Fagin, Bigotry, and “Cancel Culture”
[WARNING: This article contains spoilers regarding Oliver Twist]
It took me a number of tries to read the entirety of Oliver Twist, past the twenty pages or so culminating in the famous scene where Oliver asks for “more” to the utter shock and disgust of the adults in charge of the orphanage. Much of the remaining story was pretty unremarkable, in my view, except for one thing – Fagin. Or as Dickens explicitly called him: The Jew.
It would not be the first or last time I would encounter ugly stereotypes of my brethren, and in most such cases, I would wince once, briefly get angry, or just shrug it off as pathetic. But Fagin was of a different league.
Put simply, Fagin is one of the most loathsome and unredeemable creatures I have ever come across in fiction. He manipulates children to run a crime ring for his own profit. He incites his partner in crime Bill Sykes to murder Nancy rather than have the guts to even do it himself. He of course meets his end going to the gallows, utterly unrepentant of anything. Really the only thing missing on his charge sheet is sexual child abuse, which I doubt would be allowed to be described in those times.
Lacking the charm of Moriarty or the aristocratic mystique even of the blood-sucking Dracula, Fagin is as close to a parasitical-yet-demonic figure as it gets. It’s not quite Holocaust-level antisemitism – that would require the spread of belief in a Protocols-like Jewish conspiracy to take over and enslave the world, a belief which became truly global after WWI – but it very much is the kind of demonizing, literally, that encouraged and certainly excused anti-Jewish violence in the Middle Ages and modern times, up to and including murderous pogroms.
People who complain about political correctness, SJWism, or woke culture in their going too far and being oversensitive – whether on the right, center, or softer left – often make it easy for themselves when confronting the hard issues that involve negative portrayals of members of previously oppressed minorities. It’s easy to shrug off ambiguous comments or universal aspirations which some claim to merely be White, or the use of slurs in a book meant to criticize bigotry.
It’s nowhere near as easy when the work in question contains the equivalent of a Fagin – a portrayal or description so utterly and intentionally inflammatory that you want to seek out the person who made it and beat the ever-loving snot out of them. Or, if they’re dead – to revive them and then beat the ever-loving snot out of them.
It’s at this hard point where I understand the people of “cancel culture” the most – but it is nevertheless here that I also most strongly reaffirm my opposition to the same. I don’t want Oliver Twist taken off the shelves in libraries or in classrooms. I don’t even want trigger warnings put on the front cover (though responsible teachers should be prepared to discuss Fagin in a healthy and critical manner). I say all this despite having no interest in whitewashing just how loathsome Dickens’ literary act really was.
We in the present like to flatter ourselves that those in the past – certainly those who belonged to powerful or dominant sections of society – were all irredeemable because of this or that sin of bigotry. Meanwhile, we in the present (or at least the “woke” among us) are the Chosen Ones, the Enlightened Ones, the ones leaving that awful past behind towards a glorious future. Trigger warnings are a declaration of the same, a quasi-religious talisman against the sins of a (then pagan, now unenlightened) past.
I reject this generational narcissism wholeheartedly. Human nature was the same then as it is now, and barring very rare exceptions, most people then and now are a package deal of good and bad, including those who deserve to be called “great.” The same Charles Dickens who described Jews in such a vile manner also wrote one of the most famous and powerful protests against injustice to the poor ever written – and in the same book.
What is true of Dickens is true of innumerable thinkers and doers. You cannot reject Enlightenment thinkers due to their often wrong opinions on women and others, for instance, without undermining the entire philosophical foundation for the world in which we live – including moral principles such as universal principles applied to all, the importance of human beings as such, and many more.
Yes, in many respects we have made important advances. But these advances are still relative. And they will be relative in the future, too. Evil will always be with us as long as human nature is with us, and good people who help us advance will always for the most part have flaws. It is furthermore vitally important that we appreciate how we stand on the shoulders of the giants – yes, giants – who came and paved the road behind us, even as we wholeheartedly reject some though not all of the materials they used.
Fagin-like characters are today used as a reason to keep people in a child-like state free of any facing of evil or flaws of human nature. But none of us are children, nor should we wish to be. We are all adults, and our rights were gained against the bigots of the world who insisted we could not live and function and contribute to society as such (the comparison of women or racial minorities to “children” is no accident), certainly not on equal terms. We can and should be able to prove them wrong, and treat both past and present with eyes wide open about human nature, taking in the wisdom – and rejecting the evil.
Curious what you think of Shylock in the Merchant of Venice. I’ve often thought that was also anti-semitic, which would make sense given that Jews were banned from England at one point.Report
Shylock is interesting because you can play the Merchant of Venice as a comedy or a tragedy. When Merchant of Venice is played as a comedy like Shakespeare intended, Shylock comes across as horrible because he is supposed to be the villain of the piece. Shakespeare was a very clever writer, so he didn’t totally demonize Shylock though. This made it possible for more modern productions to present Merchant of Venice as a tragedy with Shylock as the tragic lead.Report
Not just at one point — during all of Shakespeare’s life. He most likely never met a single Jew.Report
Man, I was hoping to read Oliver Twist next week!
