Musical Complaints and Compliments about the Fallout 76 Radio Station

Jaybird

Jaybird is Birdmojo on Xbox Live and Jaybirdmojo on Playstation's network. He's been playing consoles since the Atari 2600 and it was Zork that taught him how to touch-type. If you've got a song for Wednesday, a commercial for Saturday, a recommendation for Tuesday, an essay for Monday, or, heck, just a handful a questions, fire off an email to AskJaybird-at-gmail.com

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5 Responses

  1. Burt Likko
    Ignored
    says:

    Led Zeppelin wanted to be a blues band. Kind of. They still wanted to do heavy rock. But they wanted to play blues songs. Sometimes they got it just right — like Babe I’m Gonna Leave You on LZ1 or the cover of When The Levee Breaks on LZ4. But as much as we honor and love them, they weren’t perfect. I agree with you that Nobody’s Fault But Mine is a miss. And it’s great that digging down to the roots revealed a mostly-forgotten gem from Blind Willie Johnson!

    So I agree with you about the music. Fallout is really good for that; there has to be someone Bethesda uses who has this encyclopedic knowledge of classic jazz, blues, and bubble gum pop.

    But I laughed at the DJ joke in Fallout 76. At least, I did the first time she cracked it. Video games being what they are and my pace of play being what it is, I wind up hearing those jokes repeated a lot.Report

    • Jaybird in reply to Burt Likko
      Ignored
      says:

      Have you ever heard the *ORIGINAL* Babe I’m Gonna Leave You?

      There are a lot of covers out there and when you hear the original, it blows you away (for example, Nobody’s Fault But Mine).

      This is not one of those songs. It’s nigh-unlistenable. You know how Jimmy Page had a somewhat cavalier attitude towards attribution? Well, you listen to that and you understand how it wasn’t until the 80’s that someone who had heard both versions of the song got around to talking to Anne. (It was the version in the second half of the above video that Joan Baez heard and asked to learn.)

      See? You can hear how Jimmy stole that one.

      I wouldn’t say that Nobody’s Fault But Mine is a *MISS*, but it’s definitely the only listenable song on the album (outside of a handful of weird kids who explain that the drums on Achilles Last Stand are the reason to listen to the song and… jeez, dude. We already have Moby Dick. I’m good).

      I was the one who was missing out on never hearing the original. It makes me glad whenever a new Fallout comes out… if only because I find another handful of diamonds that I didn’t know existed.

      (And dang, the Ink Spots are just *GOOD*.)Report

      • Burt Likko in reply to Jaybird
        Ignored
        says:

        Dude, thanks for this! I rather like the original Anne Bredon version, but I will admit that I probably am unlikely to ever put it on any of my Spotify playlists (unless I make an “unknown originals” which sounds cool but would be a hit-and-miss sort of list I’d only rarely go to).

        Joan Baez’s cover, which is what I thought LZ was doing, simply feels more fully realized and I probably will add it to my “Earnest Girls With Earnest Guitars” playlist. Which, I feel sort of bad about because you’ve now educated me about Bredon and she deserves credit (and royalties, even if only the meager ones Spotify pays). But one likes what one likes.Report

    • DensityDuck in reply to Burt Likko
      Ignored
      says:

      U2 also wanted to be a blues band, and they turned to a pop act. It’s kinda wild to listen to their first best-of and half the songs are from “Rattle And Hum” and you’ve never heard them on the radio.Report

  2. Brandon Berg
    Ignored
    says:

    I found a great album from 1974, Makiko Takada’s MAKIKO first. I’m not really sure how to classify it. It’s not quite pop, not quite jazz, and track 8 is gospel. The sophisticated melodies, austere arrangements, and Takada’s clear voice make it a real stand-out.

    The first track, “The World of the Song of My Heart” is great, but takes a while to get going. The third, “Roof,” was the radio single. I don’t think there are any real duds on the album, though some are stretched a bit thin, but tracks 1-4, 6, and 8 are the best, IMO.

    Takada released only one more album (高田真樹子・不機嫌な天使 if you want to search for it on YouTube) before getting married and retiring. That was a thing women did back then; Momoe Yamaguchi, the biggest Japanese pop star of the 70s, retired at the age of 21 after getting married. Unlike her first album, whose songs were all self-penned, 不機嫌な天使 (Grumpy Angel) had songs written by other songwriters, and had a very generic sound that made it a big letdown for me. She did release a third album in 1999, for which she wrote at least two songs herself, but I haven’t been able to find it online.Report

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