The Medicine Show Man: A remembrance of Levon Helm.
Levon Helm was a musician’s musician. Raised near Helena, Arkansas, home of the King Biscuit Time, the longest-running radio show, he was raised in the very heart of what would become rock and roll. As a kid, he saw Elvis Presley in concert and Little Richard but it would be Jerry Lee Lewis‘ drummer, Jimmy Van Eaton who inspired him to become one of rock and roll’s greatest drummers.
I think of Levon Helm and the image of the magical Medicine Show springs to mind, of The Rabbit’s Foot Company, pulling into an open area with two cars and a big old tent. Once they’d been magnificent, back in the early 1900s, owned by Pat Chappelle, three railroad cars full of the last vaudevillians, dancers, musicians, comedy acts, solo and ensemble singers. Ma Rainey, Bessie Smith, Big Joe Williams. By the time Levon Helm saw them in the 40s, they’d been sold to W.S. Walcott. Robbie Robertson would write the song, The W.S. Walcott Medicine Show for The Band’s 1970 album Stage Fright but it was Levon’s song for all intents and purposes, for it was his story.
Strange times they were at the birth of rock and roll. On a fateful tour with Ronnie Hawkins, one of rock’s first wild men, Levon Helm fell in with a collection of Canadian musicians: Rick Danko, Garth Hudson, Robbie Robertson and Richard Manuel.
I consider the truest form of a band is before they become famous. The Beatles worked their asses off in one city, Hamburg, Germany. The Hawks played every ratty bar in America and Canada, seemingly. Long before The Band would become famous through some Minnesota folkie, name of Bob Dylan, Mark Lavon Helm of Turkey Scratch, Arkansas was being polished in the rock tumbler on the little stages of a thousand smoky bars.
Like the Beatles, The Band was a collection of many headstrong talents. The guitarist and songwriter Robbie Robertson got a good deal more of the spotlight than some say he deserved. Rick Danko the bassist was a wonderful singer. Garth Hudson was a monster talent, especially on keyboards. But the tragic figure and voice of Richard Manuel will always haunt me, that eerie falsetto of Whispering Pines.
Levon Helm was The Band’s only American and their most famous song, The Night They Drove Old Dixie Down might lead the incautious to conclude they were a Southern band. They were not. Americans sorta forget how much we share with Canada and how long we’ve shared our common fate on this huge windswept continent. Levon Helm lived long enough to see himself as a quintessential American figure in the movie Coal Miner’s Daughter but he never fit comfortably in any musical genre. When Dylan went electric, the precious old folkies hated him, booed him hard. While the rest of rock and roll dumped the “and roll” part of their monicker and went off in search of the Next New Thing, Levon Helm hung true to the vision of the Medicine Show, of something older and truer.
Musicians never forgot him. Levon Helm got in financial trouble and they turned up for his famous Midnight Rambles in Woodstock, New York. Garth Hudson, Elvis Costello, Emmylou Harris, Dr. John, Chris Robinson, Allen Toussaint, Donald Fagen of Steely Dan and Jimmy Vivino of “Late Night with Conan O’Brien’s” The Max Weinberg 7. Sean Costello, The Muddy Waters Tribute Band, Pinetop Perkins, Hubert Sumlin, Carolyn Wonderland, Kris Kristofferson, Gillian Welch, David Rawlings, Justin Townes Earle, Bow Thayer, Luther “Guitar Junior” Johnson, Rickie Lee Jones, Kate Taylor, Ollabelle, The Holmes Brothers, Catherine Russell, Norah Jones, Elvis Perkins in Dearland, Phil Lesh (along with his sons Grahame and Brian), Hot Tuna (although Jorma Kaukonen introduced the group as “The Secret Squirrels”), Michael Angelo D’Arrigo with various members of the Sistine Chapel, Johnny Johnson, Ithalia, David Bromberg, the list goes on and on.
Levon got sick and even Robbie Robertson was man enough to put down his feud and make up with his old bandmate. I close with Robbie’s song but Levon’s story, from the W.S. Walcott Medicine Show.