I’ve actually never read the original version of Oliver Twist. My knowledge of the story comes from the 1968 version of the Musical (and, then, after that, on the various children’s versions of the book that I had access to… I remember a square one with paper so low quality that you were more likely to get a splinter than a paper cut… it had illustrations opposite every page).
Fagin’s Jewishness was not particularly obvious to me at all in the various expurgated versions I had access to.
And now, when I go back and listen to “Reviewing The Situation”, holy cow.
https://www.youtube.com/watch?v=96rC4X_KWl4
It’s right there. In the tune. I didn’t catch it when I was young.
When I was a kid, he was a scoundrel with a heart of gold who had some serious class envy and was using his tools to address inequality.
All of the versions that I had access to as a kid, softened the heck out of the character.Report
It’s not hard to do because Fagan being Jewish is utterly tangential to the core plot and premise of Oliver Twist. You could make him WASP, East Indian Immigrant or Polynesian and it wouldn’t really change anything. Fagan’s portrayal says terrible things about Charles Dickens but it doesn’t really impact the mertis of Oliver itself.Report
I read Oliver Twist only recently, though I had seen the musical. I was singing Reviewing the Situation (actually a parody to the tune) in a musical comedy and, knowing that there was a Fagin issue, I asked several Jewish fellow cast members whether my portrayal was Too Jewish (hat tip to Harvey Korman). I was assured it was not, and the song was, if I must say so myself, a hit.
The experience prompted me to read the book. I knew that Dickens knew a great deal about the London underworld, and had heard that there was a well-known Fagin-like criminal who was Jewish.
Obviously, if you write a novel about the Mafia, it will necessarily include a bunch of Italian criminals, and rightly so. That’s who’s in the Mafia. Irish cops will likely refer to them as “Wops” and “Dagoes,” and rightly so. That’s what they do. That’s just verisimilitude. So I was prepared for Fagin being a Jew, as a simple biographical matter, and for various bad or ignorant folks to employ anti-Semitic language.
What startled me was how unrelated to anything in the story Fagin’s Jewishness was — unlike, say, Merchant of Venice — and how often he was being called “the Jew” not by anti-Semitic characters, but by Dickens himself, as narrator. Imagine Mario Puzo, as narrator, calling Don Corleone or Michael “the Wop” frequently.Report
Yes, exactly, I am no expert on Oliver Twist or Dickens in general but that was the same gist I had gotten from it. Thank you for adding so much first person experience to the matter.Report
I have never read Twist, so this was my question – was the fact that he was Jewish intrinsically tied to his negative portrayal, or merely incidental?
A lot of times I think critics screw this up, where they decide that an author is writing an antagonist who is bad because of a given trait, rather than said trait merely being incidental to the badness (and present because it allows the author to play with a trope or stereotype in some manner).Report
That’s a hard one. There doesn’t seem to be anything about Fagin’s Jewishness that is relevant either to the plot or to his evil character. In that sense, his being Jewish can be seen as incidental. He had to be something, and there may have been a Jewish real-life model. But if that were all there were to it, like mafiosi being Italian or Irish cops throwing around anti-Italian ethnic slurs, then what you would expect is that references to his Jewishness would either be early straight exposition of a biographical fact, or slurs coming from people who would be expected to talk like that. Instead, where most authors would say “Fagin” when speaking as the narrator, Dickens frequently refers to Fagin as “the Jew” in contexts where his Jewishness isn’t relevant. (The novel was published serially, and he did this frequently in the early sections, but stopped in the later installments after a protest that he seems to have taken to heart.)Report
So it was less that Fagin was ‘bad’ because he was Jewish, and more that Dickens couldn’t stop letting his bigotry bleed through his prose (until he got enough complaints).
Or to put it another way, if we removed all the incidents of the narrator calling Fagin ‘The Jew’, and other such bits, so that the author’s bigotry was suppressed, without otherwise altering the character, it would be less of an issue?Report
Very likely. Fagin would then be a loathsome character who merely happened to be a Jew. And if called on it for that fact alone, Dickens’s response, that he had no desire to offend Jews and had simply modeled Fagin on real-life models who happened to be Jews, would have been more persuasive.Report
That makes sense. Thank you.Report
The musical version of Oliver Twist definitely downplayed Fagin’s evilness compared to other adaptations and the original novel. While still a pretty bad character, he manages to live at the end and is presented as less monstrous than Sykes. The musical Fagin is more of a charming rogue than anything else.Report
I think the question is whether the bad opinion can be separated from the value of the work. In a work of non-fiction, the question is whether the bigoted position is essential to, coexisting with, or contrary to the central framework. In a work of fiction, the issue is more personal, whether I can enjoy the work while acknowledging a problematic aspect. Although, to be fair, the dividing line isn’t always so clear. I’ve read some 19th century Russian stuff, and partly that’s for enjoyment, but I’m also learning about the era, and encountering the authors’ ideas. There wasn’t a lot of love for the Jews (or Germans, or Catholics, or Turks) in those works. I’ve never been so offended by them that I stopped reading, but those passages do affect my assessment of the author.Report
Yeah, the “trigger warning” can feel a lot like a scarlet letter, a badge of shame. You have done something that might cause trauma to someone.
