelly says:

      I’ll upvote Revolver and Narrow Stairs. I’d rather have Who’s Next than Quadrophenia, though.

      Although Death Cab intro album was Jack’s “ZOMG he still won’t freakin’ fall asleep drive around for 30 minutes in the car album” for a good reason, and might deserve rejection on the safety concern for just that reason.Report

    • OHMYGOD!!! What is WRONG with me that I left off “Cosmic Thing”!?!?!? (Unlike you, I would [and do] totally play it at home.)

      I’ve already edited my list once, so I’m not gonna do it again. But consider this a massive 1+ for “Cosmic Thing.” It is one of my all-time favorite albums ever, and I did listen to it (back in the high and far-off times of the Walkman) on family road trips, over and over and over.Report

    • Michelle in reply to Tod Kelly says:

      I’ll up vote Gershwin, although I can’t sing to it (a benefit to any fellow passengers as, or so I’ve been told, my voice can crack rocks).Report

    • Glyph in reply to Tod Kelly says:

      This is not a downvote – I like the album OK, and I know it’s the consensus “best Stones” – but I’ll never understand why people prefer Exile to Fingers.

      Exile‘s production and songwriting are so samey/monotonous in comparison – I get tired of it.

      Fingers has great/varied songs, AND varied production/arrangement touches. I never get tired of it.Report

      • Tod Kelly in reply to Glyph says:

        I considered Let It Bleed, just so I could hear Gimme Shelter.Report

      • crash in reply to Glyph says:

        I can agree on the production, most of EOMS is pretty muddled and dirty. Except for Tumbling Dice (there just Mick is muddled and dirty).

        But even if the songwriting is heavy on the country-fried, there is variety in the music: consider Tumbling Dice vs. All Down the Line vs. Torn and Frayed.Report

        • Glyph in reply to crash says:

          I have a bootleg of acoustic Stones outtakes called “Unplugged”, and the “All Down The Line” on that is PHENOMENAL. I went though like a 10-day period of just listening to it on a loop.

          And I DO like the album, and they are great songs. I just like “Sticky Fingers” better. They never showed so much range as there (think of the end of “Can’t You Hear Me Knocking”, where they give jazz & Carlos Santana a run for their money).Report

    • Brian Houser in reply to Tod Kelly says:

      +1 for Cosmic Thing. It’s not one of my all-time favorites, but it’s definitely a great road trip album.Report

      • Glyph in reply to Brian Houser says:

        Genuine question from someone who only owns the first 2 B-52’s records – what makes Cosmic Thing better than the s/t debut, which has “Rock Lobster”, “Planet Claire”, “Lava” “Moon”, et al?

        “Rock Lobster” ALONE makes the album superior to 95% of the human race’s entire historical recorded output.Report

        • Tod Kelly in reply to Glyph says:

          1. Roam

          2. TIN ROOF!!!! … rusted…

          That’s enough.Report

        • Tod Kelly in reply to Glyph says:

          Speaking of the B-52s, here’s a confession that I may have already shared on a Blinded Trials thread: When I’m alone in my house cooking, I play the music really loudly. If I’ve had a glass of wine, I may dance while I cook. But if I’ve had two glasses of wine, I may sing – and if I sing, I may begin to sing duet versions of the songs using Fred Schneider’s voice and Tome Waits’s voice.

          The best is when Baby It’s Cold comes up on shuffle.

          Tom: ireallymustgo

          Fred: BUT BABY IT’S COLD OUTSIDE!!!!Report

          • Jaybird in reply to Tod Kelly says:

            I’ve been working on a post about Fred Schneider but haven’t been able to perfect it.

            The general gist of the post is this: it would not be possible to phone in a performance more than the performance phoned in for Deadbeat Club.

            Except for four or five paragraphs.Report

          • Maribou in reply to Tod Kelly says:

            I do not believe you have ever shared this before. Because I find it so charming and adorable that I am certain I would have remembered it.

            (Note: It is of course possible that you shared it during one of my periods of scholarly exile, which are far too frequent.)Report

        • Russell Saunders in reply to Glyph says:

          Glyph, I love the B-52s something fierce. I love “Bouncing Off the Satellites” and “Cosmic Thing” best. As for the latter, it has “Dry County,” “Deadbeat Club” (which got me through my adolescence almost on its strength alone), “Roam” and “Channel Z.”Report

    • James Hanley in reply to Tod Kelly says:

      How many different Beatles albums can I downvote and still have them counted? -1 on Revolver, if you’ll allow it.Report

    • Burt Likko in reply to Tod Kelly says:

      Cosmic Thing is indeed a whole lot of fun. I can +1 it.

      Making Movies is good for that time of the drive just before sunset when a bit of self-hypnosis and alpha state in the brain is good for driving focus. And the guitar solos are ionospherically good. +1 there.

      I have a hard time picking between Exile on Main Street and Sticky Fingers if we’re going to rock out with Mick and Keef. Beggars Banquet is worth it for “Sympathy for the Devil” all on its own. Exile is a double album — what are the rules on that, does that count for one or two albums? In any event, I am totally down with the Stones for our road trip.Report

    • MikeSchilling in reply to Tod Kelly says:

      Perfect side 1 is right. You’re doing something very right when a song as cool as Skateaway is the weak one.

      +1 for Quadrophenia. What’s better for a night drive past the water than Sea and Sand. (We’ll roll down the windows to get the sea breeze and picture being on our GS scooters.)Report

    • Maribou in reply to Tod Kelly says:

      Upvotes for Revolver, Making Movies, and Quadrophenia from here. More of my neutral whining for Blue Train (one of my favorite albums of all time that would likely lead to mass death by the 10th time through).

      And a very BIG upvote for Lyle Lovett, who is basically the best dude to play on any roadtrip ever.Report

    • Will H. in reply to Tod Kelly says:

      +1 for I Love EverybodyReport

    • KatherineMW in reply to Tod Kelly says:

      Definitely upvoting Revolver, although Beatles 1 is even more sing-able.Report

    • Anne in reply to Tod Kelly says:

      +1 Cosmic ThingReport

  30. James Hanley says:

    Which ten albums should we bring on our two month road trip?

    Oh, the photo album of my most adorable children, surely.Report

  31. Patrick Cahalan says:

    By the way, Tod, I hate you for giving me the three vote option.

    Because I really, really, want to post a list.Report

  32. Fairly wide mix, some already mentioned.

    Israel Kamakawiwo’ole – Facing Future
    Jethro Tull – Thick as a Brick
    The Beatles – Sgt. Pepper’s
    Cake – Comfort Eagle
    Metallica – S&M
    Paul Simon – Graceland
    Fountains of Wayne – Welcome Interstate Managers
    Mussorgsky / Ravel – Pictures at an Exhibition

    My thinking: wider mix helps keep it a little more interesting for longer. Yeah, there’s some modern pop in there, but I find the clever lyrics of FoW to be entertaining enough to overrule my classic rock preference (ditto with the funk baselines of Cake.). Also why I chose S&M over Metallica’s black album or Justice. And Iz… his take on Somewhere Over the Rainbow is one of my go-to songs for relaxation, I’m assuming needed at some point on the road trip, so I’ll bargain my ass off to keep that album, just for that one song (though it’s a great album overall.)Report

  33. James Hanley says:

    In no particular order.

    1. Dead Kennedys: Fresh Fruit for Rotting Vegetables
    2. Lucinda Williams: Car Wheels on a Gravel Road
    3. The Damned: Phantasmagoria
    4. Jefferson Airplane: Surrealistic Pillow
    5. The Cult: Love
    6. Guns n’ Roses: Appetite for Destruction
    7. Talking Heads: Speaking in Tongues
    8. Robert Johnson: King of the Delta Blues Singers (I don’t care if it’s an anthology, your “no greatest hits” album doesn’t apply in the case of lost gone blues musicians who didn’t record actual albums.)
    9. Mississippi John Hurt: 1928 Sessions.
    10. Fleetwood Mac: RumoursReport

  34. dragonfrog says:

    1 Pink Floyd – Dark Side of the Moon
    2 Infected Mushroom – Classical Mushroom
    3 Wendy Carlos – Switched-on Bach
    4 Cowboy Junkies – The Trinity Session
    5 Joni Mitchell – Blue
    6 Saafi Brothers – Mystic Cigarettes
    7 Jethro Tull – This Was
    8 Bob Dylan – Highway 61 Revisited
    9 Various – Pi soundtrack (not to be confused with The Life of Pi)
    10 Bob Marley – Exodus

    That ended up being way less electronic than I would probably actually pack.Report

  35. zic says:

    I forgot the rules.

