8 thoughts on “Saturday Spins: Steve Earle’s Ghosts of West Virginia

      1. Alternate take: he didn’t need to grow, he came out fully formed. 🙂

        I totally get that some people don’t like Farrar’s vocals or the ‘psychological doom’ vibe, but his post-Uncle Tupelo stuff – in particular the stuff he released as solo – is astonishingly good. He makes albums, not collections of singles. The first two Sun Volt albums are as good as it gets.Report

  1. Not a huge Steve Earle fan – though I did like Transcendental Blues a lot – but I went to see him down in Denver a few years ago with my wife. He was – surprisingly! – the opening act for Mary Chapin Carpenter, and towards the end of the set, when it was pretty clear that most of the people in the audience were chatting and uninterested in his music, only waiting to hear the headliner, he got frustrated – with his amp apparently! – then kicked it and stabbed it with his guitar. Then walked off the stage. Hero!Report

    1. One thing I really do appreciate is the Steve Earle origin story. Apparently it involves leaving home at 16 (or younger?) to follow Townes Van Zandt around the country. Do people do stuff like that anymore? I don’t think they do, what with video and all.Report

      1. Yeah people still do stuff like that. I was at a basement punk show a while back. I ended up hanging with a bunch of weirdos who ramble from city to city and couch surf a lot. Basically they were wandering trans gutterpunks. They were fun.

        I always feel weird interacting with that crowd. On the one hand, I’m one of them — at least I used to be, back in my twenties. On the other hand, these days I’m a bougie tech worker, so that’s a thing.

        Anyway, there are hundreds of millions of Americans. Everything happens.Report

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