At the same time, people who are triggered suffer a lot, and it would be nice to mitigate that suffering. Apparently residential care units have to deal with issues such as one patient who has severe issues with Halloween decorations – they trigger them. (I have heard stories). The staff of such institutions don’t have a good answer, they have to muddle through case-by-case.
And I don’t have a good answer either. I am fine with giving people some idea of what sorts of things they might run into during a class or a book, or whatever. And at the same time, putting trigger warnings on some stuff and not on others seems like it makes a statement that there are some humans that aren’t a problem, and I don’t really believe or accept that.Report
Such a good piece! Thank you for sharing it with us!Report
Good piece, Avi.
I this the key point for me:
I think we’re far more likely to have a culture where people keep books like Oliver Twist on their shelves if we acknowledge that some things can be worthwhile despite having genuinely offensive content.
Here though, I think I dissent in part. I dislike the term “trigger warnings” because “triggering” is a specific thing that doesn’t map cleanly to “being offended by a character like Fagin”. But.
We do have one undeniable advantage over our ancestors here, not because we’re better people or smarter people, but just because we know much more about how we live than they possibly could. I don’t know what we should necessarily do with that information, but knowing it and acting on it isn’t narcissism.
Just time.Report
In my youth, I thought that Bowdler was one of the most comic figures in history. Like, if you wanted to come up with a more absurd villain in a comic play, the guy who re-writes Shakespeare to take out all of the naughty bits would be totally near the top.
And then I find out, today, that Fagin, in the original, was a horrible anti-Semitic caricature of a Jewish villain and that the reason that I didn’t know this was because I had only consumed the Bowdlerized versions of the story.
And, get this, I wonder if I wouldn’t have been happier continuing with my imperfect knowledge.
Like… would we (as a society!) be better off with a less Jewy Fagin in Oliver Twist? Would future generations be better off for Fagin only being referred to as Jewish once or twice… have it be something incidental to his character rather than central? (Like, to the point where it’d be easy to miss.)Report
Yeah I don’t actually know.
And sometimes I think people shy away from the question because answer it seems to require a lot of reckoning with things on a case by case basis, maybe making yourself vulnerable to some notional (or even not-so-notional) Other Side in the Culture Wars, and maybe reckoning with what it actually means to have a culture, who that culture is for, and how we should make decisions about it.Report
What is “cancel culture”? This is the first time I’m hearing the term.Report
If you drive far enough into the fringe lunacy of the left you’ll find idiots who want to excise works like Oliver Twist from culture and educational curriculum because of Fagan and similar tendencies. Even more idiotically the same suspects go after Huckleberry Finn for the temerity of a white author using the N word even though Twain’s portrayal of Jim is enormously sympathetic. They also tend to peddle such idiocy as removing historical authors and philosophers because western culture is so “old white man” centered. As I understand it that’s cancel culture; ugh, and I feel slightly dumber for having even dwelled on it for a moment.Report
Those types have been around for years. They are inherently self marginalizing.Report
I agree entirely, though to hear right wing media tell it they are the dominant and default ideology on the left and in academia.Report
On reading great figures of the past, we need to remember two points:
1. We stand on the shoulders of giants.
2.Those giants were, by and large, cockeyed.Report
Peaky Blinders had Tom Hardy playing the head of a 1920’s Jewish gang (mobsters) based in London, sometimes rivals and sometimes allies of the Peaky Blinders. I wasn’t aware that there’d ever been such a thing.
I never read Oliver Twist, or even any version of it. I had enough with Tiny Tim and the ghost of Christmas whatever.Report
Have you ever read The Great Gatsby? Meyer Wolfsheim (the man who fixed the 1919 World Series) is pretty loathsome as well, in stereotypically “Jewish” ways.Report
Indeed, he is, but he is based on Arnold Rothstein, a real, loathsome, but colorful Jew. I wouldn’t be surprised if Fitzgerald weren’t at least a casual anti-Semite — that would have been the safe bet regarding any Christian of his generation if you had no other information to go on — but the loathsome Wolfsheim doesn’t tell us much about that.Report