    So by zic’s unanimous consent, I hereby decree one downvote for each album by Springsteen. If he’s on, I’m out of the car; with the sole exception of that short and sweet song, I’m on Fire.Report

  36. dhex says:

    mornings
    slayer – reign in blood

    middays
    will oldham – i see a darkness

    evenings
    boards of canada – music has the right to childrenReport

  37. Christopher Carr says:

    Holy Shit comments!

    I thought I was an early bird!

    Anyways, I feel bad for whoever has to tally everything up.

    I put all points into CCR. CCR is the best music for road trips. There is nothing else to compare.Report

  38. Fish says:

    1. Mellon Collie and the Infinite Sadness – Smashing Pumpkins (was going to go with Siamese Dream, but I felt like I had to stand up for Mellon Collie)
    2. Are You Experienced – The Jimi Hendrix Experience
    3. Rage Against the Machine – Rage Against the Machine
    4. The Fat Of The Land – The Prodigy
    5. Until Now – Swedish House Mafia
    6. Texas Flood – Stevie Ray Vaughan and Double Trouble
    7. There Is Nothing Left To Lose – Foo Fighters
    8. Elastica – Elastica
    9. No Need To Argue – The Cranberries
    10. My Dinosaur Life – Motion City SoundtrackReport

  39. Shazbot3 says:

    1. The Freewheelin Bob Dylan: Bob Dylan

    2. Willy and the Poor Boys: CCR

    3. Harvest: Neil Young

    4. The Covers Record: Cat Power

    5. War: U2

    6. Fear of Music: Talking Heads

    7. Up to Here: The Tragically Hip (only if we drive to Canada)

    8. Tattoo You: The Rolling Stones (weird pick, but I like it)

    9. No Need to Argue: The Cranberries

    10. “How to Avoid Huge Ships” Book on Tape: As Read by Lou FerrignoReport

    • Glyph in reply to Shazbot3 says:

      Interesting – CCR, Stones, Dylan and Talking Heads are all getting multiple votes, but they may end up getting split, due to choosing different albums.

      I thought of picking a U2 album, but War is one of my least favorite of theirs. I would have gone Joshua or Achtung.Report

      • Patrick Cahalan in reply to Glyph says:

        I think you might be the only person on earth who would construct S (the set of the best U2 albums) as {The Joshua Tree, Achtung Baby}.Report

        • Glyph in reply to Patrick Cahalan says:

          Achtung is a weird case. It’s really an album. If you take it apart, the individual pieces are not all that strong (and good God, it has some of Bono’s worst lyrics EVER). But if you listen to it from start to finish, it’s got a real emotional shape and a flow.

          But hey, I even like Unforgettable Fire, and a lot of people don’t. And Zooropa is far better than it has any right to be; other bands would kill to make a record that interesting. It’s not until Pop that they really went off the rails.Report

          • James in reply to Glyph says:

            UF is awesome, but mostly because it sounds so unfinished. It gives these fascinating hints of a direction that they never really ended up taking, but damn I wish they would have. They’d be poorer, but I’d be richer.Report

          • Patrick Cahalan in reply to Glyph says:

            I just noticed Glyph likes Zooropa, too.

            We can now commence taking over the world.Report

            • Glyph in reply to Patrick Cahalan says:

              (from the back of the van, quietly, but for the 275th time):

              “Don’t move
              Don’t talk out of time
              Don’t think
              Don’t worry
              Everything’s just fine
              Just fine”

              (front of van):

              “That is IT, you two!”

              Heh. You two.Report

        • He is not. Now, I can reasonably respect arguments to the contrary, but at the end of the day, you will all be wrong, and Glyph will still be right.Report

      • Shazbot3 in reply to Glyph says:

        Your tastes in U2 albums are objectively false in an empirically verifiable way.

        🙂Report

    • Pinky in reply to Shazbot3 says:

      That’s the first U2 pick on the thread.Report

    • Burt Likko in reply to Shazbot3 says:

      U2 = Joshua Tree. That is all.Report

      • Glyph in reply to Burt Likko says:

        It’s easy to forget because it was such a ubiquitous monster hit, but that is a phenomenal album front-to-back. I love that they casually dropped 3 singles in a row, right out of the gate.Report

        • Patrick Cahalan in reply to Glyph says:

          Kitty and I argue about this one.

          I think she’s/you’re correct, really. But Boy is really underrated as a premier album and War is just stupendous.Report

          • MaxL in reply to Patrick Cahalan says:

            Yup. But for my nickel it’s October.Report

          • Glyph in reply to Patrick Cahalan says:

            Boy is terrific; not a wasted note, in that Joy Division-influenced way. I even like October; it gets a little experimental with the songs (even if the songs themselves are not quite as strong).

            But War leaves me cold (though I love the live versions of War songs on Under A Blood Red Sky – “Sunday” and “New Years” are MILES better there).

            War just sounds labored over – even when the songs are good, the tempos are too sluggish; no energy or life. It’s (IMO) their weakest album until Pop.

            But I am aware that I am in the minority.Report

      • Anne in reply to Burt Likko says:

        +1 Joshua TreeReport

    • zic in reply to Shazbot3 says:

      +1 U2; but I’m with Glyph on my favorite.

      +1 Harvest, combined with After the Goldrush the soundtracks of my teens (before I discovered Miles). Farm life of poverty in rural Maine was pretty bleak, musically speaking; Neil Young certainly captured that bleakness.Report

    • Patrick Cahalan in reply to Shazbot3 says:

      Upvote War. I was waiting for U2 to show up.

      And Burt is clearly wrong about The Joshua Tree.Report

    • Jeff No-Last-Name in reply to Shazbot3 says:

      -1 U2. Pretentious snots and not great music.

      FIGHT!!!!Report

    • Maribou in reply to Shazbot3 says:

      HOORAY FOR THE HIP!!!!

      And my favorite (and only) Hip concert was here in Colorado Springs. There were like 300 people in attendance. I was in front of the stage the whole time. I had the two conversations below over and over.

      Me (to American friend): I went to a Tragically Hip concert this weekend! It was awesome!!! I was in front of the stage the whole time!!!
      AF: A what concert?

      Me (on the phone to Canadian friend): GUESS WHAT? I saw the Hip IN A CONCERT HALL! There were like 300 people there!!! I WAS AT THE FRONT OF THE STAGE!!!
      CF: OH MY FUCKING GOD I HATE YOU TELL ME ALL ABOUT IT.

      Just sayin’.Report

      • James Hanley in reply to Maribou says:

        I had pretty much that same experience at a No Means No concert. 300 people, right in front of the stage (knees bruised from the surging crowd continually bumping me into the edge of the stage), every Canadian I’ve ever met instantly knowing who I was talking about, and most Americans not having a clue.

        In fact if I hadn’t already used up my 10 picks I’d suggest “Why Do They Call Me Mr. Happy,” because who doesn’t want to be driving down the road singing, “Cats, Sex, and Nazis!”Report

      • Will H. in reply to Maribou says:

        In Violet Light is the best thing ever by the Hip.Report

    • KatherineMW in reply to Shazbot3 says:

      Upvoting Harvest.Report

    • Michelle in reply to Shazbot3 says:

      Up vote on CCR.Report

  40. Shazbot3 says:

    Actually,

    10. Unplugged in NY: NirvanaReport

  41. Kazzy says:

    I don’t have to actually vote for Styx, do I? They’re, like, automatically on, right?Report

  42. John Howard Griffin says:

    The rules are a bit unfair to those of us who don’t listen to “albums” much.

