Rule of Tod Video Roundup

Andrew Donaldson

Born and raised in West Virginia, Andrew has been the Managing Editor of Ordinary Times since 2018, is a widely published opinion writer, and appears in media, radio, and occasionally as a talking head on TV. He can usually be found misspelling/misusing words on Twitter@four4thefire. Andrew is the host of Heard Tell podcast. Subscribe to Andrew'sHeard Tell Substack for free here:

Related Post Roulette

144 Responses

  1. Slade the Leveller says:

    Henry Kissinger dies and the go to interviewee is the governor of North Dakota?Report

  2. Pinky says:

    RT1 – I just watched the full interview. The clip above is roughly 10:00 to 15:00. I’d encourage everyone to watch the 5 or so minutes after that. Actually, I’d love it if people would watch the whole thing and discuss it. He’s not a guy I instinctively admire, but there is so much of note in this interview.

    As for Disney, he’s completely right. It was funny to hear Sorkin’s voice at, “and they’re going to boycott Disney?”. It’s not so much that people are boycotting Disney, though; it’s that Disney has become the villain and people are treating it like one. And people are doing it for a lot of reasons. Take the latest Marvel movie: it’s a bad movie, it pushes a bad agenda, and the company that made it pushes a bad agenda. This doesn’t make me want to go out and buy a Tesla, but Disney has alienated a lot of people on multiple fronts.

    https://www.youtube.com/watch?v=2BfMuHDfGJIReport

    • Slade the Leveller in reply to Pinky says:

      I don’t think we need to relitigate Bud Light on these pages.

      That said, you make a lot of statements that would seem to require some backup. This is not a QED situation.Report

      • Pinky in reply to Slade the Leveller says:

        Fair enough; when I said “bad” I meant things that I think are bad. My point was that Disney’s pushing a socially liberal agenda plus they tried to flex their political muscles plus run one of the three network news operations, so them rolling over Musk on behalf of the Media Matters types is only one tile in the mosaic. And all the while they’re not making a top-quality product, so they’ve made themselves dispensable.Report

      • Would quotations from Bob Iger himself count as “backup”?

        Because I have some quotes from Bob Iger himself.Report

        • Slade the Leveller in reply to Jaybird says:

          Lay your cards on the table.Report

          • Pinky in reply to Slade the Leveller says:

            What were you referring to that I said that needed backup? We might be able to avoid a talking-past-each-other subthread.Report

            • Slade the Leveller in reply to Pinky says:

              Sorry to come back to this so late. What I’m looking for is an explicit statement from any one of the filmmakers regarding a message that conservatives might find distasteful. People are free to read whatever they like into plots and characters, but it’s tough to argue with direct quotes.

              This would also serve as a reply to Jaybird’s comment below: https://ordinary-times.com/2023/12/01/rule-of-tod-video-roundup/#comment-3945899.Report

              • Pinky in reply to Slade the Leveller says:

                I don’t think I’ve used the term “message”; I’ve been talking about the “agenda”. Kevin Feige and everyone else at Disney and Marvel have been candid about Phase Four promoting diversity. It’s not obvious that the three female heroes and the female villain are the strongest of Marvel’s lineup, so I think we can agree that this movie was driven by their diversity agenda, right?Report

              • Slade the Leveller in reply to Pinky says:

                I don’t really know that much about comic book movies. Are the movie characters portrayals of women that are in the comics, or are they women playing characters that are men in the books?

                If it’s the former then we can ascribe the movie’s purported badness to the plot. If it’s the latter, then we’d have to look at the film. Do we judge it’s bad, sight unseen, because of the gender blind casting, or do we see the movie first before we render judgement?Report

              • Pinky in reply to Slade the Leveller says:

                I haven’t seen The Marvels. I don’t judge it as bad, but I’ve read reviews and have to assume it’s bad.

                Several of the female characters were written to take up the mantle of male characters. I think the alien Mar-Vell was the original Captain Marvel, and they’ve tried a few things over the decades with newer (usually female) versions but they’ve never gotten long runs. It’s just not a popular character. Monica Rambeau was one of the Captain Marvels, I think.

                I judge the DEI agenda as bad on moral grounds. As a practical matter, it’s been implemented badly. It’s not easy to find a director for a movie that costs about as much as an aircraft carrier, and directing a $10 million art film is just a different thing. The studios shouldn’t be excluding people on the basis of race or sex anyway, but doing so with a very small pool of prospective talent has been disastrous.Report

          • I want to know if Bob Iger saying something like “we made product that cared more about sending a message than being entertaining” would count. I want to know if a shareholder report that said something like “our messages are out of step with our audience” would count.

            Because if we establish, beforehand, that they wouldn’t, I’d know that I don’t have to put together hyperlinks and whatnot.Report

            • Kazzy in reply to Jaybird says:

              For me, quotes will do.Report

              • Jaybird in reply to Kazzy says:

                For you they will. I hope that you will pipe up if someone up says something like “THE POINT IS SOMETHING ELSE!” after I point these out.

                Anyway. Here here’s the SEC report:

                Walt Disney released an SEC report.

                Page 18 contains this interesting section:

                We face risks relating to misalignment with public and consumer tastes and preferences for entertainment, travel and consumer products, which impact demand for our entertainment offerings and products and the profitability of any of our businesses.
                Our businesses create entertainment, travel and consumer products whose success depends substantially on consumer tastes and preferences that change in often unpredictable ways. The success of our businesses depends on our ability to consistently create compelling content, which may be distributed, among other ways, through broadcast, cable, theaters, internet or mobile technology, and used in theme park attractions, hotels and other resort facilities and travel experiences and consumer products. Such distribution must meet the changing preferences of the broad consumer market and respond to competition from an expanding array of choices facilitated by technological developments in the delivery of content. The success of our theme parks, resorts, cruise ships and experiences, as well as our theatrical releases, depends on demand for public or out-of-home entertainment experiences. Demand for certain out-of-home entertainment experiences, such as theater-going to watch movies, has not returned to pre-pandemic levels. In addition, many of our businesses increasingly depend on acceptance of our offerings and products by consumers outside the U.S. The success of our businesses therefore depends on our ability to successfully predict and adapt to changing consumer tastes and preferences outside as well as inside the U.S. Moreover, we must often invest substantial amounts in content production and acquisition, acquisition of sports rights, launch of new sports-related studio programming, theme park attractions, cruise ships or hotels and other facilities or customer facing platforms before we know the extent to which these products will earn consumer acceptance, and these products may be introduced into a significantly different market or economic or social climate from the one we anticipated at the time of the investment decisions. Generally, our revenues and profitability are adversely impacted when our entertainment offerings and products, as well as our methods to make our offerings and products available to consumers, do not achieve sufficient consumer acceptance. Further, consumers’ perceptions of our position on matters of public interest, including our efforts to achieve certain of our environmental and social goals, often differ widely and present risks to our reputation and brands. Consumer tastes and preferences impact, among other items, revenue from advertising sales (which are based in part on ratings for the programs in which advertisements air), affiliate fees, subscription fees, theatrical film receipts, the license of rights to other distributors, theme park admissions, hotel room charges and merchandise, food and beverage sales, sales of licensed consumer products or sales of our other consumer products and services.

                “Further, consumers’ perceptions of our position on matters of public interest, including our efforts to achieve certain of our environmental and social goals, often differ widely and present risks to our reputation and brands.”

                In the past, when we’ve had discussions of people no longer consuming products, it’s devolved into accusations against the people no longer consuming the products.

                I’m guessing that we are nowhere near unique in this.

                This little nugget in the SEC report seems to hint that, maybe, they’re considering going a different direction than blaming the people who used to consume the product but now no longer consume the product or consume the product less.

                And here’s Bob himself:

                Report

              • Kazzy in reply to Jaybird says:

                Ok then. I still subscribe to Disney/Espn/Hulu/ABC++++ and do not have an X account. Everyone’s mileage is what it is.Report

              • InMD in reply to Jaybird says:

                My take on Disney and its content creation is that it’s less about what they are making (not that there isn’t plenty to be mined there) and more about what they haven’t been. Over the last bunch of years they’ve been trying to win without their fastball. What’s their fastball? Traditional-ish stories featuring a princess archetype that wins an interpersonal dispute of some kind in her favor (with an evil step mother, a misguided father, a rival), maybe with a little adventure in between, and as a result gets the man of her dreams with whom she will live happily ever after. This is noticeable since for many, many years Disney had the best fastball in the business.

