A Meathead Watches Gilmore Girls (“Christopher Returns” and “Star-Crossed Lovers and Other Strangers”)
Notes
The first season hasn’t been going as well as I’d hoped. I keep thinking things are going to get better but…
“Christopher Returns”
Although he has barely been mentioned, Rory’s father Christopher returned at the end of the previous episode and within minutes, he had been invited to stay at Lorelai’s (palatial) estate. He’s also been invited to a weekly dinner at the Gilmores and, perhaps more concerningly, so have his parents. It is here that we begin to get a better understanding of what it was that happened in the aftermath of Lorelai’s pregnancy.
We should start by remembering that Lorelai’s distance from her parents is driven by their longstanding disagreement with one another about what was best for whom. Lorelai always believed she knew best. Lorelai’s parents felt the same way. But they disagreed about the specifics, never as obviously as in the immediate aftermath of her pregnancy. Richard and Emily insisted that Lorelai marry Christopher. She balked and later fled with Rory. We can argue about what would have been the better decision – you’ll be wrong if you decide to defend the idea that teenagers should be married to one another – but there’s no point: we know that Lorelai left and that there was no marriage.
But hope remains. Christopher is back on the East Coast and reporting a potentially huge financial breakthrough. For reasons that aren’t particularly clear, Rory is happy to have her father around. Christopher and Rory pal around and she introduces him to Dean and later, other members of the Stars Hollow family. They even stop at the bookstore so that Rory can choose a gift for herself. She does, but Christopher’s credit card is refused, the first sign of trouble. Later, as the three of them have dinner, Emily calls and invites everybody over for a dinner that will include Christopher’s parents. It doesn’t take a rocket scientist to see trouble brewing.
Brew it does, boiling over within minutes of everybody assembling. Christopher’s father blames Lorelai for corrupting his son – he plays an outrageous heel here, and the only thing he didn’t do was murder a puppy in front of everyone – and Richard explodes, kicking Christopher’s parents out of his home.
So what we have here is an excellent moment of Gilmore unity against an outside threat and an excellent filling-in of the show’s mythology. What we have next is…not.
Lorelai and Christopher retreat to her old room while everybody attempts to calm down, and like adults who have barely seen each other during the sixteen years of their daughter’s life, they immediately get to the having of the sex. Because, yknow, obviously. In fact, they’re so busy doing it that Lorelai manages to forget that she was supposed to help Luke paint the diner (remember that storyline). So now, Lorelai has not only inexplicably had sex with her daughter’s father (after 14 episodes in which she makes it clear that she trends toward incredible personal conservatism since Rory’s birth) but she’s also abandoned Luke. BECAUSE TELEVISION I GUESS.
Later, she goes to thank her father for rising to her defense, and Richard insists that his interest is protecting the family name, not her. He insists that she doesn’t know the damage she did when she refused to marry Christopher and whatever good feelings we had a result of Richard’s stirring defense. He appears to be as much of a horse’s ass as Emily often does. It’s a pathetic display.
The next day, Christopher proposes marriage and Lorelai refuses. Rory pushes for her to reconsider but she soberly explains that she won’t, not while this version of Christopher is the predominant one.
And of course, when Luke shows up later, Lorelai has (broken in and) repainted the diner by herself, missing the opportunity for friendship together time but completing the job that she insisted upon. I suppose that’s something.
“Star-Crossed Lovers and Other Strangers”
Rory and Dean celebrate their third-anniversary, and then for no good reason at all – he says, “I love you,” Rory balks, Dean freaks out – they break-up. Teenagers are stupid.
Luke’s ex-ladyfriend Rachel returns to Stars Hollow, and Luke, because he’s dumb, cautiously decides that she’s worth what is apparently an 800th opportunity to hurt him.
Richard and Emily decide that the best way to patch things up with Lorelai is setting her up with a douchebag of their choosing, a decision which shockingly doesn’t pay off.
Lorelai decides to call Max Medina, because holy shit is this season is incredibly difficult to follow. She doesn’t though because Rory is home and devastated by the break-up. And here again the show catches us. Lorelai’s willingness to drop everything for her daughter is what keeps us watching. But barely.
i would say the 6 mainly wtf existing
quick weight loss Use code holyship for free shipping on
how to lose weight fastI’m the founder of British menswear brand S
I will just say that your sarcasm on these is brilliant.Report
We must remember that the award is for bad sex writing in fiction not good sex writing in fiction. There seems to be something about sex that makes it nearly impossible to write about well in novels or incorporate it tastefully in movies and television. Writers seem to be the most sex-obsessed people on the planet at times.Report
Lee,
I’ve seen a few do it quite well. if you aren’t going for shlocky melodrama, it’s actually pretty easy.
