“Painter John Strickland” was a necessary characterization to get the first paragraph dealt with, but let me tell you about John Strickland.
There’s a lot of penny-wise, pound-foolish creativity in the world–I’m here to tell you making real investments in your creativity can make all the difference.
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on Martin Niemöller, and Who First They Came ForWe've gone from "student speech codes can prevent the n-word because we don't tolerate racism" to "p…
on Open Mic for the week of 3/31/25Last week I wrote about the 26 year old Kat Abughazaleh the primary challenger to 80 year Jan Schkow…
on Martin Niemöller, and Who First They Came ForEh a more witty version of something like: -The movement now MAGA conservatives have never been prin…
on Martin Niemöller, and Who First They Came ForDo you have the high notes? on Martin Niemöller, and Who First They Came ForWell, I think that one of the big problems plaguing the relationship everybody has right now is that…
on Martin Niemöller, and Who First They Came ForI don't have "requirements" or the authority or desire to set them. I just muddle through as best I…
on Open Mic for the week of 3/31/25The new administration is certainly succeeding at one thing. https://newworkplace.wordpress.com/2025… on Martin Niemöller, and Who First They Came ForInteresting. on Martin Niemöller, and Who First They Came For"Targeting Civilians" would be "shooting Civilians because you know they're civilians". Hamas routin… on Martin Niemöller, and Who First They Came ForI had a long reply that seems to have been eaten. Not sure if it can be salvaged.
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on Martin Niemöller, and Who First They Came For on A Working Man Reviewed on Martin Niemöller, and Who First They Came For on Martin Niemöller, and Who First They Came For on Martin Niemöller, and Who First They Came For
on Martin Niemöller, and Who First They Came For on Martin Niemöller, and Who First They Came For
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