                Every good pitcher needs a change up too. Frozen may be the best change up ever made by virtue of featuring sisterly love instead of romantic, and even had a curveball romantic sub plot. But you need your fast ball, and I think the political saturation of the class that runs Disney has them throwing all change ups, all at a time when the competition is tougher than ever, even if you’re the Yankees.Report

              • Jaybird in reply to InMD says:

                One of the takes that I’ve seen is that they have a particular demographic sewn up: Young Females between the ages of 5 and whatever.

                They buy Star Wars, they buy Marvel… and they then go on to make these properties more appealing to Young Females between the ages of 5 and whatever. But what the heck? They already have this demo sewn up?Report

              • Pinky in reply to InMD says:

                I’m surprised we haven’t had a group discussion about South Park’s Panderverse special.Report

              • InMD in reply to Pinky says:

                You know, I haven’t seen it, but per a quick google it sounds about right. Over the summer when it was my turn to be up at 3 AM with a newborn I watched a lot of South Park, which at least at the time was running through Comedy Central’s graveyard shift. Trey Parker and Matt Stone have had this stuff pegged for years.

                It actually reminds me in a mirror image sort of way of the South Park episode the Ring. I would never put it the way their evil Mickey Mouse parody does in that episode but it’s absolutely true that Disney has made gazillions of dollars expertly catering to the interests of very young to preteen girls (or interests that are at minimum very, very prominent among that demographic). What they didn’t realize is that they were serving something that for whatever reason is innate, and their ability to set the agenda is subject to the real world constraints of human nature. Yet their fool business teams decided the goose that laid the golden egg was problematic, or just too regressive, and should be starved to death. It’s amazing hubris.Report

              • Chip Daniels in reply to Jaybird says:

                And I hope that, in future, when we point out that conservatives are hostile to the existence of trans people, we won’t be subjected to “NO, we are merely concerned about corner cases and athletic unfairness!”Report

              • Jaybird in reply to Chip Daniels says:

                What do Bob Iger’s quotations have to do with the existence of trans people?Report

              • Chip Daniels in reply to Jaybird says:

                Isn’t that what you and Pinky are talking about?

                That Disney has “become a villain” by “pushing a socially liberal agenda” and therefore have become “out of step with our audience”?

                I mean, if you want to argue that it isn’t just trans people but hostility to queer people and any nontraditional gender roles or socially liberal messages, I am willing to buy that.Report

              • Jaybird in reply to Chip Daniels says:

                Is that what Disney themselves said in their own financial report?

                Is that what Bob Iger himself said?Report

              • Chip Daniels in reply to Jaybird says:

                I’m not the one talking about Iger, you are.

                I’m talking about your and Pinky’s comments about the conservative boycott of Disney because they are accepting of socially liberal messages.Report

              • Jaybird in reply to Chip Daniels says:

                Elon Musk was talking about Disney.

                Then Pinky quoted him.

                Then Slade asked for evidence.

                This all happened above. You can scroll up and see the series of events.

                For what it’s worth, I don’t think that it’s merely a “conservative boycott”.

                I think that it’s actually normal people saying “eh, this ain’t for me; I can spend my entertainment dollar elsewhere”.

                It’s worse than people engaging in the culture war.

                It’s people trying to *AVOID* it.Report

              • Chip Daniels in reply to Jaybird says:

                This- “ people saying “eh, this ain’t for me; I can spend my entertainment dollar elsewhere” is precisely what I’m commenting on.

                Whether these people are normal or conservative is debatable.

                But what they are doing is not.

                They are saying that they will only patronize Disney is Disney stops including socially liberal messages in their product.

                I mean, you’ve said that, Pinky has said that, conservatives are all saying that.

                So in future when I point this out, I don’t want to hear any nonsense about just the athletes or minors receiving surgery.Report

              • Jaybird in reply to Chip Daniels says:

                I mean, you’ve said that

                No. I’ve *NOT* said that.

                What I *HAVE* said is “eh, I ain’t the target audience for this” and gone and spent my entertainment dollar elsewhere.

                This attitude that Disney is somehow entitled to my entertainment dollar is weird.

                Remember when we were talking about the upcoming Snow White and the Seven Artisans movie? I asked you if you were planning on seeing the movie. You refused to say whether or not you were going to go see it.

                I assume that it’s because you weren’t going to go see it. I mean, it’d be easy as heck to type out “heck yeah, I plan on taking the little woman to that flick opening weekend!”

                But, and here’s my suspicion, you knew that you weren’t likely to see it in the theater (you don’t go out to the movies as much as when you were in your 20s and, let’s face it, it’ll be on streaming before long anyway) and didn’t want to out-and-out lie.

                But *YOU* were going to not see the movie for good reasons.

                It’s people like me and Pinky who aren’t going to see it for *BAD* reasons.

                Even though, like you, I only catch about one movie a year in the theaters anymore so the movie I do go out to see had best be a corker… which the upcoming Snow White didn’t look like it’s gonna be.Report

              • Pinky in reply to Jaybird says:

                “For what it’s worth, I don’t think that it’s merely a ‘conservative boycott’.”

                Yeah, I was trying to make this point above. A boycott implies a consumer forgoing a desired product as an act of protest. I could boycott a trip to Israel in a way that I couldn’t boycott a trip to Yemen. I don’t hear a lot of people saying, “This new Disney movie looks good. The special effects are top-notch, there are likeable leads and a compelling villain, and the story sounds satisfying. But I won’t see it because the parent company did x.”Report

              • Chip Daniels in reply to Pinky says:

                It isn’t an organized boycott, but as you so perfectly put it, Disney has “become a villain” by “pushing a socially liberal agenda” and therefore some people are not buying their product.

                Again, I’m agreeing with you here.Report

              • Doesn’t a boycott also involve urging other people to emulate your refrain-from-purchasing behavior? It’s one thing for me to say “I will not buy [x product] from [y company] because of [z grievance]” but it’s something else for me to say, “Hey Chip, you shouldn’t buy [x product] from [y company] because of [z grievance]. Just like I’m doing.” (Or is it?)Report

              • Chip Daniels in reply to Burt Likko says:

                Some of that’s going on, where conservatives are spreading the message on social and traditional media.

                I mean, how many ordinary conservatives knew about Dylan Mulvaney before conservatives started screaming about her?

                But i also think some of it is just organic, as Pinky and Jaybird are suggesting, that witnessing films increasingly populated by nontraditional gender role models (Like Frozen) or nontraditional racial figures (Like a black mermaid) has caused conservatives discomfort and they are refusing to consume the product.

                Which is my point here, that it isn’t about surgery on minors or unfair athletic competition or even inappropriately sexual messages.

                They really just don’t want to inhabit a world where little girls don’t feel the need to marry the prince, or where a mermaid might be black.Report

              • Jaybird in reply to Chip Daniels says:

                Frozen made approximately one bajillion dollars.

                It’s not a particularly good example.

                The live-action Little Mermaid turned a profit as well. (Though, I’ll grant, the returns were disappointing. Not hugely disappointing, but disappointing.)

                You know what might make a good example? The recent “Marvels” movie.

                Did you see it? I didn’t. Were you participating in the organic boycott of the flick?Report

              • Chip Daniels in reply to Jaybird says:

                I don’t think you are even disagreeing with my premise that (and I will repeat it once again) that Disney has “become a villain” by “pushing a socially liberal agenda” and therefore socially conservative people are choosing not to consume their media.

                Whether their films make money or not is entirely irrelevant to my point.Report

              • Jaybird in reply to Chip Daniels says:

                I tend to agree with what Bob Iger said.

                What is kinda obvious though is that if the movies were good, it’d *ONLY* be the socially conservative people not seeing them.

                As it is, they’re pushing crappy message movies instead of quality message movies.

                It’d be a lot easier to yell at the conservatives not seeing the movies if they were missing out.

                As it is, even you, their defender, doesn’t want to see them. Not badly enough to drop your entertainment dollars on them, anyway.Report

              • Chip Daniels in reply to Jaybird says:

                Oh, is that why (and here I repeat, once again) Disney has “become a villain” by “pushing a socially liberal agenda”?

                Because they make crappy movies? That’s what’s driving the conservative hostility to Disney, poor plots and weak character development?Report

              • Jaybird in reply to Chip Daniels says:

                *I* wouldn’t say that they’re a villain. I would say that they’re experiencing a disconnect between the movies they want to make and the movies that the audience wants to buy tickets to.

                I suppose that you could say “THIS IS THE FAULT OF THE AUDIENCE!” but, honestly, it’s *THEIR* freakin’ money. If they want to drop it on something else, there is no shortage of other stuff out there to spend your money and attention on.

