In a decision with potentially large ramifications, New York Federal Judge LaShann DeArcy Hall won't dismiss a libel suit against "Shitty Media Men" creator Moira Donegan.
Explaining, the judge says it is possible that Donegan created the entry herself. The judge believes that Elliott should be able to explore whether the entry was fabricated. Accordingly, discovery proceeds, which will now put pressure on Google to respond to broad subpoena demands. The next motion stage could feature a high-stakes one about the reaches of CDA 230.
A poem for Wednesday
by Philip Larkin
What do they think has happened, the old fools, To make them like this? Do they somehow suppose It's more grown-up when your mouth hangs open and drools, And you keep on pissing yourself, and can't remember Who called this morning? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching the light move? If they don't (and they can't), it's strange; Why aren't they screaming? At death you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavor To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines - How can they ignore it? Perhaps being old is having lighted rooms Inside you head, and people in them, acting People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a lamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun's Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction's alp, the old fools, never perceiving How near it is. This must be what keeps them quiet: The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end? Not at night? Not when the strangers come? Never, throughout The whole hideous inverted childhood? Well, We shall find out.
You can hear Larkin read the poem here.
(h/t Josh Rutner, via Google reader)