Jaybird
Jaybird is Birdmojo on Xbox Live and Jaybirdmojo on Playstation's network. He's been playing consoles since the Atari 2600 and it was Zork that taught him how to touch-type. If you've got a song for Wednesday, a commercial for Saturday, a recommendation for Tuesday, an essay for Monday, or, heck, just a handful a questions, fire off an email to AskJaybird-at-gmail.com
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on Joe Biden Agrees that Some People *DO* Deserve the Death PenaltyDavidTC: For example, if they’re doing ethnic cleanings. Ethnic cleansing is the systematic forced r…
on Joe Biden Agrees that Some People *DO* Deserve the Death PenaltyOr have developed nuclear weapons without signing on to the non-profliferation treaty. That's a cons… on Joe Biden Agrees that Some People *DO* Deserve the Death PenaltySo what the anti-death penalty want is not something that Biden is capable of doing. Biden, or Biden… on Open Mic for the week of 12/23/2024Sure, but if someone thinks that some poor post-doc wiped his nose after touching a sample and says…
on Open Mic for the week of 12/23/2024The problem is that some people say "lab leak" and mean loss of containment of a weaponized virus fr…
on Joe Biden Agrees that Some People *DO* Deserve the Death PenaltyWe have literally dozens of reasons to not supply arms to a country besides 'genocide'. For example,… on Joe Biden Agrees that Some People *DO* Deserve the Death PenaltyFor what it’s worth, I do think that Biden’s act is representative of a large swath of the anti-deat… on Open Mic for the week of 12/23/2024Wall Street Journal has an article about the whole intelligence gathering related to the lab leak th… on Saturday Morning Gaming: Clive Barker’s UndyingSnagglepuss, I believe. Either Snagglepuss or Ed Wynn.
on Saturday Morning Gaming: Clive Barker’s UndyingIn that SungWon Cho video you linked in the Control review, what's that silly voice he's doing? I've…
Alone at Last or The Curse of a Sleepy Eye
December 26, 2024
December 25, 2024
A Christmas Eve Two-Pack of The Days of Real Sport
December 24, 2024
Even on Christmas Somebody is Always Taking the Joy Out of Life
December 23, 2024
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I’ve been all over the new Aphex Twin the last couple days.
That Gotye video up there made me think of this (we’ll see if this embed works):
Also, the wiki entry for Argument from Desire contained this sentence:
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new aphex is excellent. being a design nerd, the vinyl art is awesome – it’s just a rundown of tracklisting, bpm, times, and then all the money spent on various promotional items, done in a fixed width font (not courier, but decima mono i think?)
i like the new interpol outside of one song. talk about a band that will never live down a legendary debut.Report
I guess the (slight) knock on the AT is that it’s, by AT standards, fairly accessible/not as groundbreaking as some past works. There are definitely tracks on there that have some sounds that I could see coming from someone else.
That said, it’s varied, melodic, and just plain excellently-crafted, so…
Did you read the interview on P4K with him by Philip Sherburne? Very normal, down to earth, no obfuscation or pranking or talk of tanks and bank vaults and stuff. Sherburne is actually one of the few music writers I have time for (even before he started writing for them) he focuses on electronic stuff. His personal site hasn’t been updated in a couple years (it looks like he’s getting a lot of paid work, so good on him).
http://pitchfork.com/features/cover-story/reader/aphex-twin/
Yeah, the new Interpol is pretty good. I didn’t miss Dengler’s playing as much as I thought I might. I might actually go see them when they come around next time, though I’ve seen them twice and never been over-impressed.
(But I have to say, though Antics is less-consistent than TOTBL, I think its peaks may be even higher. I put it up there with the first one.)