                The fact that conservatives aren’t the only ones complaining about the quality should be an indicator that there is more going on here than the hurt fee-fees of incels who are sick and tired of black people in their Star War space operas.Report

              • Chip Daniels in reply to Jaybird says:

                Doesn’t matter what *you* think.

                My point is that conservatives are refusing to patronize Disney because of the socially liberal messages in their media.

                So, and I once again repeat myself, I hope that in future when we say conservatives refuse to accept the existence of queer people, I don’t hear a bunch of objections that no, its really about ethics in gaming journalism fairness in athletics or surgery for minors.Report

              • Jaybird in reply to Chip Daniels says:

                My point is that conservatives are refusing to patronize Disney because of the socially liberal messages in their media.

                I assure you: Conservatives still have copies of Frozen on Blu-Ray on their shelves next to a DVD of Frozen and that’s next to a VHS of Frozen.

                Sure, maybe they’re not watching the new stuff, but, and here’s the point, there’s a *LOT* of people not watching the new stuff.

                Like, to the point where they’re talking about it in their financials.Report

              • Chip Daniels in reply to Jaybird says:

                None of which changes my point.

                I don’t know if the boycott of Disney will succeed or fail because , well, the siren song of princess dresses has amazing power.

                But I do know for a fact that conservates are saying things like “Disney’s movies have a “heroism and morals are terrible and will kill you” theme.”Report

              • Jaybird in reply to Chip Daniels says:

                Well, if you want Disney to succeed, lemme tell ya:

                There’s a movie theater right over there. You should go see Marvels. Get some popcorn and a slushee.

                Or are you boycotting Disney too?Report

              • InMD in reply to Jaybird says:

                Having seen the movie at least 10,000 times I believe that the woke take on Frozen is pure people seeing what they want to see. It’s a bit of a change-up but there’s nothing particularly non traditional about it, unless your definition of traditional is so conservative that it would consider things done by female characters in Shakespeare plays to be insanely radical.Report

              • Jaybird in reply to InMD says:

                There *ARE* criticisms you could make of Frozen.

                Foremost is that its title is an obvious attempt to make it more difficult to look up how Walter Disney had his head cryogenically preserved.Report

              • Michael Cain in reply to InMD says:

                I believe that the woke take on Frozen is pure people seeing what they want to see. It’s a bit of a change-up but there’s nothing particularly non traditional about it…

                This. Frozen is exactly in the sweet spot for a Disney animated folklore musical story. You can’t compare them to anything else the company does, and no one seems able to match them.

                I don’t remember people making quite as much fuss about the opening lyrics in the original release of Aladdin, which were changed in everything later.

                Oh, I come from a land
                From a faraway place
                Where the caravan camels roam.
                Where they cut off your ear
                If they don’t like your face
                It’s barbaric, but hey, it’s home.Report

              • DavidTC in reply to Jaybird says:

                You know what might make a good example? The recent “Marvels” movie.

                …and now you’re doing it.

                Is anyone going to explain what agenda The Marvels is pushing, or is just ‘staring three women’ an agenda?

                I would just like to point out, in case anyone is confused, that all of them are cis and het, and in fact Disney cut a line that might have implied otherwise for Carol.Report

              • Jaybird in reply to DavidTC says:

                It’s a good example of a movie underperforming.

                Sure as hell is a better example of a movie underperforming than freakin’ Frozen.

                Here’s what Bob Iger said about Marvels:

                “The Marvels was shot during COVID,” Iger said. “There wasn’t as much supervision on the set, so to speak, where we have executives [that are] really looking over what’s being done day after day after day.”

                Now what would *I* say that the problem with the movie was? It was obviously “a movie for girls”. But here’s the problem with that: It had space aliens and superheroes and quips and whatnot. Who is the target audience for space aliens and superheroes and quips and whatnot?

                Well, let’s look at the numbers for it. According to Deadline:

                Other diagnostics on The Marvels: 65% male leaning, with 45% men over 25, 22% women over 25 (giving it the best grades at 82%), men under 25 at 20%, and women under 25 at 14%. Biggest demo was 25-34 at 33%. Diversity demos were 36% Caucasian, 27% Latino and Hispanic, 17% Black, and 14% Asian. The Marvels secured all of the PLF screens and IMAX, which rep 38% of the weekend’s take.

                It was a movie for girls AND THE GIRLS DIDN’T GO TO IT.

                So I’d say that the problem with the movie is that it didn’t understand its target audience.

                (I honestly don’t think that more executive oversight would help with that but, hey. Maybe Bob Iger is right.)Report

              • DavidTC in reply to Jaybird says:

                You said The Marvel was a good example of Disney pushing a ‘socially liberal agenda’, Jaybird. (As opposed to Frozen, which you said was not.) That was where you were going with your argument.

                And now you’re just asserting that it’s ‘for girls’.

                Are things being for girls pushing a ‘socially liberal agenda’? Is that the conclusion we’re supposed to reach? If not, what are you actually saying, and why is getting people to explain why they mean by that like pulling teeth?

                Even if we assume you are correct and Disney _has_ mistargeted superhero movies at women and that’s the problem (1), could you example how that is a ‘socially liberal agenda’ as opposed to ‘Disney has a huge demographic advantage in that area and would like to expand its superhero movies into that demographic, but has failed’. How is this an ‘agenda’ instead of a not-great business model?

                1. You are not, superhero and action movies have been suffering for a while (Or, rather, studios cannot stop spending way too much on the budget, so always perform poorly relative to that, even when well-received and sell okay) and then movies in general tanked due to covid.

                We had like ten action movies fail this year. We had an Indiana Jones movie fail, we had Guardians of the Galaxy 3 fail, we had Ant-Man 3 fail, we had D&D fail, we had Fast X fail, we had a Mission Impossible fail. We had The Flash fail. The only actual big budget action spectacle movie that succeeded was..Avatar 2, somehow. (No one can explain Avatar.)

                Meanwhile, we somehow had two record-setting video-game movies, one a cartoon and one horror, and a Taylor Swift concert held the charts at for two weeks, somehow.

                Edit: BTW, if there’s any movie that has a socially liberal agenda, or at least a left-leaning agenda, it’s the fricking _Avatar_ series. The movie series that is inexplicably insanely popular and has repeatedly set records in sales, despite the fact everyone forgets it exists ten seconds after leaving the theater.Report

              • Jaybird in reply to DavidTC says:

                No, you’re wrong. Chip said:

                But i also think some of it is just organic, as Pinky and Jaybird are suggesting, that witnessing films increasingly populated by nontraditional gender role models (Like Frozen) or nontraditional racial figures (Like a black mermaid) has caused conservatives discomfort and they are refusing to consume the product.

                I said that Frozen made a freaking mint and that Marvels would be a better example.

                Example of what? An example of, to quote Chip, a movie that “conservatives” are refusing to consume.

                (For the record, this assumption that consumption is obligated is one that I will push back on over and over and over again until my face is blue.)

                As for Marvels being “for girls”, that was the explicit marketing!

                THAT IS NOT A FUNNY MEME MADE BY SOMEONE MOCKING THE FILM.

                Anyway, the rest of your comment assumes that I was arguing that the movies promoted a “socially liberal agenda” rather than what I was actually arguing so I feel no obligation to address that part of the comment.Report

              • DavidTC in reply to Jaybird says:

                Example of what? An example of, to quote Chip, a movie that “conservatives” are refusing to consume.

                It’s actually young people who have stopped watching the MCU: https://www.salon.com/2023/11/17/the-marvels-age-audience/

                As for Marvels being “for girls”, that was the explicit marketing!

                …you think cats are for girls?

                The Marvels was not promoted ‘for girls’. It probably should have been, though. Marvel _comic_ fans are almost exactly split 50/50 on gender, whereas Marvel movie fans are about 60/40 male.

                Marvel movies are not failing with conservative men, those go and see the movies regardless.

                Well, all the men who haven’t gotten bored of _all_ the superhero movies (Or even all big spectacle action movies, the fact the D&D movie failed so badly while being so liked by audiences really says something. As did Fast X, which barely made it back into the black.) and wandered off, or those who mostly stopped watching theatrical movies at all.

                The MCU isn’t failing with them, it’s failing with young people (Who actually sorta got trained out of watching movies in the theater at exactly the age they should have started) and women (Which it never had, and should have.)