Of course, the idea that sex has to be nice and sweet gets thrown out the window…Report
If you get into S2 a ways and you are still not feeling it and wanted to switch over to, say, BtVS or Terriers or something, I could maybe do some recapping with you. I enjoy these write ups, but slogging through multiple seasons of something you don’t enjoy all that much seems masochistic.
Unless you are into that sort of thing, which: no judgement.Report
If Season 2 ends up being this frustrating, I’ll re-evaluate. I eventually ended up quitting Treme, a real disappointment given how excited I’d been for that show. However, an upcoming episode features a bit of brilliant writing that’s enough to keep my focus for the time being.Report
If we ever do Terriers recaps, I’m in just as soon as someone lends me $1000 to buy towels.Report
@mike-schilling – I take it you started, and also that you occasionally read Sepinwall.Report
I finished. Didn’t you get my email about why the ending isn’t ambiguous?
And I like Sepinwall a lot, as I do AV Club.Report
Ah, sorry, I just saw that mail now and replied.Report
Congrats! You’ve now made it farther than I did. That and $4 will get you a $4 cup of coffee.Report
I can’t imagine what makes of coffee cost $4, but I’m willing to try one to find out.Report
The $4 cuppa coffee is just to get you in to buy the $12 toast.Report
Order off Starbucks’ secret menu.Report
Christopher and Lorelai have one of those stupid sitcom-y arguments that just about made me give up on the series.
C: I want to marry you and be a dad to Rory.
L: You’re not ready.
C: Yes I am!
L: No you’re not!
C: Yes I am!
(etc.)
Neither one brings up anything practical, like the fact that they live on opposite coasts, nor does either suggest that Christopher could earn Lorelai’s trust by trying to be a dad to Rory for more than an afternoon.
In the next episode, Emily, who can navigate any social situation with consummate skill and has incredible insight into her daughter when it come to knowing how to say something hurtful, fixes her up with a guy who’s such an entitled, arrogant putz that even Richard hates him. (But, alas, not so much of one that he’s funny.) Because she thinks that’ll work?
Rory’s breakup might have worked better if Dean had a character other than being handsome. The Donna Reed episode shows that he’s way more conventional than The Girls, and all the “Rory suggests a book Dean might be able to barely slog through” conversations imply that she lives in her head in a way he doesn’t really get, so he takes her “I have to think about it” as rejection rather than honesty. But his performance doesn’t even suggest any of that. He goes from being Rory’s biggest fan to an angry jerk purely because the plot wants him gone.
Last observation: Lorelai has a one-evening with Christopher, keeps leading Luke on, and wants to start things back up with Max. How did Rory turn out so well with that kind of role model?Report
Lorelai has a one-evening with Christopher, keeps leading Luke on, and wants to start things back up with Max. How did Rory turn out so well with that kind of role model?
What?
In what way is she leading Luke on other than a world where any overture of friendship from a woman is perceived as a sexual opportunity? That’s just stupid.
And how did Rory do so well? Because her mother actually bothers to talk to her about these things, instead of having all these unspoken rules that Rory must learn to navigate in order to win her mother’s approval.
Seriously, I think you’re missing a really big thing here too: men peak sexually in their teens and early 20’s. That’s the age where sex is, regularly, the most intensely felt. Women do the same thing in their 30s. Those 18-year old urges you boys felt Lorilai feels now. And she doesn’t go around jumping men or taking advantage of them; she’s pretty restrained. But her feelings, her longing, and her desire are real and age appropriate. I watched my mother live through this at a similar age (as a single mother), and I went through it happily married. Don’t underestimate the cost of chastity here.
It would really help if this wasn’t viewed through the lens of purity standards, but through a lens of how women actually are; for they’re real, sexual beings with longings, desires, and needs every bit as compelling as yours; they’re just judged on moral turpitude more easily, considered bad role models because they have those sexual urges.Report
Research is wrong on this one, mostly because of reliance on self-report.
You are measuring a “sexual peak” — of desiring sex. That’s a bit different than measuring when sex is “most intense” though…
[Also, I’m pretty sure that guys have different reproductive strategies that change when their “peak of sexual desire/intensity” is felt.]Report
The conclusion I got about Lorelai was that she didn’t know what the hell she wanted. And she makes poor choices. I’d explain more but that’d be a spoiler.Report
Being jealous as hell when Luke’s old girlfriend shows up isn’t a sign of friendship.Report
If we could occasionally switch up the pic that appears on the mainpage I think my dreams might turn a little less Graham-Bledel oriented going forward. Don’t have to, though.Report
If somebody can find me a vein of usable, open-source photographs, I’m happy to use them, but this is the cover of the first season’s DVD release and its use is uncomplicated.Report
I think we should have variable graphics showing a scale of one to ten white knuckles, indicating Sam’s level of frustration with the current episode.Report