    In the interest of playing along, I nominate “Porgy and Bess”. I enjoy the Price/Warfield/Calloway recordings, but have a soft spot for the 1959 film soundtrack (Robert McFerrin and Adele Addison and Cab Calloway).

    Trivia: the Robert McFerrin who dubbed for Sidney Poitier in the 1959 film is Bobby McFerrin’s father.

    If you’ve never heard it, here is a link to a selection of 4 songs from the 1959 film soundtrack:
    https://www.youtube.com/watch?v=2ZsVMQSCXyk

    and here is a link to Warfield and Price:
    https://www.youtube.com/watch?v=2hDtUNSrhqIReport

    • Patrick Cahalan in reply to John Howard Griffin says:

      That’s a great pick. If I crack and post a whole list, a third of them are from prior to 1960.Report

    • Upvote for Porgy and Bess, which I have performed (on sax, as part of a concert band) many times. No promises I won’t sing along though.Report

    • James Hanley in reply to John Howard Griffin says:

      Upvote Porgy and Bess (wishing furiously that I’d thought of it first).Report

      • John Howard Griffin in reply to James Hanley says:

        I’ve been singing the songs to myself over the past few weeks, so it was fresh in my mind, Mr. Hanley.

        I keep thinking about this part:

        De folks wid plenty o’ plenty
        Got a lock on de door
        ‘Fraid somebody’s a-goin’ to rob ’em
        While dey’s out a-makin’ more
        What for

        I got no lock on de door
        Dat’s no way to be
        Dey kin steal de rug from de floor
        Dat’s okeh wid me
        ‘Cause de things dat I prize
        Like de stars in de skies
        All are free

        I think there’s something important in there that I need to hear. So, I’ve been singing it to myself.Report

    • I did not know that about the McFerrens. Thanks for that bit of knowledge.Report

      • John Howard Griffin in reply to Tod Kelly says:

        You may also be interested in the fact that Robert McFerrin was the first black male to sing at the Met, though Marian Anderson was the first black person (and first black woman) to sing at the Met. They both debuted in January, 1955.

        Mr. McFerrin was also the first black person to sing at both the Met and the NYC Opera. He only performed in opera for a few years, though.

        As one could imagine, he was a tremendous influence on his son, Bobby. Unfortunately, there are few recordings of Mr. McFerrin. I find his voice to be wonderful.Report

  43. MaxL says:

    Interesting question – it’s not really all time favorite albums at all. I see a ton of good suggestions above, so I sort of tried not to double up in case I have to hitch hike when the sun goes behind a cloud.

    Anyway, I think these need to be albums that pass the time or imprint a place passing outside. Sounds for daybreak, long hot afternoons, night alone, small windy roads and bumper to bumper traffic on the interstate loop. Music you can talk over, keep you awake, or just draw hours out of the ride.

    Weird that no female vocalists came to mind right away.

    1- Grateful Dead – American Beauty
    2 – Rolling Stones – Let it Bleed
    3 – Miles Davis – Kind of Blue
    4 – Primal Scream – Screamadelica
    5 – Johnny Cash At Folsom Prison
    6 – Dark Was the Night – Blind Willie Johnson
    7 – Sublime – 40 oz. to Freedom
    8 – Pogues – Rum, Sodomy and the Lash
    9 – U2 – October
    10- Al Di Meola, John McLaughlin and Paco DeLucia – Friday Night in San FranciscoReport

    • Tod Kelly in reply to MaxL says:

      Wow, that’s a really great mix of genre.

      This is I think the third time someone’s thrown up the Pogues. I wonder if we’d done this a month from now or a month ago if they’d have still gotten nominations, or are they just in everyone’s head because it’s almost the 17th?Report

      • MaxL in reply to Tod Kelly says:

        I field tested this question once awhile back – driving many, many miles with just Rum Sodomy and the Lash, Prolonging the Magic, and Tea for the Tillerman. It could have been a lot worse. I have no idea what happened to the other 2 CDs, but I still have the Pogues.

        When I was 19 or so, I was backpacking around and for a six month stretch I was down to exactly 2 cassettes: INXS Kick and something by the Eurythmics. When it finally came down to that or Turkish music playing on the long distance bus to Lake Van…Report

    • MikeSchilling in reply to MaxL says:

      American Beauty is a great choice, though I only ever listen to half of it (Box of Rain, Friend of the Devil, Sugar Magnolia, Ripple, Truckin’)Report

  44. fledermaus says:

    With an eye towards driving I’d pick:

    1. Beastie Boys – Check Your Head
    2. Talking Heads – Stop Making Sense
    3. Primus – Pork Soda
    4. Pink Floyd – Wish You Were Here
    5. O Brother Where Art Thou – soundtrackReport

  45. Andrew Voss says:

    Because it’s my current favorite I’ll use my three votes for this: http://en.wikipedia.org/wiki/Invincible_%28Two_Steps_from_Hell_album%29Report

  46. Jeff No-Last-Name says:

    I think I still have at least one pick, so….

    Heart — A number of contenders, but I’ll go with “Dreamboat Annie”

    =========================================

    I think an “Unplugged” album is awfully close to a Greatest Hits — should they be eliminated or downvoted?Report

    • Upvote.

      Also, I would argue that both Clapton and Nirvana’s Unplugged albums are not particularly close to a greatest hits… or at least, they are a LOT closer to being “the band covering itself” which is a different thing, to me. There are Unplugged albums that are just greatest hits… but not those two.Report

  47. Leslie Gupta says:

    For Pat – I assume I will now get laughed off the thread but here’s my list (all albums that have been used for the road trips up and down CA, in the past and in the very recent, so well known and well loved by me) – chosen if I listen from start to finish without having to jump tracks. I only get to pick 10 so these were the visceral, gut choices that jumped to mind:

    1) Garbage – Garbage or 2.0 (Sherilyn is my goddess)
    2) David Sylvian – Gone to Earth (if I’m feeling melancholy and driving alone, not a family favorite by any means – listened to many times when driving away from the Bay Area when I was in college
    3) Pet Shop Boys – Very (sentimental favorite with husband, listened to many times when we were first dating)
    4) Imagine Dragons – Night Visions (proving to be a very solid go to of late)
    5) P!nk – Truth About Love (another recent acquisition with an insane level of air play in my car and children be damned – they gotta learn to cuss properly sometime)
    6) Peter Murphy – Deep (although Holy Smoke holds its own)
    7) Duran Duran – Rio (although the new one, All You Need is Now is a solid album and of course, their first album which just has nostalgia all over it!)
    8) Depeche Mode – Music for the Masses or Violator (but anything before that works too, more recent works are played a bit more sparingly, trackwise, as I’m not a fan of all the times that Martin Gore has started being the lead singer)
    9) Chicago Movie Soundtrack or Moulin Rouge (but there are two different versions of that and I prefer the first disk)
    10) Imogen Heap – I, Megaphone or Speak for Yourself (probably lean towards the latter)Report

  48. Johanna says:

    Billie Holiday – Lady Sings the Blues
    Iggy Pop – Lust For Life
    Jesus and Mary Chain – Darklands
    Toy Dolls – Dig That Groove
    Are we allowed to pick ten and have unlimited up and down votes or do I only have four more votes since I’ve already up voted two?Report

  49. mark boggs says:

    Carlos Santana – MoonflowerReport

  50. mark boggs says:

    And I’m sure it’s prolly disqualified for being a compilation, and I haven’t read all 2,987 comments, but we cannot go that far with out Oscar Peterson – Exclusively for my Friends. A 4 disc set of magic.Report

  51. Wardsmith says:

    City of Angles soundtrack.

    I’ll come back another day and see if this thread has hit 1000 comments and decide if I want to add the other nine or leave it as is to give this one a fighting chance.