                But, anyway, it’s actually kind of amazing how this entire sandcastle is built on nothing, because the movie _Captain Marvel_ did amazingly well, 4 years ago. You know, the movie that was aimed at exactly the same people as The Marvels:

                “Captain Marvel,” which represents Brie Larson’s MCU debut as Carol Danvers, grossed $153.4 million over its opening weekend in 2019. It would eventually top $1 billion in worldwide box office sales. This was to be expected at a time when even middling MCU efforts could easily clear $57 million in the first few days of their release, as “Ant-Man” did months before “Captain Marvel” jetted into theaters.

                Four years later, “The Marvels” has the lowest opening weekend in the MCU’s history, with its $47 million domestic take underperforming even readjusted projections. It was originally predicted to take in $75 to 80 million over its premiere weekend, but that bar was lowered to expect a range between $60 million and $65 million. -https://www.salon.com/2023/11/17/the-marvels-age-audience/

                Notice how Captain Marvel had _even more_ ‘conservative men complaining’ (Remember the outrage over the Terminator homage in the trailer?) and yet did really well, whereas The Marvels didn’t have that outrage and yet did really poorly. That was, of course, back when people actually _saw_ movies and hadn’t tired of the MCU yet.

                Maybe we should stop ascribing random nonsense complaints this level of seriousness of ‘conservatives did not go and that caused it to fail’ and start looking at who actually went to the movie, and see if that’s true or not.

                You know, it’s actually possible that it’s just…not a great movie (And factually was not promoted anywhere near as much thanks to the strike.), and thus, with tailwind that MCU movies/action movies/movies in generally had, it just utterly failed. I sorta liked it, but I really like Kamala’s character to start with, so was a bit biased.Report

              • Brandon Berg in reply to DavidTC says:

                “Marvel _comic_ fans are almost exactly split 50/50 on gender”

                I’m mashing (x) pretty hard on this one. If we’re talking about comics generally, including manga, well… maybe. But Marvel? What’s your source on that?Report

              • DavidTC in reply to Brandon Berg says:

                I am not talking about sales. I am talking about people who describe themselves as fans of Marvel comics:

                https://www.comicsbeat.com/market-research-says-46-female-comic-fans/

                Notice that’s from 2014, it’s only gone up since then.

                Women just only buy about 40% of comics, and see even less of the movies.

                There’s a reason that Marvel and DC both have been constantly trying to trying to figure out what will sell to woman. There’s a lot of woman that they can see calling themselves fans, going to fan conventions, interacting with fan Facebook pages, reading and writing fanfic, creating and consuming fanart, making cosplay, generally doing fannish activities, who _do not give them any money at any point_, and it must be incredibly annoying.Report

              • Jaybird in reply to DavidTC says:

                …you think cats are for girls?

                Obviously not.

                But if I made this poster of the film after the trailer came out and before Marvel released it, is your position that it would not be an obvious misogynistic joke if I had made it?

                Because, seriously, if I had made that poster, it would have been a pretty funny joke.

                Notice how Captain Marvel had _even more_ ‘conservative men complaining’ (Remember the outrage over the Terminator homage in the trailer?) and yet did really well, whereas The Marvels didn’t have that outrage and yet did really poorly. That was, of course, back when people actually _saw_ movies and hadn’t tired of the MCU yet.

                Really? Because the complaints that I’ve seen is that the audience for the movies is “boycotting” Marvel and being thin-skinned and whatnot.

                You know the whole “Bud Light Sales Going Down” discussion that we have periodically with the people who used to purchase the product no longer purchasing the product and how this reflects poorly on the consumers?

                Believe it or not, that conversation happened with regards to *THIS PARTICULAR MOVIE*.

                If we could move from “your consumption is an indicator of your morality” to “your consumption is an indicator of your taste”, that’d be *AWESOME*.

                But I say that as someone who sees maybe one movie a year in the theater.

                I can see how someone who sees dozens of movies would want this to be an indicator of, at least, quality aesthetic appreciation on their part. Maybe wander from there into musings on the colorless souls of people who don’t appreciate art.

                As they wander into the 43rd film in the Marvel Universe.Report

              • Chip Daniels in reply to Jaybird says:

                If conservatives could move from “your movie is an indicator of your morality” to “your movie is an indicator of your taste”, that’d be *AWESOME*.

                I mean, as Pinky and many other conservatives have demonstrated, it doesn’t matter if it is Frozen or the Marvels, conservatives reviews of movies inevitably revolves on morality.Report

              • Jaybird in reply to Chip Daniels says:

                People are *ALLOWED* to interpret art, Chip.

                They’re even allowed to disapprove of it.

                Get this: it’s even okay if they don’t consume it.Report

              • Chip Daniels in reply to Jaybird says:

                I agree.

                If a person says “I don’t like Frozen because it promotes lesbianism and bestiality” that’s their right.

                I’m just trying to point out that this is entirely different than “I don’t like it because it sucks.”Report

              • Jaybird in reply to Chip Daniels says:

                For what it’s worth, you’re allowed to criticize their criticism.

                Personally, my issue with Frozen is that the story would have been more interesting if they ran with Elsa being the bad guy.

                Decent songs though.

                They don’t make them like that anymore, that’s for sure.Report

              • Pinky in reply to Chip Daniels says:

                “conservatives reviews of movies inevitably revolves on morality”

                Not true. I said about The Marvels that “it’s a bad movie, it pushes a bad agenda, and the company that made it pushes a bad agenda”. A movie can be good or bad with a good or bad or no agenda. My point is that Disney has become the villain for a lot of reasons. I can enjoy a good or bad movie with a good or bad or no agenda, but I’m not supporting Disney.Report

              • Chip Daniels in reply to Pinky says:

                Allow me to rephrase:
                Conservatives’ reviews of movies inevitably revolve on morality or politics.Report

              • Jaybird in reply to Chip Daniels says:

                Conservatives’ reviews of movies inevitably revolve on morality or politics.

                Men drink so much water, am I right ladies?Report

              • Pinky in reply to Chip Daniels says:

                I earlier made a reference to special effects, leads and villain, and story.Report

              • Chip Daniels in reply to Pinky says:

                If those were to change, would Disney still be a “villain pushing a bad agenda”?

                All I’m saying is that some large chunk of the people not watching their movies is because of politics/ culture/ morals, not aesthetic quality.

                And that these people are mostly on the conservative side, since mostly Disney movies embrace the politics/ culture/morals that liberals like.Report

              • Jaybird in reply to Chip Daniels says:

                “If Darth Vader stopped blowing up planets and tried to kill the Emperor, would he stop being a villain?”

                “Yes. That is one of the ways to stop being a villain. They made a movie about this. It was called Return of the Jedi.”Report

              • DavidTC in reply to Jaybird says:

                But if I made this poster of the film after the trailer came out and before Marvel released it, is your position that it would not be an obvious misogynistic joke if I had made it?

                …what?

                No, that wouldn’t be my position! What are you even talking about?

                What is this weird association of cats and women you seem to have going on?

                Because the complaints that I’ve seen is that the audience for the movies is “boycotting” Marvel and being thin-skinned and whatnot.

                That isn’t the complaints, at least not the one’s I’ve seen. The complaints is that a lot of very loud people are asserting that they are boycotting it for very stupid and often made-up reasons. Or at least reasons they will not clearly state because it makes them sound bigotted.

                As I’ve pointed out, there is no ‘woke’ message in The Marvels at all. Literally none. The only sort of message you can possibly get out of is ‘Do not treat the Germans like the world did at the end of WWI, or they will come back violently. Treat them instead like the world did at the end of WWII, help them rebuild’, which…I’m not even sure that _is_ actually any sort of ‘message’, or where that could possibly be considered to be, politically.

                There’s not even some watered down message of ‘accept people how they are’ or anything.

                Which means, anyone who is asserting there is a ‘woke’ message is just using the word ‘woke’ to mean ‘woman and people of color star in this movie’.

                And, of course, everyone has a right to not see the movie for any reason, any reason at all. But, if that reason is overtly bigoted and they made a big deal of announcing it with codewords that really can’t mean anything besides ‘I am a bigot’, then people will point that out.

                If we could move from “your consumption is an indicator of your morality” to “your consumption is an indicator of your taste”, that’d be *AWESOME*.

                Can we also at some point acknowledge ‘Publicly announcing you are not seeing a movie because you disagree with the supposed message in said movie’ _is_, in fact, an indicator of your morality? In fact, it is a _deliberate_ indicator of your morality that you have informed people of! That was the point of saying it!

                I don’t watch horror movies. I don’t particularly enjoy them, because I generally find them boring because I sorta disconnect during them, or they’re disturbingly graphical, or, sometimes, they actually work right for me, causing the sense of foreboding they’re supposed to, and…I still don’t like them.

                I don’t expect to be judged for this, because this is just me saying my personal taste. (And also, I don’t really tell people this anyway?)