When your arms are empty, got no where to go
Come on out and catch the show
There’ll be saints and sinners you’ll see losers and winners
All kinds of people you might want to know
Once you get it, you can’t forget it
W.S. Walcott Medicine Show
You know he always holds it in a tent
And if you’re looking for the real thing
He can show you where it went
There’s a young faith healer he’s a woman stealer
He will cure by his command
When the music’s hot you might have to stand
To hear the Klondike Klu Klux steamboat band
Don’t you sweat it
You can’t forget it
W.S. Walcott Medicine Show
I’d rather die happy than not die at all
And a man is a fool who will not heed the call
I saw them at a free concert at Trenton Waterfront shortly before Danko died. Steven Seagal, believe it or not, guest played with them on a few numbers.
I wish I got to see LH one more time (but I did not). He was playing with Donald Fagen (who is married to the mother of LH’s daughter) recently.Report
The last news I have of Levon comes from the Dandom Digest:
Subject: Re: “SPOILER”: 3/16-Chicago: Levon Helm, with Donald, et al perform In Chicago
I went on Friday, and as much as I enjoyed the overall concert, I was puzzled by the set list, which short-shrifted DF in favor of others. DF sang “Hesitation Blues” and “Black Friday,” and as I recall “The Weight” was his big keyboard moment, but Brian Mitchell — who he? — sang lead on at least three songs and got most of the keyboard features.
Given how well Donald sings Richard Manuel’s parts and the number of Band songs that were performed, I don’t understand why Donald didn’t get more vox opportunities. Nice video!
Subject: Re: “SPOILER”: 3/16-Chicago: Levon Helm, with Donald, et al perform In Chicago
Date: Monday, March 18, 2012
(Donald) participates because he wants to part of a band . He wants to play keyboards and just be another band member… That’s a big reason he loves The Dukes Of September. He also has two other big stars on stage (McDonald and Scaggs)… Remember, he never wanted to sing or be the leader of SD when they first started out. He’s said this in many interviews. He wasn’t lying.
I co-produced the NY Nights shows with DF’s wife when he first stared playing out again in small NYC clubs. This was 1989/1990. He refused to sing at all the first four or five shows. The fans were booing and getting very upset. People were flying in and coming from all over the country to see him play. At the fourth or fifth show, we finally convinced him to sing one song, and he wouldn’t do a Steely Dan song. He ended up singing ‘Drowning In The Sea Of Love’. The crowd went f**king ape shit! After that show, little by little he started feeling more comfortable and started to add SD songs to the set list. It’s been a long ride!
Subject: “SPOILER”: 3/17–Chicago: Levon Helm Blue Jean Gala
Just got home from a wonderful night. The sound at the Old Town School was 5 star. The only Steely tune done was Black Friday. Levon looked like he was on the tail end of a cold but still sounded great. Amy Helm was fantastic. What a voice.
It was really fun.
Noah
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If you haven’t read Charlie Pierce’s thoughts on Helm, you should:
http://www.esquire.com/blogs/politics/levon-helm-america-8173059
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I remember that old Al Kooper review. Everyone sorta-gets The Band, but it’s no accident I put in those links to all those Medicine Show performers. Levon Helm grew up on the front row of rock and roll as it happened. Trying to work out his influences is pretty much trying to dissect the bunny rabbit: don’t expect it to hop again once you’ve done so.
Better by far to take the long view of the music of North America.
I Hear America Singing.
I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe
and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off
work,
The boatman singing what belongs to him in his boat, the deck-
hand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing
as he stands,
The woodcutter’s song, the ploughboy’s on his way in the morn-
ing, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work,
or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day—at night the party of young
fellows, robust, friendly,
Singing with open mouths their strong melodious songs.
Walt WhitmanReport
Thanks. I’m enjoying some of their performances on YouTube. Trying to find some really good recordings. Fagen and Helm are a great combination.Report
Throw up some links to stuff you enjoy.Report
The Beatles worked their asses off in one city, Hamburg, Germany.
Yes.
Great tribute, Blaise. Many thanks. Levon, R.I.P.Report
Helena is the home of “King Biscuit Time,” the “KBT Hour” is the rock radio show that ripped off the original blues show’s name.
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That’s right. So noted, and corrected
But quoting Jim O’Neal, “The King Biscuit hour was the thing that really crystallized blues music in this area. Muddy Waters and B.B. King would come home from working in the fields every day just to listen to the King Biscuit hour.”Report