    BTW my sportscar is similar to Rtod’s imaginobile, it has a CD changer behind the driver’s seat where it is inconvenient as hell to get at. Worse it only holds 6 CD’s at a time.Report

  52. LK says:

    U2-The Joshua Tree
    Sam Phillips-Martinis and Bikinis
    Steve Earle-The Revolution Starts Now
    Johnny Cash- American IV:The Man Comes Around
    Warren Zevon: The Wind
    Thelonious Monk Quartet with John Coletrane at Carnegie Hall
    Watchmen Soundtrack
    Beatles-Sgt. Peppers Lonely Hearts Club BandReport

  53. michael says:

    1. The Clash – London Calling
    2. Steely Dan – Aja
    3. Rolling Stones – Some Girls
    4. Pavement – Crooked Rain, Crooked Rain
    5. Minutemen – Double Nickels
    6. Beatles – White Album
    7. Johnny Cash – American Songs
    8. Sufjan Stevens – Fell the Illinoize
    9. Talking Heads – Remain in Light
    10. Yo La Tengo – I Can Hear the Heart Beating as OneReport

  54. just bob says:

    Here goes, in no particular order:

    1. Back in Black – AC/DC
    2. Appetite for Destruction – Guns N’ Roses
    3. Joshua Tree – U2
    4. Crash – Dave Matthews Band
    5. Under the Table and Dreaming – Dave Matthews Band
    6. Van Halen – Van Halen
    7. Who’s Next – The Who
    8. Led Zeppelin I – Led Zeppelin
    9. Live at Madison Square Garden – O.A.R.
    10. Metallica (Black Album) – MetallicaReport

  55. Marchmaine says:

    Looks like I get one shiney bullet with which to plug the appalling absence of ’80’s alternative music.

    Housemartins – London 0 Hull 4

    Heck, Anxious could practically be the League anthem.

    [youtube http://www.youtube.com/watch?v=HM0D_4NshFA&w=560&h=315%5D

    Now apathy is happy that it won without a fight…Report

  56. Slade the Leveller says:

    I’m a daily lurker, and sparing commenter. As someone who lives in the destination city, and would love to meet some of the faces behind the names, and one that absolutely loves music, here’s my list (and Oh, my gosh, so much good music left behind!):

    1. XTC – Skylarking
    2. Field Music – Tones of Town
    3. New Model Army – Thunder and Consolation
    4. Blur – Parklife
    5. Dave Brubeck Quartet – Take Five
    6. Kurt Elling – The Messenger
    7. R.E.M. – Automatic for the People
    8. Wayne Hancock – Tulsa
    9. Tally Hall – Marvin’s Marvelous Mechanical Museum
    10. New York Philharmonic under Berstein: Copland: Appalachian Spring~Rodeo~Billy the Kid~Fanfare for the Common ManReport

    • James in reply to Slade the Leveller says:

      +1 to Wayne Hancock! And I hope you’ll reveal yourself at Leaguefest. I’m not a huge Brubeck fan myself, but I respect him lots, and think anyone who likes both Brubeck and Hancock has to be a righteous dude.Report

    • Patrick Cahalan in reply to Slade the Leveller says:

      Horray for Parklife and Skylarking!

      Also, HOW did it take this long for someone to mention Take Five?Report

    • Slade:

      A few things:

      1. Totally stoked that we may see you in Chicago.

      2. Great choice on XTC. My favorite would be Apple Wasp, but since I didn’t even think to go there, kudos to you.

      3. You are the only human being I know other than myself that listens to Tally Hall. They opened for Guster a few years ago in Portland, and they were AMAZING.

      4. I now feel a sense of shame that it hadn’t occurred to me until I read you list to even consider an Ellington recoding! A travesty! What the hell was I thinking? I will now go out in the yard and pour dirt on my head.

      5. All in all, a great list. This might be my favorite list of 10 from top to bottom.Report

      • Slade the Leveller in reply to Tod Kelly says:

        Tod,

        Tally Hall put on such a great live show, and sadly the group is probably no more. It’s rare to see such joy on stage. I saw them close a show with an absolutely killer cover of Freebird. I did pass on my love of TH to my daughter and some friends here, so we’re not totally alone.

        Not Ellington, though Live at Newport was in serious contention, but ELLING. Jazz vocalist from Chicago. His early stuff is so inventive. So, no dirt.Report

    • Oh God yes for Copland.

      And you broke my resistance to upvoting jazz with Take Five. Yes, plese, that one. (It’s not the best jazz in these comments. But it is the one I have listened to enough times to wear out TWO cassette tapes. Durable.)Report

    • MaxL in reply to Slade the Leveller says:

      +1 for Take Five! I am kicking myself for forgetting that one. Great listReport

    • 1+ for both the Brubeck and the Copland.Report

  57. Chris says:

    Wait, is Illimatic the only rap album so far… Ya’ll are some seriously… OK, I won’t say it.

    I feel I should link to this, and then feel guilty for linking to stuff I wrote (a long time ago).Report

    • Patrick Cahalan in reply to Chris says:

      Yeah, I noticed that too. No funk or R&B, either. Ray Charles and James Brown are conspicuously absent.Report

      • Sam in reply to Patrick Cahalan says:

        I nominated “The Mouse and The Mask” by Danger Doom, and holy goddammit, I just realized the album I’d spent all day trying to remember: “The Score” by The Fugees. Whatever. I’m an idiot. Can I add it?Report

      • Shazbot5 in reply to Patrick Cahalan says:

        We need the funk.

        Our lists gotta get that funk.

        And as white as the lists are already, there is also fairly little country music, which is pretty popular nationwide. And there’s a pro 60’s, 70’s and 80’s and maybe 90’s bias.

        This all gives some evidence about the demographics of the league.Report

      • Chris in reply to Patrick Cahalan says:

        Well, Stevie Wonder is up there, and Glyph and I said we should have included Marvin Gaye, but we didn’t, so… And I don’t know what I would include of Ray Charles.

        But honestly, hip hop makes for some great driving music. During the summers in college, I used to drive with another guy back and forth to a bunch of cities around Nashville for work, often not getting back to Franklin until well after 3 am, and Wu Tang Clan is the only reason we didn’t die in a fiery crash after falling asleep.Report

      • Glyph in reply to Patrick Cahalan says:

        I wanted to do James Brown, but everything I have is compiled (Star Time, Pass The Peas: Best of JB’s, etc.) so I wasn’t sure what album to pick.

        The rules excluding compilations/best of’s really hurt singles artists, and dance music (and hip-hop is dance music) is all about singles (see my complaint about not being able to get New Order on – otherwise Substance would have been a lock).Report

        • Chris in reply to Glyph says:

          There are two kinds of hip hop*: hip hop for the club and hip hop for the headphones. You dance to the former and you listen really closely to the latter. It all came from club music in the 70s, but at some point (in the mid-to-late 80s), some of it took a storytelling, almost conversational turn. Hell, though I haven’t seen anyone doing it in years, it wasn’t uncommon, once upon a time, to see people in a coffee house or a restaurant rapping a conversation. Now, a lot of the really good hip hop is really a fusion of the club part and the conversation part, but when it is conversational like that, or at least when it’s a form of story-telling, it’s not always about the singles. I mentioned him over at Jay’s place, but check out Good Kid, M.A.A.D. City for an excellent recent example of an album that’s meant to be listened to as a whole.