                I also don’t generally watch Tom Cruise movies, both because I find him immensely annoying in real life to the extent I can’t unsee it when watching the movie, and also because I do not like to support Scientology, and that last thing is actually a moral position that I have now announced, although I’ll admit I’m pretty inconsistent on it. And if I were reviewing movies, I would expect to be ‘morally judged’ for openly taking a moral position that ‘supporting Scientology is bad and I won’t do it’. (Whether I am judged well or not.)Report

              • Jaybird in reply to DavidTC says:

                No, that wouldn’t be my position! What are you even talking about?

                You’ve never heard of the unmarried harridan surrounded by a clowder of cats?

                Surely this isn’t a dogwhistle that only I have heard…

                What is this weird association of cats and women you seem to have going on?

                Seriously. It’s a thing.

                And I say that as the catdaddy of three delightful gentlemen.

                That isn’t the complaints, at least not the one’s I’ve seen.

                Go up and read Chip’s.

                We’ve also discussed the whole “you’re a jerk if you’re not inclined to consume this product!” thing before. Check out this comment thread about a news story covering the upcoming Snow White and this comment thread discussing thin-skinned dogs not inclined to eat the dog food made by people who not only hate dogs but dog food theory.

                So this whole argument about the moral status of consumers that stop consuming has shown up before.

                As I’ve pointed out, there is no ‘woke’ message in The Marvels at all.

                I wouldn’t know. I didn’t go see it.

                Last movie I saw was Oppenheimer.

                Maybe I’ll try to catch Silent Night tomorrow. That looks pretty good. John Wick made by someone with vision.

                As for you not watching movies, hey. I hear ya. It’s one thing to take two hours to go see a flick in the basement for the cost of Netflix and a sixer and pause and pee whenever you want, quite another to drive 20 minutes, stand in line for 5 minutes, sit through 15 minutes of previews, sit through a movie, then pee, then drive home for 20 minutes for twelve bucks plus the arm and a leg that the concession stand will charge you.

                If I were in charge of movies, I’d make sure that they looked like must-see kinda events and make sure that they appealed to the people whom I’d want to purchase tickets.Report

              • DensityDuck in reply to DavidTC says:

                “Is anyone going to explain what agenda The Marvels is pushing, or is just ‘staring three women’ an agenda?”

                It’s possible that they’re making a point, through the plot of the movie (which involves the three lead characters randomly switching places), that female characters in superhero movies are basically indistinguishable — spandex bodysuit, powers that are “shoot zappy energy blasts, punch, fly” — and that it’s actually meant as a satire of these films.Report

              • InMD in reply to Chip Daniels says:

                I dunno. This all assumes you can talk children into relating to something that they by and large don’t and very likely never will. The most successful of these companies figure out what children do like, put it on saturation blast, then deliver it on steroids, for a price their parents can juuuuust barely afford. The market for ‘non traditional gender’ whatever is and always will be very small. Part of that is that there’s no such thing as ‘gender’ the way you’re using the word, but the other part is that you’re talking about an approach that is by definition alternative, very small minority parts of the human experience. McDonalds couldn’t just switch to kale smoothies and tofu and expect the same results it gets with big macs and fries, and anyone expecting that will be disappointed.Report

              • Chip Daniels in reply to InMD says:

                Didn’t someone just get finished saying that Frozen made a gajjillion dollars?Report

              • InMD in reply to Chip Daniels says:

                Yea. Because it’s a traditional movie with a catchy soundtrack and they got to sell 2 pretty princess dolls instead of just 1. The rest is projection.Report

              • Pinky in reply to InMD says:

                It’s something different than that. As a kid I could relate to a prince or princess or baby deer without being one, because of their characters and challenges. Cartoon Mulan struggled as she did what was right; Live action Mulan struggled a little to hide that she was perfect, then gave up. Elsa was supposed to sing “no right, to wrong, no rules for me, I’m free” as a villain, not a hero. The moral of Lightyear wasn’t about the gay couple, it was that heroes become time-travelling robots [check notes to confirm].

                I think your McDonald’s kale smoothie analogy doesn’t go far enough. It’s like if McDonald’s rolled out its kale smoothie with a “Big Macs are terrible for you and will kill you” ad campaign. Except, you know, that would be true, where Disney’s movies have a “heroism and morals are terrible and will kill you” theme.Report

              • InMD in reply to Pinky says:

                I differ a bit in that I think there’s a tendency to way over analyze what children see in these things. They aren’t adults or doing any kind of adult analysis. IMO the reactions of children, positive or negative, are a lot more about aesthetics, and enjoying a pattern than relating to any particular character or characterization. Being able to ‘relate’ in the way we’re talking about isn’t something children do all at once but something that they gradually develop over time, in fits and starts. It’s why lots of them are mesmerized by pretty, simplistic fare they will want to watch it over and over and over again but eventually throw it away with no recollection of long periods of time where it was the most interesting thing in the world to them.

                To be more blunt I think woke goes broke more because it’s aesthetics are really ugly and the deconstructive approach it takes to everything breaks the patterns people like. There’s no way to make these ideas the adult execs want to impose pretty or hit the tried and true notes in a way that’s pleasing, which is why (back to my original point) there are certain concepts they’ve just stopped trying.Report

              • InMD in reply to InMD says:

                Actually instead of pattern what I’d say is ‘build and release’ of tension. That’s the killer for a lot of this stuff. There can be no dramatic tension and the more allegiance it has to identitarian concerns the less dramatic tension there is.Report

              • DavidTC in reply to Jaybird says:

                Further, consumers’ perceptions of our position on matters of public interest, including our efforts to achieve certain of our environmental and social goals, often differ widely and present risks to our reputation and brands.

                That actually isn’t saying what I think people are assuming it does.

                It doesn’t say ‘Our position on matter of public interest is out of sync with consumers’.

                It is saying ‘consumer _perception_ of our position often _differ wildly_ and that present risks’.

                This is very confusing because it’s in a paragraph where Disney actually _is_ talking about being out of sync with consumers on business decisions like theme parks and cruises and where movies should be theatrical and what sports rights are worth, and says that very clearly, says that they often get that wrong and it’s very hard to predict now. (Presumably cause we’re still getting the after effects of the changes covid made to society.)

                But they don’t say that they are out of sync on their ‘environmental and social goals’, instead they appear be saying ‘People tend to believe completely random stuff about those’.Report

              • DavidTC in reply to DavidTC says:

                And I think, honestly, this entire discussion explains _exactly_ what Disney is talking about, where almost everyone here has decided that The Marvels has some sort of social liberal agenda, when the entire ‘social liberal agenda’ appears to be ‘has three women in it, one is Black and another a Muslim’.

                You are exactly who Disney is talking about with “consumers’ perceptions of our position”.Report

              • Chip Daniels in reply to DavidTC says:

                Like a Rorschach test, what we see in media is very revealing.

                What conservatives see in Frozen, and I we I’ll provide links upon request, is a film promoting lesbianism and bestiality, and Lightyear as promoting homosexuality.

                Whether films do or not is irrelevant. Conservatives view Disney as villainous because it lends social acceptance to things they believe should not be tolerated.Report

              • DensityDuck in reply to Chip Daniels says:

                “What conservatives see in Frozen, and I we I’ll provide links upon request, is a film promoting lesbianism and bestiality, and Lightyear as promoting homosexuality.”

                Actually, yes, I think I would like to see the links for that one. Subject to the usual WP:NOTABILITY review, of course.Report

              • DensityDuck in reply to Chip Daniels says:

                Result #6 of your search presents us with Movieguide, which describes itself as having a “mission…to redeem the values of the entertainment industry, according to biblical principles, by influencing industry executives and artists.”

                They describe “Frozen” as “very strong Christian, redemptive, moral worldview stresses love is sacrifice”.

                Not exactly the “conservatives seeing a film promoting lesbianism and bestiality” you promised us.

                We also have “A Christian Mom’s Review of ‘Frozen 2’”, which in your favor does hint that Elsa’s maybe not cishet but also says that isn’t the important thing and that the movie gives Christians a good opportunity to reflect on the meaning of Paul’s letters in a modern context.

                We have “Catholic Mom Movie Review” which says “[Frozen is] not obviously promoting a gay lifestyle, nor is it a Christian allegory. It’s just not a particularly good movie.” So, yeah.

                I dunno, bro, it’s really not looking good for you here. Like, I know you’re not big on reading sources and stuff, but if you’re going to post sources to support your claim then maybe you should read them first?Report

              • Chip Daniels in reply to DensityDuck says:

                Here is the first result.

