Linda Holmes Discovers The Joy Of Bad Science Fiction Movies

Burt Likko

Pseudonymous Portlander. Pursuer of happiness. Bon vivant. Homebrewer. Atheist. Recovering Republican. Recovering Catholic. Recovering divorcé. Editor-in-Chief Emeritus of Ordinary Times. Relapsed Lawyer, admitted to practice law (under his real name) in California and Oregon. There's a Twitter account at @burtlikko, but not used for posting on the general feed anymore. House Likko's Words: Scite Verum. Colite Iusticia. Vivere Con Gaudium.

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16 Responses

  1. LeeEsq says:

    All I have to say is that nothing can beat “Flash Gordon” for enjoyable bad cinema, the one where Queen did the entire soundtrack.Report

  2. aaronthedavid says:

    Tara Reid is an “Actual Actor”Report

  3. George Turner says:

    Tara Reid was in The Big Lebowski and American Pie. She also got her face on the wall of an Italian restaurant right next to Joe Piscopo.

    I’ll point out that until quite recently a movie as incredible and difficult as Sharknado couldn’t have even been made, even though Hollywood heavyweights have wanted to make it since the 1940’s. John Ford and Sam Peckinpah both optioned it, as it pits iconic American individualists and their large caliber guns against a flying feeding frenzy. Alfred Hitchcock and Orson Wells both wanted to bring it to the big screen because flying sharks are more viscerally compelling, if not terrifying, than crazed song birds or immuno-compromised Martians.

    But back then creating the movie would’ve required practical effects, which would mean firing giant rubber sharks out of huge canons in artillery barrages or having the Army Air Corps or later US Air Force to drop them from bombers. In both cases the sharks would have to land very close to, or in some cases, right on top of A list Hollywood actors. There was just no way to pull it off until CGI allowed our abilities to catch up with our imaginations.

    Once again SyFy is leading the way and creating new American classics.
    Report

    • Glyph in reply to George Turner says:

      As God is my witness, I thought sharks could fly.Report

      • MikeSchilling in reply to Glyph says:

        And I thought Sharknado was a turkey.Report

        • George Turner in reply to MikeSchilling says:

          Some of the early attempts at it were pretty awful. Orson Welles knew he couldn’t pull off flying sharks so he was going to have them slide across a snowy landscape, which was easy enough with thin cables hooked to winches or cars. In his working draft of the script the sharks would come over a hill and chase after boys who were out sleigh riding, leading directly to bloody tracks in the snow that attracts teams of reporters sent out by a newspaper mogul, and of course most of the journalists are likewise eaten. But when they tried filming the opening scenes they couldn’t get the mechanical shark’s mouths to open realistically without turning them into snow plows. Dejected, he rewrote the rest of the script around the newspaper mogul and the one good shot of a kid on a sled.

          Peckinpah’s drafts had John Wayne delivering lines like:
          “Fill your jaws, you son of a bitch,”
          “Life’s hard. It’s even harder when you look like a seal,”
          “You’re short on ears and long on teeth, fish mouth,”
          “Well, there are some sharks a man just can’t run away from.”
          “It’s getting to be ri-goddamn-diculous”
          Report

        • George Turner in reply to MikeSchilling says:

          Indeed. (hoping this comment goes in the right spot)

          The idea of jets and sharks in “West Side Story” was based on a concept bouncing around Hollywood where the Sharknado threat to LA is defeated by the timely arrival of North American F-86 Sabre Jets flying out of San Diego.

          The same concept ideas earlier resulted in The Bridges of Toko-Ri where the distraught Naval aviators were originally going to attack shark infested water spouts day after day, losing lots of pilots through collisions with great whites and hammerheads until their nerves were frazzled.

          The lack of adequate special effects technology caused both to be rewritten into unrecognizable and clearly inferior works compared to the glorious goodness of Sharknado, the movie Hollywood has been trying to make for fifty or sixty years.
          Report

  4. TruffautFan says:

    I might be the only person who does not quite get the appeal for these kind of movies. My facebook feed was all abuzz for them. Sayeth the formerly named NewDealerReport

  5. OG Jaybird says:

    And Then It Hit Me:
    THE TOWERING SHARKFERNOReport

    • MikeSchilling in reply to OG Jaybird says:

      Raiders of the Lost SharkReport

    • George Turner in reply to OG Jaybird says:

      Oooo…. Those are both good. Indiana Jones could be afraid of sharks instead of snakes, and the Towering Sharkferno could have people trying various doors to escape. Some doors are hot to the touch, while others have giant sharks standing behind them, or even worse, O..J. Simpson. ^_^

      Speaking of the Towering Inferno era, wouldn’t “The Poisedon Adventure” be ideal, or is that one too easy? “Shark!!!!! Oh, sorry. That’ was Ernest Borgnine.”

      And of course we’d all love a Clint Eastwood sharknado movie directed by Sergio Leone.Report