          But to contradict all of that, I’ll link to this again: http://www.youtube.com/watch?v=m4S2avleyeM

          *There are two kinds of people: those who divide everything into to types, and those who don’t. Both of them are wrong.Report

  58. Michael 2 says:

    Rickie Lee Jones – the eponymous 1979 album.Report

  59. Dan Miller says:

    Golden Age of Radio, by Josh Ritter, will be my only nomination. A good mix of songs, fantastic lyrics, and rewards relistening.Report

  60. Just Me says:

    You can’t have a road trip without Jerry Jeff Walker….IMHO. I just haven’t been able to decide which album to pick.Report

  61. Steve S. says:

    1. Playboy: A History in Pictures
    2. Penthouse: A History in Pictures
    3. Swank: A History in Pictures
    4. The Pop-up Kama Sutra: What Part of Pop-up Don’t You Understand?
    5. Nina Hartley: A Life in Pictures
    6. The Making of “Where the Boys Aren’t” [Norton edition]
    7. The Oxford Bettie Page
    8. “Oooooooooooohhhhhhhhhh Gaaaaaaawwwwwwwwd…”: the Poetry of Jenna Jameson
    9. The Penguin Illustrated Nudity, Nudism, and Nakedness, Did We Mention Nudity?
    10. The Holy Bible

    Wait a minute; is this the “essential books on a desert island” thread or the “Sgt. Pepper and Led Zeppelin IV” thread?Report

  62. Mark Thompson says:

    I’m trying to only go with new albums not named above here, so:
    1.. Pat Green- George’s Bar.
    2. Springsteen – Born to Run
    3. Peter Tosh- Captured Live
    4. Gaslight Anthem – The 59 Sound
    5. Dr. Dre- the Chronic (Chris is right- we need some kind of rap on here)
    6. Spearhead -Home (I thought about De La Soul or Tribe Called Quest here, but I think this album is under appreciated).
    7. Jimmy Cliff, Toots and the Maytals, et al- Harder They Come soundtrack (I’m actually shocked and appalled no one has this on the list yet)
    8. Temple of the Dog- self-titled
    9. Gin Blossoms- New Miserable Experience – we need some sort of mediocre 90’s rock, do we not?
    10. Allison Krauss and Union Station- New FavoriteReport

    • Patrick Cahalan in reply to Mark Thompson says:

      MM, ATCQ is my rap selection. Not spelling it out. Yet.Report

    • Maribou in reply to Mark Thompson says:

      Hoo-ah, now that I’ve HEARD of the Harder They Come soundtrack, I will totally agree to it. (I know all those songs. I’ve been to a sweaty hippie fest where Toots and the Maytals were headlining, in the last five years, even. Just, you know, I wasn’t born yet back then – still trying to catch up)

      *orders that album on amazon next time she has dough*Report

      • Mark Thompson in reply to Maribou says:

        Toots puts on a fannnn-tastic show. I saw him about 15 years ago at a frat party of all places (it was a frat that I had a less than pleasant relationship with, but there was zero chance I’d ever pass on a chance to see Toots) – still one of the top 3 or 4 shows I’ve ever seen. It’s staggering that they still keep the touring schedule that they have – I mean, they’ve only been making music for 50 years. Which reminds me – he’s playing in NYC on my birthday this year; unfortunately, the venue is terrible and I’ve vowed never to see a show there again. But still…Toots.Report

        • Glyph in reply to Mark Thompson says:

          I saw Toots a few years back, and yeah, he was good.

          The crowd was…ah..enthusiastic about “Legalizing It”. I think I got a secondhand high. Not sure if that affected my opinion. It sure seemed like he played a LONG time.Report

    • Glyph in reply to Mark Thompson says:

      +1 on Harder They Come. That is a GREAT choice.

      -1 on Bruce (sorry).

      -? on Temple of the Dog

      And I’ve had to do this before around here, but I will stick up for that Gin Blossoms. The songs that Doug Hopkins wrote are perfect, sad alcoholic anthems. You know what, I’m giving that a +1 just for the chance to make the case again.Report

    • 9. Gin Blossoms- New Miserable Experience – we need some sort of mediocre 90?s rock, do we not?

      No, we do not. If we’re going to have 90’s rock, let it be good, not mediocre. It’s not like there was a shortage of good rock in the nineties. Nirvana. Garbage.

      Downvote on the Gin Blossoms.Report

      • Sam in reply to Burt Likko says:

        Surely the suggestion of Gin Blossoms was some sort of elaborate trolling.Report

        • Glyph in reply to Sam says:

          1.) Drink some whiskey.

          2.) Listen to “Lost Horizons” or “Pieces of the Night”. Pay attention to the lyrics.

          3.) Comment again.Report

          • Mark Thompson in reply to Glyph says:

            As I read this, ‘Till I Hear It From You is playing on my Pandora.

            But, yeah, Pieces of the Night is quite excellent.Report

            • Glyph in reply to Mark Thompson says:

              What the hell did you expect to find – Aphrodite, on a barstool by your side?

              It’s a little long, but this article about Hopkins (the co-founder/songwriter who wrote all their early hits who was a hardcore alcoholic, got kicked out and committed suicide) is well worth your time, and properly places him more in the tradition of the ‘Mats, than the Blowfish :

              http://www2.metrotimes.com/culture/story.asp?id=12123Report

              • Mark Thompson in reply to Glyph says:

                Dude. That is one hell of a story. I had no idea.

                Though it does explain why their other stuff is so terrible.Report

              • Glyph in reply to Mark Thompson says:

                Yeah.

                Doug once told me that he could barely remember writing “Hey Jealousy.” He remembered clearly that it was a story about the sister of a singer he’d been in a band with, this beautiful girl that he and everyone else had a crush on but couldn’t touch. He had something with her once but he blew it — the drinking. That’s all he remembered about writing it. That and he hated the Gin Blossoms singer for changing the word in his lyric; he swapped “drink” with “think.” Those lyrics were straight from Doug’s daily vocabulary, his usual promise to a new girl. Honest shit.

                You can trust me not to drink/And not to sleep around/If you don’t expect too much from me/You might not be let down.

                Report

              • Jeff No-Last-Name in reply to Mark Thompson says:

                Yep. NME is a fun album; the rest not so much. Sad that such great music had to come from such a dark place.Report

    • Michelle in reply to Mark Thompson says:

      Another +1 for Harder They Come.Report

    • Chris in reply to Mark Thompson says:

      +1 on The Chronic. Until I heard Nas, which was a couple years after Illimatic had come out, The Chronic was my favorite hip hop album. 2001 is pretty cool as well.

      I really love Allison Krauss’ voice, but I really don’t like her songs. This isn’t a down vote, just me expressing my frustration that someone with that voice doesn’t have better songs to apply it to.Report

      • Maribou in reply to Chris says:

        I expect you are already aware of Raising Sand (Krauss + Robert Plant), but I thought I should mention it, in case. (I feel similarly conflicted, and I find I like this album a lot better because OTHER PEOPLE WROTE THE SONGS and they are good ones.)Report

    • Jeff No-Last-Name in reply to Mark Thompson says:

      +1 on BtR, CL, HTC an NME

      -1 on The Chronic. I hate Dr Dre, and I think he had Tupac done in because Tupac was branching out and becoming more popular than Dre.Report

  63. Jaybird says:

    Rules are for Statists. I notice a dearth of soundtracks on here (I mean, not an *ABSENCE*… but you’d think we’d have more…) so I will try to rectify that with my top ten soundtracks for driving.

    1. Trainspotting (yeah, yeah, like you didn’t see that coming)
    2. Oh Brother Where Art Thou?
    3. Saturday Night Fever (Mmmmmmmm. The Bee Gees.)
    4. Local Hero
    5. Superfly
    6. I am torn between Reservoir Dogs, Pulp Fiction, and Jackie Brown. One of those.
    7. The Basketball Diaries
    8.Repo Man
    9. I kinda feel like I should put one of the big 50’s adaptations of a broadway play here. Fiddler, maybe. Man of La Mancha. Something like that.
    10. Jesus Christ SuperstarReport

  64. Patrick Cahalan says:

    Okay, I cracked, I can’t take it any more. Some of these would be bumped by some things that have already been mentioned, but they deserve votes. So here you go.

    1. Rush, Moving Pictures
    2. A Tribe Called Quest, Midnight Marauders
    3. What’d I Say, Ray Charles
    4. Natural Ingredients, Luscious Jackson
    5. Whitechocolatespaceegg, Liz Phair
    6. Tres Hombres, ZZ Top
    7. Ride the Lightning, Metallica
    8. The Dock of the Bay, Otis Redding
    9. Alive!, Oingo Boingo (because Tod said I could)
    10. Being There, Martyn JosephReport

  65. Maribou says:

    I am desperately torn between Ani Dfranco’s Dilate (y’all need more CUSSING and SEX in your van, seriously) and Lyle Lovett’s Sleep Inside This House (which I was introduced to on a road trip).
    ….
    …..
    …..