                Like, the very first one.

                https://www.latimes.com/entertainment/movies/la-xpm-2014-mar-12-la-et-mn-christian-radio-frozen-gay-agenda-20140312-story.html

                On the talk show Generations Radio, Kevin Swanson and his co-host, Steve Vaughn, took Disney to task for “leading the charge” in promoting a “pro-homosexual” agenda in “Frozen.”

                Swanson and Vaughn referred to posts by Steven D. Greydanus for the National Catholic Register and Gina Luttrell for the liberal PolicyMic — the former of which critiques “Frozen’s” alleged gay message (the commentators agree with this one) and the latter of which celebrates the movie’s progressiveness (the commentators use as further evidence of the film’s messaging). Neither Swanson nor Vaughn has seen the movie.

                “I’m not a tinfoil hat conspiratorialist,” Swanson said on the show, “but you wonder sometimes if maybe there’s something very evil happening here. If I was the devil, what would I do to really foul up an entire social system and do something really, really, really evil to 5- and 6- and 7-year-olds in Christian families around America? … “I would buy Disney. If I was the devil, I would buy Disney in 1984, that’s what I would have done.”

                The co-hosts also suggested that the film promotes bestiality, since the character Kristoff has an “unnatural” relationship with his pet reindeer.Report

              • Jaybird in reply to Chip Daniels says:

                That’s not my first result. My first result is this one.

                It says this:

                Every man in the movie is a villain except Kristoff. He is the only half-way decent guy—and if you pay close attention you will hear what they really think of him in the song Fixer Upper. We learn that Kristoff was raised by trolls and in the song we get the rest of his qualifications. His walk is clumpy, his talk is grumpy and he has funny shaped feet. And though he washes, he ends up smelly. On the positive side “you’ll never meet a fella who’s as sensitive and sweet.” (these are not exactly manly virtues) They go on to explain that he is a fixer upper—he has flaws. He is likely to run scared, he is socially impaired and he “tinkles in the woods.”

                If this isn’t insulting enough, they add this final insinuation that he is afflicted with the proclivity for bestiality. Perhaps the worst words in the whole movie are that he has a “peculiar brain, dear” and that he has a “thing for the reindeer that’s outside a few of nature’s laws.”

                Is that accurate? I don’t remember that line in the movie…

                Huh. It is in there.

                Well, you have to understand…Report

              • Chip Daniels in reply to Jaybird says:

                Conservatives have become this generations version of revolutionaries, where they can take something like Thomas The Tank Engine and explicate it to show the hidden messages of class struggle or in conservative’s case, latent perverse sexuality.

                They have become this, for the very same reason.

                Conservatives, like the leftists, grasp that they are an unpopular minority and feel that all the institutions- corporations, academia, media, government- are arrayed against them in some vast conspiracy.

                And they are right in a sense. The values and aspirations of social conservatives have been roundly rejected by most of society.

                Yes, most media portrays queer people in a positive light. Yes, most media accepts that women can be independent and not need a man to complete them. And yes, most media accepts that it is a worthy goal to have previously ignored group cast in prominent roles.

                This is just the much vaunted “marketplace of ideas” at work.Report

              • Damon in reply to Chip Daniels says:

                ” And yes, most media accepts that it is a worthy goal to have previously ignored group cast in prominent roles.”

                Agreed. But then they go and do this….

                https://www.youtube.com/watch?v=LRT2gT9ECt4&ab_channel=TheCriticalDrinker

                Time stamp 3.29 into the vid.

                I’m all for some “realism” in shows in terms of different races, creeds, etc., but going all the way to the other end of the spectrum where it’s only the white guy who’s evil is a bit excessive. And of taking a villian like Davros and making him a old white guy….really?Report

              • Jaybird in reply to Chip Daniels says:

                So it did happen, but it’s good, actually?

                That normally takes longer.Report

              • Chip Daniels in reply to Jaybird says:

                That Disney is promoting bestiality?

                Um, I’m going with “No” on that one.

                See that’s the Achilles heel of conservatives.

                They can’t argue their point straightforwardly, like they can’t say “Frozen is accepting of a nontraditional male role who is kinda klutzy and we don’t like that”.

                So they have to spin a freakish conspiracy that the guy likes to have sex with reindeers.

                And of course normal people are all like, “Uh Wut?”Report

              • Jaybird in reply to Chip Daniels says:

                See, you’re accusing them of saying that Disney is “promoting” but that’s not what they’re saying.

                I can post what the article says again, if you’d like:

                If this isn’t insulting enough, they add this final insinuation that he is afflicted with the proclivity for bestiality. Perhaps the worst words in the whole movie are that he has a “peculiar brain, dear” and that he has a “thing for the reindeer that’s outside a few of nature’s laws.”

                Heck, I just watched the scene again and my take is not that the movie is “promoting” bestiality but they put that joke in there for the grownups and it would sail right over the little kids’ heads.

                And I could see how someone who takes the joke and says “that’s not funny!” deserves mockery.

                I mean, as jokes go, it’s not a *BAD* joke. Kinda funny. (And you can tell that the trolls see the guy really affectionately and they’re tweaking him rather than making an accurate statement about him).

                But there are people out there who just don’t have senses of humor.

                And, wouldn’t you know it, most of them end up as critics, for some reason.

                But I digress.

                You’re saying they accused Disney of something that they didn’t accuse Disney of.

                You should have better sources than the ones you pick. The ones you pick keep tickling your priors and that should be a red flag for you, not a reason to scream FULL SPEED AHEAD! and post it as if it accurately represented reality.Report

              • Chip Daniels in reply to Jaybird says:

                Would you accept it if I quoted their exact words?

                “Friends, this is evil, just evil. I wonder if people are thinking: ‘You know I think this cute little movie is going to indoctrinate my 5-year-old to be a lesbian or treat homosexuality or bestiality in a light sort of way’,” said Swanson. “I wonder if the average parent going to see Frozen is thinking that way. I wonder if they are just walking in and saying, ‘Yeah, let’s get my five-year-old and seven-year-old indoctrinated early.’ You know they’re not, I think for the most part they’re oblivious. Maybe they do pick up on pieces of it but they just don’t get up and walk out.”
                Swanson’s co-host Steve Vaughn, who has also not seen the film, added that Satan would likely “start making all these nice little movies that throw little things in there that make sin look enticing, in fact some of the worst of sins, make it look enticing or at least to start to indoctrinate slowly, turn the heat up on the frog in the pan.”

                https://www.christianpost.com/news/does-frozen-have-pro-homosexual-agenda-christian-film-critic-blasts-pastors-claims-says-movie-has-responsible-family-friendly-message.html

                Look, if you’re defending people who are freaking out about a throwaway line and claiming it is encouraging children to be accepting of bestiality, then just stop digging.Report

              • Jaybird in reply to Chip Daniels says:

                The joke was one that treated bestiality lightly.

                That was, in fact, the joke.

                And what phrase did he use?

                “treat homosexuality or bestiality in a light sort of way”.

                From there, I’d say that I covered this above.Report

              • Chip Daniels in reply to Jaybird says:

                The fact that you say this proves my point.

                You are like the tankies of old, ferreting out the most harmless throwaway line to magnify it into a dark conspiracy to corrupt America’s youth.
                “See, yes, they admit they are treating bestiality in a lighthearted way!”

                This is how normal people thought about the line. Normal people saw it as irrelevant and silly.

                If you doubt this, go ahead and repeat your argument to people in your real time circle, and report back to us how many come to see Disney as a “villain pushing a bad agenda”.Report

              • DensityDuck in reply to Chip Daniels says:

                Chip

                you’re the only one here who ever claimed that people refused to see Frozen because it pushed a Gay Bestiality Agenda

                in fact you’re the only one here who claimed that anyone refused to see Frozen at allReport

              • DensityDuck in reply to Chip Daniels says:

                “Here is the first result.

                Like, the very first one.”

                Ah yes, those massive movers-and-definers of conservative American thought, “Generations Radio”, with a listening audience literally in the dozens!Report

              • InMD in reply to DensityDuck says:

                We should still feel free to laugh at anyone who saw a pro-bestiality agenda in Frozen, even if their numbers are few.Report

      • Chip Daniels in reply to Slade the Leveller says:

        Actually I would agree that “Disney has become the villain [for conservatives] and [conservatives]are treating it like one.”Report

    • Chip Daniels in reply to Pinky says:

      “Why are you focusing on the five minutes of me screaming epithets at our clients, and not the five minutes after that when I said innocuous things?”Report

    • DavidTC in reply to Pinky says:

      Take the latest Marvel movie: it’s a bad movie, it pushes a bad agenda, and the company that made it pushes a bad agenda.