(And I actually got a little verklempt when “No I In Threesome” came up on shuffle the other day. Talk about sneaking some real emotion into what initially appeared to be a joke based on the song title.)Report
To be clear, the “knock” in my first para is one I keep seeing around the ‘net, not my own. But generally speaking it’s just been kind of an introductory “let’s get this out of the way, he’s not reinventing the wheel this time around, but this is an excellent record, up there with his best.”Report
re interpol – first time i took my wife to see them (irving plaza) was quite excellent, during the tour for antics. it was the most “rock” thing i’d ever seen, to be sure, but very well done.
second time was in a theatre. watching bands in a theatre sucks.
the new aphex is not some super amazing 4th dimensional visitation of the new shit, to be sure. it’s just really, really good.
i enjoyed that interview. weird to think that in eight years he’ll be 50.Report
speaking of interview, i read a good one in i think the quietus with the guys in interpol, and there’s an extended riff on being forced into place while listening to music as it was during the ancien regime. i don’t know how i feel about that, but it’s hard to deny that it does force one to try and slow burn through music, and fully get an idea of what’s going on before making up one’s mind.
i do try and focus almost entirely upon listening to full albums from front to back. i generally succeed.Report
One of the shows I saw was a huge amphitheater show (opening for the Cure) and that setup generally serves no one well. I only went because my friend wanted to go.
The other time was a mid-size venue (actually, an old theater, come to think of it) which was fine size-wise, but the sound there is always crappy*. I’m not sure if that was the problem, the band just seemed kind of lethargic; though that could also have been partially due to the epic amount of wacky weed semi-reliable sources (well, some employees of a store he visited before the show) tell me that they suspect Banks might have smoked that day.
This time around it’s in a pretty good historic/storied mid-size local venue. My friend already got tickets and told me I can have one if I want.
My wife and a friend of mine know their current touring bassist, so weirdly I am on kind of an acquaintance basis with (someone kind of in) Interpol.
That’s as close to fame as I get, I’m afraid.
* Actually, I just saw a rock show recently, in another old theater, and it also had terrible sound – just muddy as all get out. Is this something specific to old theaters? They just re-did another one here fairly recently, and it has *excellent* sound now (sound baffles and such), but before that it was not great.Report
my understanding is that redoing an old style theatre for modern sound requires a lot of retooling and careful engineering, as they were designed to work without requiring amplified instruments. town hall in nyc is a place that went through extensive revision and sounds great, but the seats are a torture if you’re over 6’2″.Report
Ah, that makes sense. These places have all been “converted” in the sense that the seats were taken out and modern PAs installed, but I am guessing they didn’t do all of the necessary acoustic renovations to the structure/space.
The other venue I mentioned, they recently totally renovated, replaced the sound system and also added sound baffling on the ceiling etc., and it sounds *fantastic* now (I just saw Mogwai there). But before that it was pretty crappy-sounding.
We were also laughing about the smoke/fog machine.
Sure, it’s a classic; but also, if you want the romance of playing in a smoke-filled room in 2014, you gotta bring your own “smoke”; you can’t rely on your nicotine-stained audience anymore.Report
Puddles is an amazing, full-package performer. My big toe shot up in my boot the first time I saw that Lorde cover and it’s stayed shot up. This guerrilla performance is a favorite.Report
“My big toe shot up in my boot”
is this a regionalism?Report
It was commonly heard on the planet where Little Richard came from. “His recompense and reward—My Lord.”Report
Oh, the irony! When I saw Gotye (1), I kind of had a premonition that the only other artist in the rotation on the “modern” stations in my car that causes me to change the channel within less than the “Name That Tune” standard seven notes might be coming, but didn’t really believe it was possible because things never work out that perfectly in real life. And then, oh Lorde….
I have no idea why I have such a powerful reaction to both of them. It’s not that they’re not talented, I recognize that they are. And it’s not like I have great taste, anyway… “Shout” is one of my favorite Devo albums. I like 80s rockabilly unironically. I think Bastille had the best song of 2013. Those two just reach straight down to my rat brain and cause me to recoil.
(1) Whose name, thanks to the power of first impressions, I can never hear other than in the voice of Mike Myers as Fat Bastard chasing Mini-Me around – “GOT ye!”. You’re welcome.Report