    Gotta go with Sleep Inside This House. It is the perfect road trip album. You won’t have heard most of these songs before (they’re covers of 21 songs by Texas songwriters who influenced him) and by the end of the trip you will be in love with ALL of them. At least, that’s what happened to me in Wyoming once.Report

  66. JonB says:

    ok Patrick, just because you asked.

    1. Ride: Going Blank Again
    2. Mew: And The Glass Handed Kites
    3. James: Hey Ma
    4. U2: Unforgettable Fire
    5. The Verve: A Storm In Heaven
    6. Radiohead: the Bends
    7. James: Seven
    8. Johnny Cash: American IV: The Man Comes Around
    9. Anya Marina: Slow & Steady Seduction: Phase II
    10. Neko Case: BlacklistedReport

    • Glyph in reply to JonB says:

      +1 on Neko, +1 on Going Blank Again (which is miles better than Nowhere, I don’t care what people say).Report

    • Tod Kelly in reply to JonB says:

      Unforgettable Fire should get heavy consideration, if for not other reason than Pride would be an awesome song to have everyone sing aloud really loudly.Report

      • Glyph in reply to Tod Kelly says:

        “A Sort of Homecoming” and the title track are both really great. “Wire” rocks in a way they rarely did. And “Bad” only suffers by comparison to the live take on Wide Awake in America.

        Tod, if you don’t close comments on this thing soon, you will be collating until we get ANOTHER new Pope.Report

        • JonB in reply to Glyph says:

          In the spirit of the road trip, these aren’t my top 10 albums, but truly the ones I enjoy whilst rocketing up or down California to/from Oregon on I-5. The idea is to make dodging big rigs on mountain passes overlooking grand vistas a cinematic experience. For as long as possible until the Yo Gabba Gabba contingent in the back imposes its will upon their overlords.Report

    • Jeff No-Last-Name in reply to JonB says:

      +1 on the Man in B;lackReport

  67. annie says:

    Graceland – Paul SimonReport

  68. Brandon Berg says:

    Hmm…I’m picky enough that I don’t really like that many whole albums, plus I didn’t really start listening to music until albums were on their way out. But here’s my best shot, in no particular order:

    1. Styx: The Grand Illusion – For Kazzy, and because “The Angry Young Man” is awesome.
    2. Billy Joel: Cold Spring Harbor – Because screw you haters, that’s why.
    3. Tim Buckley: Goodbye and Hello – Before the heroin went to his brain.
    4. Blood, Sweat & Tears: Child is Father to the Man – Because I can’t quit “I Can’t Quit Her.”
    5. Roy Orbison: King of Hearts – ’80s music…with Roy Orbison!
    6. Bobby Darin: If I Were a Carpenter – You can’t tell from his own recordings, but it turns out Tim Hardin was actually a pretty good songwriter.
    7. Neil Diamond: Tennessee Moon: See #2.
    8. Dusty Springfield: Dusty in Memphis
    9. Miyuki Nakajima: Coldwater Fish – Obligatory self-indulgent choice that no one else has heard of.
    10. Gin Blossoms: New Miserable Experience – It was getting a bit too easy-listening.Report

  69. aaron david says:

    In no particular order

    Live seeds- Nick Cave and the Bad Seeds
    Yes-Morphine
    Ragin’, Full On – fIREHOSE
    Faithless Streets – Whiskeytown
    Bitches Brew -Miles Davis
    Los Angeles – X
    To Bring You My Love – PJ Harvey
    At Folsom Prison – Johnny Cash
    Dummy- Portishead
    Mothership Connection – ParliamentReport

  70. aaron david says:

    mmm, Working from memory, (don’t want to turn on lights in that part of the house yet) Yes has Radar on it, and also it is one of the more forgotten albums. Cure For Pain was the first one I got, and love it for all of the right reasons, but sometimes you gotta dive a little deeper.

    Faithless streets has Factory Girl on it, and, well, you know how that goes. It doesn’t quite punch you in the gut like Dear Chicago, but you need a little melancholy on a road trip.

    I could drop the whole PFunk catalog in for a road trip, but we do need some variety.Report

  71. Russell M says:

    1.Gorillazs-Gorillazs. many a road trip has the monkeys 4 gone on with me. The debut was to me the best. only wish there was a way to shove “Feel good” onto this one.

    2.Graceland-Paul Simon. because the first time you hear paul and linda on african skies it is hard not to be in primordial africa staring at the sky.

    3.Sgt.pepper-Beatles. because if you are going to pick just one this one has wayyy to much fun.

    4.Boston-Boston. i never ever get tired of this album. even when my player mislabels every song as the one before it. each song retarded by one makes it a oddly different album.

    5.Alpha Centuari-tangerine dream. for some smooth easy listening. always makes WY seem shorter.

    6. Fly-Sugar Ray. my 90’s favorite. the very first cd i bought with my own money. even the adam ant cover is brilliant.

    7. Gold&Platnum- lynyrd skynyrd. because i can not pick just one out of their cannon.

    8.Distant Worlds II: More Music from Final Fantasy-Just having these on hand lets you know how far down the nerd hole someone is. Plus we can sing One-winged angel in harmony.

    9. S&M-Metallica. because full orchestra +metal gods=Sweet Sweet Shredding.

    10.Best of 60’s surf.-Various. god knows where we could find it outside of the Cd my father gave me but i think the link between good Desert Island Disc’s and Good Road trip disc’s is sadly unstudied.Report

  72. Mike Dwyer says:

    Ironically I will be road-tripping to Chicago tomorrow morning for St.Patrick’s Day. The best road trip albums are not necessarily the best all-time albums. They serve a specific purpose i.e. to keep the driver awake and the passengers happy. There are albums in my all-time top 10 that I would never choose for a road trip because they aren’t those kinds of albums and vice versa. Also, if I was not restricted by our cruel master I would almost exclusively include greatest hits albums. Those are the fuel of a good road trip.Report

    • Johanna in reply to Mike Dwyer says:

      Can I upvote this comment?Report

    • Sam in reply to Mike Dwyer says:

      Mike,

      I agree here. To my mind, the mark of the greatest bands shouldn’t be their greatest albums – which can be wildly uneven things – but their greatest hits albums. Some bands don’t produce music that can be heard outside of an album’s contexts, but many do, and they should be praised for having done so.Report

      • Roger in reply to Sam says:

        I totally agree. There are great albums, and great sounding albums, and great albums to listen to over a glass of wine. The request here was great road trip albums. Beethoven and Mingus and Handel and Nick Drake are great, but totally wrong as road trip albums.

        Hell, I love Kind of Blue, and would have it on any ten best list. But for a road trip I would rather include the sound track to Spinal Tap. In fact, I have been on road trips where we played the soundtrack to Spinal Tap. BIG HIT.

        Bigger the cushion…Report

        • Kim in reply to Roger says:

          Game Over Beethoven is GREAT road music.Report

        • Shazbot5 in reply to Roger says:

          Agree.

          For me, classical music needs to be listened to in an environment where you can pay full attention with perfect sound for a long period, e.g. at home at night, where there is no pressure to interact with others while you listen.

          By myself on a long road trip, if my car had a good sound system(which it doesn’t) and little ambient noise, I could imagine listening to great classical music, but in a crowded car where people are having fun or relaxing or eating Doritos, it doesn’t makes sense to listen to Handel or Bach or Beethoven or anything classical. Not at all, for me.

          It should be fun but not too aggressive rock and pop and alternative, or Jazz or R&B, mellow but fun or a little sad and interesting.