      And I have to ask the obvious question: What is your understanding of the agenda that The Marvels pushes?

      The agenda, aka, the only sort of social message you could get out of the move, is the claim that ‘Just letting a society collapse after you defeat someone in a war is not actually a good thing. No matter how bad they were, there are quite a lot of innocent people in that society, and, hell, if you don’t help, as their society collapses, they might start doing increasingly desperate and violent things, turning to bad leaders, so you probably need to help them out of purely practical reasons.’

      That’s the only ‘agenda’ in the movie, and it’s kinda subtle, it doesn’t really show up until the end, where Carol, having defeated the Kree _again_, steps back and metaphorically says to the Kree ‘And now I can help fix some of this this time so you can actually survive, and hopefully be a better people’. And it’s basically the lesson the world learned with Germany at the end of WWI, it’s hardly a lesson that people will dispute.

      So…is that the agenda you have a problem with?Report

      • Pinky in reply to DavidTC says:

        My problem is with the M-She-U agenda in general.Report

        • DavidTC in reply to Pinky says:

          You literally said ‘it, as in, the movie, pushed a bad agenda’.

          But I will now ask: What is the agenda of the MCU, and could you present any examples of that whatsoever? (Since the example you seemed to cite as an example you now say isn’t one.)Report

          • Pinky in reply to DavidTC says:

            Do you think that Marvel didn’t know that the particular Captain Marvel they decided to go with was female? They did have choices. And it’d be fair to say that Monica Rambeau isn’t one of the major Marvel characters, correct? You could also grant that of the eight Marvel tv shows in Phase Four, they tended to either downplay or replace white male characters with less-well-selling female versions, right?

            A studio can’t both talk about something and claim they were unaware of it. They’ve been vocal about focusing on representation. And you’d have to admit that representation is a liberal social priority. So, where’s your argument?

            Edited – moved this comment down here where it fits betterReport

            • Philip H in reply to Pinky says:

              And you’d have to admit that representation is a liberal social priority.

              So you don’t think its a good idea for various non-white, non-male people to see themselves in movies as the leads and/or heros?

              Fascinating.Report

              • Pinky in reply to Philip H says:

                “A”
                “So you think B? Fascinating.”Report

              • InMD in reply to Pinky says:

                Just to riff of this I always find the representation discussion kind of odd. I try not to think of myself as old, but I am sufficiently not young to have experienced Sigourney Weaver and Linda Hamilton as legit action stars. I am also sufficiently not young to remember a 12-15 year time frame where we had an annual Mila Jovovich vehicle involving all manner of sci fi and horror mayhem and ass kicking. Some were good, some were not, but none of it was ever thought of as having political implications.

                Point being representation is this type of movie has been done for a long, long time now. It’s bizarre that people still treat it as groundbreaking.

                My two theories on this:

                Theory one is that the representation card is cover for releasing crap, and is done in a misguided effort to run pre-emptive interference for what everyone knows is going to bomb. It’s how you end up with the wackiness of the early 2000s Charlies Angels movies seen as more or less fondly as dumb fun, whereas the new one, well…. they only failed because the moviegoing public is somehow way more sexist today than 20+ years ago.

                Theory two, that will really upset people: Joss Whedon and his influence has single handedly screwed up Hollywood’s ability to write dialogue and deal with female characters in a genre film for a generation, maybe more.Report

              • Pinky in reply to InMD says:

                I’m an old Buffy fan. Angel wasn’t as good, but I watched most of it. Firefly, wait a second, I’ve already seen all of these characters before, and the future-Chinese dialect like the Buffy-speak high school dialect could possibly be masking an inability to write natural dialogue. So I’m right there with you.Report

              • Damon in reply to InMD says:

                The major issue I see is that most of these recent movies are, objectively, crap. I remember watching the Rei star wars movies where she naturally can fly a space ship and use her force powers. There’s no hero’s journey. Those movies sucked. When comparing them to the SW first trilogy (and that includes all the ewok segments) the first three are clearly superior in story lines.Report

              • InMD in reply to Damon says:

                Back during the online kerfuffle over Ghostbusters (2016) I came across the below, which I thought was a pretty simple, illustrative example of where these things go wrong:

                https://youtu.be/jsxa2tOWs6w?si=dCmfF9DJeH0YB3q1Report

              • Damon in reply to InMD says:

                That’s a good example. I found his site a few months ago and really enjoy his reviews. For my part, he’s pretty spot on with most of the work I’ve seen.Report

              • KenB in reply to InMD says:

                Great link — I love it when an expert explains why i have the reactions I do.

                “Representation” stuff in movies is usually kind of the same as popular fan service — stuff that doesn’t belong holistically but that will generate positive feelings among a non-discerning crowd that is more interested in having those feelings than in seeing a quality product.

                I remember watching one of the Star Wars sequels with my family and some friends, and when (inevitably) R2D2 and C3PO appeared, they all smiled or even cheered, while I rolled my eyes. Some in my family saw my reaction and were irritated and a little insulted by it — how come I couldn’t just be happy to see some familiar well-loved characters?

                In the case of “representation” service, the people who get the good feelings have the added bonus of telling themselves that reactions like mine are not about their lack of taste but about people like me being bigoted bad people — a nice little rub and tug for their self-righteousness organ.Report

              • Philip H in reply to KenB says:

                I remember watching one of the Star Wars sequels with my family and some friends, and when (inevitably) R2D2 and C3PO appeared, they all smiled or even cheered, while I rolled my eyes. Some in my family saw my reaction and were irritated and a little insulted by it — how come I couldn’t just be happy to see some familiar well-loved characters?

                So what was driving the eyerolling then? The droids are the only two consistently played characters across that franchise.Report

              • KenB in reply to Philip H says:

                They were completely irrelevant to the plot of the movie. They’re droids so there’s definitionally no character development – their only purpose was to generate the reaction I described.

                And this is part of my larger point — a lot of people don’t understand why I reacted that way, but it’s basically the same reaction I have when a movie brings in “identity” stuff when the story is not fundamentally about identity-related stuff. Thelma and Louise was a great movie; Ghostbusters 2016 was not. Disliking Ghostbusters 2016 because of its “Ghostbusters for Her” approach does not in any way mean that I’m anti-woman or anti-feminist, it just means that the movies I prefer are ones that are good, and that are focused on the story itself and that don’t bring in extraneous content just to get a particular reaction or check a box, or rely on the fact that they’re checking a box and so don’t even try to be good.Report

              • InMD in reply to KenB says:

                This is only tangential to your comment but I want to say that what you’re describing is also one of my pet peeves. That along with the ‘answering questions no one asked and which were almost definitely best left unanswered, given the extremely stupid answer that you, the film maker, has now provided.’Report

              • KenB in reply to InMD says:

                Yeah that’s a good one too. I think we’d run out of pixels before we catalogued all the different ways Hollywood makes movies bad, at least for people who have a bit of taste.

                FWIW I’m not judgmental about having taste or not (or anyway I try to remind myself not to be). I’m well aware there are other domains where I’m not a discerning customer, e.g. food. Like, I don’t actually have any problem going to an Applebee’s, and at a gut level I don’t really get the hate for it – just intellectually I understand by comparing to domains where I do have standards.Report

              • Dark Matter in reply to KenB says:

                “Representation” service runs the risk of distorting the movie.

                There are only so many parts/roles to go around and there is only so much screen time.

                Often “representation” doesn’t stop there. It has to be “positive meaningful representation”.

                So you end up taking a spear carrier, who doesn’t really need to be in the movie at all, and twisting the plot to serve them.

                If you’re making a movie about Spiderman where he’s the only super and you want to have a strong woman, then the lazy way to do this is to have MJ save him but he can’t save her. Then you have to fix the problem that you’re still not going to give her powers, so the plot has to force him into a position where she is vital.

