34 thoughts on “Spoon!

    1. The new one is really good. I didn’t even include a couple of my favorite tracks from it, because they didn’t have videos, and I try to always grab eye candy if I can.

      The only song I *wasn’t* crazy about on there (not that it’s bad, but it is a very standard blues chord progression – they play/sing the hell out of it, but it’s just…you *know* it already, and it doesn’t sound “Spoon”) I found out was a cover (“I Just Don’t Understand”, by Ann-Margret, covered by Beatles); that made it better for me.

      There’s a couple tracks on it that are more keyboard-heavy (they brought the keys guy from Divine Fits on board) that I really like – like New Wave Spoon.Report

  1. If you were from Austin, you’d write a lot of songs about cars too. Austinites have three conversations (and I include myself in this): “It’s hot.” “The traffic sucks.” “Austin BBQ is awesome.”

    Occasionally the BBQ conversation is substituted with “Breakfast tacos rock.”

    I remember a time when Spoon played here pretty often. I’m going to show how uncool I am and admit that I saw them more than once without realizing who the hell they were. “Oh hey, it’s that rock band with the guy who’s voice is kind of whiny in just the right way.”

    Also, “I Turn My Camera On” is one of the best songs of the century so far. It sounds like it could have come out of the 60s or the 80s, while sounding completely now at the same time.Report

    1. I’m not sure if they have a lot of *songs* about cars, but they sure have a lot of cars in their videos.

      But I guess for a rock band as classicist* as they are, “girls” and “cars” are kind of de rigeur signifiers.

      *And I mean, they really, really are. They took their name from a Can song, but what I hear in there is Kinks, and Stones, and Beatles; I read an interview with Daniel (around the time of Moonlight, IIRC) where he said he’d been listening a lot to the first Cure record, and while I wouldn’t have made that connection on my own, it made total sense to me. Pop stripped down to its barest essence, and turned just-ever-so-slightly trippy in the studio.Report

      1. Yeah, I was just using it as an excuse to take a dig at Austin.

        And like I said, 60s and 80s and now.

        Though one of the things that’s interesting about them is that they toiled in obscurity with basically the same sound they still have today in the 90s, and only broke big when the retro guitar rock fad of the early Aughts emerge. So they were ahead of their time by being retro.Report

      2. I’m actually glad this was a semi-impromptu post; I was mulling a highly-conceptual post, revolving around the metaphor of “spoon as archetypal primordial tool for separation and containment”, and interrogating the very concept of inclusion/exclusion; that probably would have turned out laughably tortured and pretentious.

        Even more so, I mean.Report

  2. Spoon is one of those bands that just nobody seems to have anything bad to say about, not that I’m looking.

    I have enjoyed several microns of celebrity adulation over the years as Britt Daniel has occasionally name-checked my forgotten band as an influence.Report

      1. Well, as I feared, looking up the name-checks only confirms that the influence extended only to emboldening Daniel to wear sunglasses.

        “AVC: When you first started playing, you used to wear sunglasses onstage. Was that because you were uncomfortable in front of an audience?

        BD: Actually, I think I wore sunglasses because I thought it was cool, and then I realized that it’s not the only way to be cool. Of course, I still wear them if we’re outside and it’s real bright. But I think I saw Ben [Hotchkiss] from The Real Heroes, and he was in a band called The Duckhills where he wore sunglasses onstage. I thought, ‘Wow, this guy looks awesome.’ It made a big impression. And of course, I was really into Lou Reed.”Report

    1. Why would I mind? That’s what these posts are for. Go nuts!

      (I have to say though – that’s one of the only Spoon songs I don’t care for much. Just a bit too Billy Joel* for my tastes).

      *he’s like the cross between Elton John and Bruce Springsteen that we never asked for.Report

      1. You’re just going to drop that in comments?! That thing deserves its own post. It might deserve its own museum wing.

        (Though, if you’re going to get Giger to do your video, maybe give him more than a $20 budget. And what was up with robotelevangelistmagician?)Report

      2. I was just trying to think of something wholly unrelated to the post.

        I had a Nile Rodgers phase earlier this summer, and KooKoo and Let’s Dance featured prominently.Report

      3. Now that you mention it , yeah, it’s gotta be. I didn’t remember his hair being quite so…distinctive, but maybe it just stood out against the mask on the postage-stamp size screen.

        All I know is, if I am ever in Switzerland, I’m goin’ to the Giger bar.

        http://dangerousminds.net/comments/incredible_h.r._giger_bar_puts_you_in_the_belly_of_the_xenomorph/

        That looks fantastic.

        If they don’t have a drink called “The Chestburster”,’ I’ll be let down.Report

  3. Spoon is so consistently good it’s hard even to establish a hierarchy of their albums, which is basically the most important part of music fandom that doesn’t involve ears. I was really surprised that some reviewers thought the new album was a “return to form” after Transference, when everybody knows that “Ga, Ga, Ga …” was the kitchen-sink misstep, Transference the thoughtful outlier, and the newest a return to well-worn territory. Ranking the Spoon albums is right up there with ranking the Beatles albums, in terms of controversy among my friends. The downside is that I’ll typically listen to their release non-stop for the month when it comes out, and then never really return to it. Something about the sparse melodies and lyrics makes it hard to wear but also not that engaging over time. Has there been an album that’s really lasted (oh, I guess I’m doing the ranking again)?Report

    1. The downside is that I’ll typically listen to their release non-stop for the month when it comes out, and then never really return to it. Something about the sparse melodies and lyrics makes it hard to wear but also not that engaging over time. Has there been an album that’s really lasted?

      This is true, I often do kind of “forget” about them for long stretches – they’ve been gone long enough this time (though I thought the Divine Fits album was decent) that a new album seemed like an “event”, and I’ve been revisiting the older albums for the first time in a while, playing one after the other (it could really all be one big album).

      (And of course, anyone knows that Fiction is best, followed by Moonlight 😉Report

  4. Kill the Moonlight is definitely their best album. I’m a little surprised nobody has mentioned “Stay Don’t Go”, which is probably my favorite track off that album after “Jonathan Fisk”.Report

    1. A man after my own heart. I wavered between calling it for Fiction over Moonlight – I think “Summon” and “Camera” just *might* give Fiction the edge (plus, “Beast”! “Monsieur Valentine”!)…but I do love Moonlight and the tracks you named.

      In fact, “Stay Don’t Go” has some of my favorite lyrics by them (plus a cool arrangement/production – lots of bands make you want to play air guitar, but Spoon makes you want to play air tambourine).

      At times you find that the truth is the best way out
      Ooh, and I sometimes tell the truth, it’s the best way out
      It’s the wrong words that make you prick up your ears
      When later alone
      Report

    2. Well, if we’re getting into it, I think Moonlight and Fiction are indisputably excellent albums, with my only criticism of Moonlight being that’s heavily front-loaded and starts to blur together after “Paper Tiger”. Beyond that, I would have – in decreasing order – Transference (the whole album feels very cohesive and mature, and “Written in Reverse” is an absolute banger), Soul, Ga (way too goofy and overproduced for my tastes, but you can’t argue with those hooks), and Girls. With one caveat that “Everything Hits at Once” is absolutely gorgeous and (together with “Believing is Art”) seared into my mind as the “driving away from a bad break-up” songs so much that it casts a positive shadow on the rest of the album. Moonlight is the album I would give a girl on a first date; but Fiction is the one disc I would take on a month-long ocean voyage no outside contact (which happens to be how I first listened to it).Report

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