          Classical music -to me- presents an alternative to living, and the ability to go beyond life and into the realm of the Forms or something where you reflect on life. outside of life. We need music (for the long trip) that presents the living moment of being in a car with friends and trying to experience emotions while being somewhat relaxed. Classical doesn’t do that at all, and some party music or dancemusic doesn’t do the right thing for that moment. Also, some music is too depressing or introspective for that moment, especially Pink Floyd and Radio Head and similar things,Report

          • Kim in reply to Shazbot5 says:

            .. and now i’m really curious at to where you’ll place the album I mentioned above.
            I’m used to driving to listen to music (I don’t drive much), and turning off the music if I wanna talk.Report

          • BlaiseP in reply to Shazbot5 says:

            Bach and baroque music in general don’t abide by that convention. For one, they can be played nice ‘n loud. For some reason, classical music became the province of effetes and old trouts in tuxedoes, looking down their noses at the last century of musical progress. I’m here to say Bach and Mozart and the rest of ’em must be snatched away from these embalmers and innerleckshuls. U2 once said of the Beatles’ tune Helter Skelter: “This is a song Charles Manson stole from the Beatles. We’re stealing it back.”

            I liked U2 a lot better before Bono decided he was Jesus. But he has a point here. Baroque music provided loads of opportunities for even mediocre musicians to jam. Yes, jam. We’ve come across manuscripts from Vivaldi where he’s just put in a G chord and four empty bars, expecting the musicians to give him a four bar break, right there.Report

            • Freeman in reply to BlaiseP says:

              I’m here to say Bach and Mozart and the rest of ‘em must be snatched away from these embalmers and innerleckshuls.

              If you’re not already familiar, you should check out Yngwie Malmsteen’s Fugue from “Concerto Suite for Electric Guitar and Orchestra in E Flat Minor Op.1”.Report

    • Patrick Cahalan in reply to Mike Dwyer says:

      While I agree with the sentiment, I think that’s part of the designed artifice of the question to produce more interesting answers.Report

      • Roger in reply to Patrick Cahalan says:

        If you consider the answer to what are the ten best albums more interesting than what are the ten best road trip albums. Personally I would be interested in hearing both.Report

        • Patrick Cahalan in reply to Roger says:

          I think any one of these questions can be interesting.

          Here’s one that kept me busy in college for a while: you have ~5 hours to get from Los Angeles to Vegas. That’s 6 CDs, at ~50 min each.

          Prepare, compile, and burn the 6 CDs to produce the optimal mood at the arrival in Vegas.Report

          • Roger in reply to Patrick Cahalan says:

            I would say that is how I read the original post. Some of the lists above make me wonder if I was in a minority on that. Either that, or they really do travel with a very different type of person than I ever have. Probably a bit of both.

            The proper mix of course needs to play not to the mix maker, but to the audience, only one of which was the burner himself. You want great music that the passengers can relate to that is appropriate to a social event, not a quiet reflective event. A great tape would have lots of stuff they haven’t heard in years, or stuff that is only great when sung along with four other people, and a few choice new tidbits that the passengers will say “I gotta get that album.”

            In my living room alone, I play Take Five or Berlioz. In a car full of people, it is Queen or Otis or one of the Marleys.Report

            • Maribou in reply to Roger says:

              I hung out with a lot of band and chorus geeks (still do) – I definitely was thinking about the entire group – but my assumptions are different, based on the people I have historically been on road trips with? It does seem, though, like I am not the only Leaguer who would be singing along with Take Five, loudly. I am trusting to the downvotes to make sure none of us really had to suffer.

              Dadit dadit dadit da da da…Report

            • Patrick Cahalan in reply to Roger says:

              The proper mix of course needs to play not to the mix maker, but to the audience, only one of which was the burner himself.

              I agree with this. Not all of my suggestions are ones that I would take in any given car.

              I mean, I’m not going to pack the Metallica if there are people in the car who hate metal.

              But we’re sorta voting for the purposes of establishing what sorts of thing the Leaguers like. Think of our submissions less as “this is what I’d bring” and more like, “this is what I offer for consideration”. The voting process will tell us what the League actually wants to listen to.Report

    • Mike Schilling in reply to Mike Dwyer says:

      The ones I chose are CDs I’ve packed for long car trips. I don’t really want to be rocking out for 8 hours. Wholly agreed about the greatest hits though; I don’t go anywhere without my Kinks Kronikles.Report

  73. NoPublic says:

    I’m gonna throw some random in the mix

    1) Flood – TMBG
    2) Freedom and Rain – June Tabor & The Oyster Band
    3) Fox Confessor… – Neko Case
    4) Live (On St’ Pat’s or Landsdowne, I’m flex) – Dropkick Murphys
    5) Ladle to the Grave – Boiled in Lead
    6) Dead Man’s Party – Oingo Boingo
    7) Graceland – Paul Simon
    8) High Heeled Blues – Rory Block
    9) Sean-Nós Nua – Sinéad O’Connor
    10) Salvaged/Spindrift – Clam ChowderReport

    • Chris in reply to NoPublic says:

      +1 for Case

      Sinead O’Connor is an interesting choice.Report

      • Glyph in reply to Chris says:

        “Mandinka” will ALWAYS get me on the dance floor. Lion & Cobra is a great record, and she basically did the whole record herself, Prince-style (she’s credited with writing, vocals, electric guitar, producer, mixing, arranger.)

        One of my favorite quotes about Sinead’s vox came in a Glenn McDonald review of Richard Buckner, by way of comparison:

        …Rock productions sometimes emphasize details like these, too, but they usually do so with aggressive compression (Sinéad O’Connor’s vocals on The Lion and the Cobra, for instance), which turns the projection of nuances into a form of confrontation. Here they are things you hear, but only barely, and it’s hard to be certain you’re even meant to. The intimacy of this, when it feels like you’re listening often as hard as the musicians are playing, is very different; if Sinéad’s howls are the closeness of the alien queen’s third jaws, clicking a centimeter from your face, this is more like the way you can tell, from the contours of the bed and the way the walls sound, without turning around, that your lover is there, awake too, keeping you company in your silent vigil against sleep.

        [emphasis mine]

        http://www.furia.com/page.cgi?type=twas&id=twas0161Report

        • NoPublic in reply to Glyph says:

          If I could express that notion half so clearly in twice the words I could die happy today.
          Brilliant.Report

          • Glyph in reply to NoPublic says:

            He’s a really good writer. I used to read his stuff religiously. He still posts there, but only sporadically about music anymore (his music blog was called “The War Against Silence” and all posts AFAIK are archived there, if you have some time peruse them).Report

    • Tod Kelly in reply to NoPublic says:

      Have to ask – would you have chosen Sean-Nos Nua any other time of year?Report

      • NoPublic in reply to Tod Kelly says:

        Yes, but only because I’m a trad music junkie.
        I lurve me some Sinéad in all her forms though so I’ll accept subs (if the Black Album wasn’t technically a box set it might have gotten the nod).Report

      • Patrick Cahalan in reply to Tod Kelly says:

        I almost put The Clancey Brothers Live on St. Patrick’s Day, but I’m aware that not many people know the words to Johnny McEldoo and it’s only fun to sing along if everybody breaks into song.Report

  74. Wardsmith says:

    Heavy Weather – Weather ReportReport

  75. Troy in A2 says:

    I do not know if this strictly adheres to the rules above but, if allowable, I submit The Allman Brothers “Eat a Peach” as the All-Time, A#1, No-Holds-Barred, Greatest Road Trip Album of All Time!!!11!!1!1!eleventy!etcetera. Hyperbole aside, being a double album it would take two slots in the disc changer.Report

  76. Shazbot5 says:

    I think all the harder edged or fast rock, e.g. AC/DC, doesn’t really belong in a long car trip. Too aggressively fun and party-esque for a car trip. Nor does up-tempo, rhythmy hip hop that makes you want to dance make sense for a long trip. Dancing isn’t driving. I was tempted to put James Brown in the car, but you can’t drive and dance, and you have to dance to JB, on pain of logical and spiritual self-contradiction, so the car would get in a dancing related accident. So too, Michael Jackson. That constrained my choices. I also eschewed the Beatles because as much as I love everything they do, having already heard it a zillion times, putting it on repeat over 10 hours or something as the thought experiment suggested, could trigger some kind of Beatles overload psychosis. (Number 9, Number 9, Number 9, Number 9…)

