Heavenly! (Mystery Symphony)
This week, we examine another work that sounds even more like late Mozart. “Sounds like late Mozart” is high praise. For anyone.
This week, we examine another work that sounds even more like late Mozart. “Sounds like late Mozart” is high praise. For anyone.
Sometimes it’s nice hearing something comfortable! Schubert’s 5th Symphony breaks no new ground. It is Mozart in drag. But works for me.
After first hearing this thoroughly lovely piece, I was surprised to learn that it was written by Charles Avison, an English composer I’d never heard of.
Great by any name (The 40th, The Great G Minor, The One That Goes Dah-dah-dah, Dah-dah-dah , Dah-dah-dah-dah)
It may not be Carnegie Hall in New York City, or Royal Albert Hall in London, or Konzerthaus in Berlin, but for that moment-on that night-it could well have been symphony night at the Vienna State Opera with Mahler himself holding the door and Strauss serving as usher.
It had been a wonderful evening and what I needed now to give it the perfect ending was a bit of the old Ludwig van.