                It’s not impossible to do this, witness Lois Lane saving Superman vs Doomsday in the cartoon, but it’s a lot easier to do it poorly.Report

              • Slade the Leveller in reply to Damon says:

                I think that’s the thing. The problem isn’t the actors, it’s the scripts.Report

              • InMD in reply to Slade the Leveller says:

                At a certain point you have to just make a good movie. I would say that outside of certain films about historical periods, where the aim is realism (in which case representation in non historically accurate ways would be really jarring and unrealistic), representation is a neutral factor. It doesn’t make a movie good, but more importantly for this conversation, it doesn’t save a bad one.Report

              • Philip H in reply to Pinky says:

                You are a demonstrated social conservative. You wrote that representation is a liberal social priority. You do not generally approve of or support liberal social priorities. Thus I draw a fairly well reasoned conclusion that you do not value or support representation.Report

              • Pinky in reply to Philip H says:

                Fair enough. I used the term representation with DavidTC because I thought he’d be able to accept my statement if I used terminology he’d be comfortable with. I see a difference between representation and what’s being sold these days as representation. I don’t see representation as necessarily good or bad on its own. It’s probably empowering for girls to see that a woman directed Hurt Locker. It’s probably not at all empowering for girls to see that a woman directed The Eternals, because it was bad. I imagine that first movie Wonder Woman was more empowering than second movie Wonder Woman.

                But again, we can’t act like this is taking place naturally. Disney and Marvel have been vocal that they’re trying to move away from mostly whites and greens in front of the camera and whites behind it. As I said to Slade above, that means they’re excluding potential artists. I have a problem with that.

                Back to the main point: I think that representation is the motte and DEI is the bailey. The current South Park special spells it out nicely.Report

              • Philip H in reply to Pinky says:

                It’s probably not at all empowering for girls to see that a woman directed The Eternals, because it was bad. I imagine that first movie Wonder Woman was more empowering than second movie Wonder Woman.

                Have you asked any actual women about this? Anecdotally my three daughters would disagree with your assertions, in no small part because knowing a woman directed it makes them MORE likely to go see it.

                As I said to Slade above, that means they’re excluding potential artists. I have a problem with that.

                You see a pie cut into ever smaller pieces; I see more and larger pies. Especially since there’s no evidence that white men are loosing parts or loosing work in Hollywood – a place the social conservatives always seem to have little respect for anyway.Report

              • Pinky in reply to Philip H says:

                Clearly, Hollywood hasn’t been making more major releases, which I think are the pies in your metaphor. As for white men losing work: yes, they are. It’s demonstrable by the math but also by the stories coming out of Hollywood. Right now there’s a lot of talk about the purge that went on behind the scenes of Wish.Report

              • Dark Matter in reply to Philip H says:

                If a studio is expecting their lead being non-white non-male to do any sort of heavy lifting on making it a good movie, then that’s the problem right there.

                It is much easier to be a bad writer than a good writer, and if non-whatever is even mentioned as a consideration then they’ve taken their eyes off of good writing.

                Worse, they’re likely having non-whatever control the plot which is a real problem and a fast track to bad writing.Report

              • Slade the Leveller in reply to Dark Matter says:

                I’m not sure I understand the heavy lifting part of this comment. Are you speaking literally?Report

              • Dark Matter in reply to Slade the Leveller says:

                Lots and lots of things go into make a great movie, the sex/race of the lead is close to a non-factor. For that matter the sex/race of the director and writer are also non-factors.

                If the studio is saying “this will be a great movie because the lead/director/writers are all [x]”, then that’s elevating something that doesn’t matter to number one, and you only can have one top priority.Report

            • DavidTC in reply to Pinky says:

              Do you think that Marvel didn’t know that the particular Captain Marvel they decided to go with was female?

              The Captain Marvel they decided to go with has been the Captain Marvel in the comics for decades. She has had multiple comic series, and has been a pretty important part of the Avengers for quite some time (Including a rather infamous story line I won’t go into.), to the point they had a pretty big debate about including her (And Hank Pym, also a pretty big part!) in the first Avenger’s movies and only decided against it because they didn’t want to start putting people with super-powers in the universe without origin movies. (Hence Natasha and Clint.)

              She also literally killed Tony Stark in Civil War II. (Which, ironically, he did not deserve then, but probably did deserve for the first Civil War.)

              She is not some random trivial character they pulled from obscurity. She has been called their premiered powered super-heroine, especially since 2000 or so.

              They did have choices.

              Um, if you’re talking about Mar-Vell, no, that was not a choice in any sane world. It’s basically impossible to bring him back in the comics (His death from cancer had Uncle Ben levels of pathos), and they’re not bringing forward heroes in the movies they can’t use in the comics.

              And it’d be fair to say that Monica Rambeau isn’t one of the major Marvel characters, correct?

              Technically speaking, _she_ was Captain Marvel for a little bit, before Carol. This is, of course, why the movie is called ‘The Marvels’, despite her never taking that name (or any superhero name!) in the MCU, because they’ve all bounced around names like that. (Carol also was Ms. Marvel for a while.)

              She also lead the Avengers for a few years.

              Not an important character, I’m sure.

              You could also grant that of the eight Marvel tv shows in Phase Four, they tended to either downplay or replace white male characters with less-well-selling female versions, right?

              I can only think of one example of that, Hawkeye, where they got the other person who has _also_ been Hawkeye in the comics for 15 years to also be Hawkeye in the MCU. And Kate has _always_ been a more liked character than Clint, so I have no idea where the ‘less-well-selling’ comes from.

              Are you trying to include She-Hulk? I promise you, no one is intending for her to replace Bruce, that is not any possible location for a story to go. What they’re actually trying to do is give Bruce some supporting cast for _his_ movies, while also running a legal comedy in the MCU. (For some reason.)

              And if you’re also including The Falcon and the Winter Soldier, Chris Evans is out of contract. If they wanted a Captain America, they really only had one choice barring recasting, and recasting would be a disaster. Well, they could also have gone with Bucky, who has _also_ been Captain America in the comics, but his character needs a hell of a lot of image rehabilitation in that hasn’t happened in the MCU, and it would honestly be somewhat absurd and rather overtly racist for them to give it to him instead of Sam.

              What has actually happened is the original actors are falling out of contract, and they’re setting up the _actual comic book successors_ of those characters, and because comic books have always been pretty liberal, the next generation of heroes that replaced the original white men tended to _not_ be white men. They aren’t making these decisions now, they made them decades ago.Report

  3. Burt Likko says:

    [R4-5] I offer these as additional evidence in support of a proposition that I know (from having become quite tipsy with him many times in the past and discussing this) Our Tod and I are in complete agreement upon.

    Debates are bad.

    They are bad for finding the truth. They are bad for testing the superiority of one proposition over the other. They are bad for persuasion (they polarize it). That’s because debates are not about these things. They’re about winning the debate.

    This is proof of it. Both of those clips were chosen because you’re supposed to say “oooooooh, got him!” at the end of each clip. Are these really great points? Gavin Newsom’s father-in-law likes living in Florida. So the F what? Doesn’t tell us much about California. DeSantis is 40 points behind Trump. So the F what? Doesn’t tell us much about Florida.

    Which Governor you think “won” the debate is very likely to be the Governor whose partisan alignment is closer to your own. The debate much more likely cemented your opinion than it changed it. You probably don’t know any more about the challenges of governing a state after the debate than you did before it.

    Debate fails to educate. Debate fails to change minds. Debate fails to test propositions to anything more than slogans. Debate is a wan, aged fire that generates some heat but very little light.Report

    • Saul Degraw in reply to Burt Likko says:

      I concur but there is something about the American political-media environment which somehow marks you as a bad person for stating this and it is an indication of being uncouth and uncivic even though it is probably more civic to not engage in the politientertainment/infotainment corporate complex. I generally likw Newsom and like his barbs against red state culture warriors but I have no idea why he went to a very slanted event like this unless it was to show he is not afraid of Fox News or something.Report

    • LeeEsq in reply to Burt Likko says:

      They are a really boring form of entertainment.Report

    • DavidTC in reply to Burt Likko says:

      Debate fails to educate. Debate fails to change minds. Debate fails to test propositions to anything more than slogans. Debate is a wan, aged fire that generates some heat but very little light.

      I would argue that debates do educate, but not on the things we think they do. What they actually demonstrate is how fast people can think, whether they can present ideas rationally, how prepped they are, how well they do when under pressure, etc.

      We literally could hold debates on random topics, or completely made up things, though.

      Anything that comes out of a debate about a candidate position should probably have _already_ been found out if we had an actual functioning news media in this country.Report

  4. Michael Cain says:

    [R3]: Almost all Congress critters are bad at questioning. It’s a pleasure any time you get to see one of them who’s a former prosecutor.Report

  5. Brandon Berg says:

    Do you think “bespoke” means “spoken well of” or held in high esteem? I assumed that for years, but it actually means custom-made. The morpheme “spoke” is in there because the specifications of custom-made goods are discussed prior to production.

    I suppose you could say Tod is bespoke because he wasn’t mass-produced.Report

  6. Burt Likko says:

    R7 — you can tell this isn’t a Portland singles bar because none of them are wearing peacoats.Report