    I was tempted to throw in some Wilson Picket, Ottis Redding, or Marvin Gaye to move away from the rock/alternative vibe that we seem to be, by and large, favoring, because they have some great driving music. (Only CCR is trulu designed for driving, though, IMO.) But as much as I love their work, I don’t know their albums (only downloaded individual favorite songs) because I am a music-idiot, with unfounded, cliche white-guy, rock/alternative biases.Report

    • Shazbot5 in reply to Shazbot5 says:

      I even mispelled Otis.Report

    • Kim in reply to Shazbot5 says:

      If it’s too slow, I’ll get sleepy. And I fall asleep on the person next to me.
      Heavy and hard are good at keeping me awake.Report

    • MaxL in reply to Shazbot5 says:

      I have to agree about the Beatles . Growing up in a small town with only classic rock radio makes the Beatles hard to listen to now. I thought a lot about adding some Marvin Gaye, Nena Simone, Etta James, Sam Cooke…but everything I have by them is tracks or compilations. I’m not sure I really enjoy any of their albums front to back, but they made some of the my favorite tracks of all time. These were the genres where the rules of the game really changed what I would bring along.Report

    • MaxL in reply to Shazbot5 says:

      I once drove from Boston to Managua with a buddy who brought a huge briefcase with 50 tapes….49 Dead bootlegs – and Willy and the Poor Boys. No joke. We did just fine.Report

  77. Will H. says:

    I’m only up to about comment 300, and I haven’t put a lot of thought into this.
    But my list would have to include:

    Kiss – Dressed to Kill
    Celtic Frost – Into the Pandemonium
    C. Parkening & D. Brandon – Virtuoso Duets
    Jethro Tull – Thick as a Brick

    And there was one of Torroba’s Castle series, I can’t remember which one or by who.
    I think it’s Ana Vidovic, the one with “Sonatina” on it.Report

    • Will H. in reply to Will H. says:

      And Hello, Rockview from Less Than Jake.Report

    • Patrick Cahalan in reply to Will H. says:

      I second the CP & DB Duets. I have a few Parkening CDs and they’re all great.Report

    • Will H. in reply to Will H. says:

      And that one I just remembered, but forgot the name of while I was scrolling down to the appropriate place to leave a comment.
      And it’s so blatantly obvious I need my ass kicked for forgetting about it in the first place.
      Wait a minute. It will come to me. I think.Report

      • Will H. in reply to Will H. says:

        Still can’t remember, but I’ll add Gentle Giant’s Octopus anyway.
        And count Vodovic’s Torroba CD as 7. I’ll think of which one later.Report

        • BlaiseP in reply to Will H. says:

          +1 for GG Octopus. For some reason, my children loved Knots. You must envision a four year old boy singing “You may know what I don’t know” at the top of his lungs, his sister madly stomping about the living room in hocket time.Report

    • Will H. in reply to Will H. says:

      Alright.
      Final list here:

      1. Kiss – Dressed to Kill
      2. Celtic Frost – Into the Pandemonium
      3. C. Parkening & D. Brandon – Virtuoso Duets
      4. Jethro Tull – Thick as a Brick
      5. Ana Vidovic – Moreno-Torroba Vol. 1
      6. Less Than Jake – Hello, Rockview
      7. Gentle Giant – Octopus
      8. Gordon Lightfoot – The Way I Feel
      9. Neil Diamond – Hot August Night
      10. Coroner – Mental VortexReport

  78. KatherineMW says:

    My playlist is short enough that I can basically just run down it and pick some favourites, the ones I don’t get tired of easily.

    1) The soundtrack to Pirates of the Caribbean: The Curse of the Black Pearl. I can listen to that one almost indefinitely.

    2) Les Misérables (The Original London Cast).

    3.) The soundtrack from The Lion King. Have you picked up that I like soundtracks yet? Also, everyone needs something you can sing along to on a road trip.

    4) Bruce Springsteen, We Shall Overcome: The Seeger Sessions. The conservatives on our trip will be beating their heads on the doors by the time the trip’s over, but I don’t care – this is one of my favourites.

    5) James Taylor, One Man Band. Nobody does soothing like James Taylor.

    6) The Wailin’ Jennies, Firecracker An excellent Canadian folk CD, and another one I can listen to repeatedly.

    7) Bob Marley, LegendReport

    • Roger in reply to KatherineMW says:

      Legend is great, but it is a greatest hits, so may get disqualified.

      I never, ever got Springsteen. He is the artist I always felt like I was supposed to like because all the critics and fans love him. But I listen to his music and immediately want to put on something else. I may be missing the Springsteen gene.

      I should try this recommendation to see of I can cure my malady.Report

      • Glyph in reply to Roger says:

        Roger, you’re not alone re: (not) The Boss (of me). zic, I and to some degree Chris have expressed our meh.

        But I will say Nebraska is pretty good. It’s devoid of the usual histrionics.Report

        • James Hanley in reply to Glyph says:

          I’m in this group, too. I want to like, but it only ends up being a decent respect, not a true emotion.Report

          • Will H. in reply to James Hanley says:

            Same here.
            There are a few songs here & there that I like, but I never did really see the charm.
            Darkness on the Edge of Town would be about his best one, in my book; and I’d say it’s about 1/3 good (on a generous day).Report

    • Brandon Berg in reply to KatherineMW says:

      I’ll throw in a vote for Seeger Sessions. That version of “Mary Don’t You Weep” is pretty sweet.Report

  79. aaron david says:

    Tod,

    I think we are gonna need a bigger boat.Report

  80. Roger says:

    Ok, I admit to not keeping up with every comment. But just in case nobody has mentioned them yet, I need to remind everyone of an awesome travel album.

    Ladysmith Black Mambazo at Royal Albert Hall. For some reason they are a great group to sing along with even when I have no idea what I am saying. Kinda like many of my comments.Report

  81. zic says:

    I’m sort of astonished that there’s no Willie Nelson here. At all.

    But IF I’ve got to be forced to listen to COUNTRY, let it be Willie. The man can phrase.Report

    • Glyph in reply to zic says:

      Willie’s risky. I’m afraid if we get pulled over, the cops will find 274 pounds of weed in the jewel case.Report

      • zic in reply to Glyph says:

        Well, at least they wouldn’t be pulling us over for speeding.Report

        • Glyph in reply to zic says:

          It’ll take us 4 months to get there, and we’ll all be diabetic from the junk food!Report

          • zic in reply to Glyph says:

            Not with me in the car.

            We’ll bring a cooler for fresh fruit. A small gas grill for cooking anything but Salmon; but including grilling fruit. And an electric frying pan (with a converter so that we can properly plug it in) for the making of scrambled eggs, grilled cheese sandwiches, breakfast pancakes made with 100% whole-grain spelt flour and doused with maple syrup. Also useful for actually baking up some corn bread or english muffins, or making of coconut curries and cream of asparagus or potato leek soup. The DC/AC converter might also allow for a cook-n-go style crock pot for braising meats and roasting birds.

            And since it’s a 4 mo. road trip and outside exercise is required, there will be foraging, because I always forage when I’m out and about. Wild mushrooms. Berries. Bitter greens. Perhaps, if the need is great, some epic pilfering of chicken eggs, fresh corn, tomatoes, and the like. I won’t impose the trapping of small game on my fellow travelers, but if Mike’s in the car, that might change.

            I will have my camping-chef’s bag, with it’s magic vials of spices and seasonings, a 6″ chef’s knife, paring knife, mini cutting board, coffee grinder/pot, and mixing/salad bowl plus makings for penny stoves, terra-cotta pot oven, etc.

            And bags of ice along the way for perpetual cooling of foodstuffs are cheap. Snow pack while we cross the continental divide will also work.

            There are creative options for the 420 ride; no diabetes-development required. But a functioning GPS and a note glued to the dashboard to remind us of the destination might be needed.Report

  82. Anne says:

    my three points Flood TMBG and yes I do have a Blue Canary in the outlet by the light switch who watches over meReport

  83. Tod Kelly says:

    Quick Update: Please note that though the comments section will remain open, no additional nominations, up-votes or down-votes will be accepted after midnight tonight, EST.Report